I am a passionate Sound Designer with over 30 years of experience creating soundscapes for a wide range of audiovisual formats. My expertise includes working with both large-scale productions and intimate projects, ensuring the highest standards of sound design and audio quality across various media.

Nerio Gutiérrez Ross

I am a passionate Sound Designer with over 30 years of experience creating soundscapes for a wide range of audiovisual formats. My expertise includes working with both large-scale productions and intimate projects, ensuring the highest standards of sound design and audio quality across various media.

Available to hire

I am a passionate Sound Designer with over 30 years of experience creating soundscapes for a wide range of audiovisual formats. My expertise includes working with both large-scale productions and intimate projects, ensuring the highest standards of sound design and audio quality across various media.

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Skills

Experience Level

Expert

Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Sound Department Director at New Atlantis Line
February 1, 2002 - August 1, 2013
Designed sound for multiple television formats. Installed and commissioned four audio post-production studios, leading and managing the sound department with multidisciplinary teams.
Founder & Director at Playground Estudio
April 1, 2007 - Present
Overseeing full management of recording, post-production, and audiovisual production studios, optimizing audio signal flow for high-end productions.
Sound Engineer / Broadcast Technician (Freelance) at Freelance
September 1, 1991 - Present
Live and studio mixing for television programs in both broadcast and post-production environments, with proficiency in Pro Tools and digital mixing consoles.
Sound Engineer / Broadcast Technician (Freelance) at N/A
September 1, 1991 - Present
Live and studio mixing for television programs and film, with advanced proficiency in various audio technologies.

Education

Sound Engineering Diploma at Taller de Arte Sonoro
September 1, 1991 - July 1, 1995
Sound Engineering Diploma at Taller de Arte Sonoro
September 1, 1991 - July 1, 1995

Qualifications

3 times Latin Grammy nominee
May 4, 2026 - May 4, 2026

Industry Experience

Media & Entertainment, Computers & Electronics
    paper Sound Editor and Mixer for El Colegio Invisible

    https://www.twine.net/signin

    I have been part of El Colegio Invisible for over five years, working on the show since its early days on Onda Cero. I contributed as Sound Engineer, Sound Designer, and Re-recording Mixer, playing a key role in defining and evolving its distinctive sonic identity.

    My work spans the entire audio process — from recording and sound design to dialogue treatment and final mix — with a strong focus on creating immersive, atmospheric storytelling that enhances the narrative experience.

    Over time, El Colegio Invisible has grown into a major success, reaching over 20 million downloads across all platforms while continuing its broadcast on national radio. The project stands as a strong example of high-quality audio storytelling adapted seamlessly between radio and digital formats.

    paper Antartida un mensaje de otro planeta

    Politically, Antarctica is a unique place. Nations around the world have agreed to preserve it as a territory dedicated to peace, science, and environmental protection. In other words, its use is strictly limited to peaceful purposes. But is this spirit truly genuine, or merely an illusion?

    The filmmakers follow scientists, military personnel, activists, and diplomats from Spain, the United States, Russia, Portugal, Chile, and Argentina in search of answers to key questions: who controls the oldest ecosystem on Earth? Is there a covert competition for the exploitation of its valuable natural resources? Could Antarctica become the stage for the next global conflict, or does it stand as an example of peaceful international cooperation?

    The documentary combines breathtaking natural landscapes with sharp political insight, balancing moments of humor with in-depth analysis. The original score was composed by Javier Weyler, former drummer of Stereophonics.

    I worked on the project as Sound Designer, Re-recording Mixer, and Audio Lead, overseeing the full audio pipeline. My role ranged from designing the recording system deployed in Antarctica to leading the dialogue editing team and supervising all stages of audio post-production. I was also responsible for the final 5.1 surround mix, crafting an immersive and cohesive sonic experience. In addition, I served as a producer, contributing to both the creative direction and overall execution of the project.