I am a freelance sound recordist, designer, and filmmaker looking for opportunities in the industry. I have hands-on experience in sound recording, mixing, and design, along with a solid background in film production. I hold an MA in Filmmaking with Distinction and a BA in Media Production with First-Class Honours. These degrees gave me practical experience with a range of equipment and media. I am versatile, reliable, self-managed, and a strong communicator. I always aim to deliver efficient, high-quality work.…

Oscar Griffiths

5.0 (1 review)

I am a freelance sound recordist, designer, and filmmaker looking for opportunities in the industry. I have hands-on experience in sound recording, mixing, and design, along with a solid background in film production. I hold an MA in Filmmaking with Distinction and a BA in Media Production with First-Class Honours. These degrees gave me practical experience with a range of equipment and media. I am versatile, reliable, self-managed, and a strong communicator. I always aim to deliver efficient, high-quality work.…

Available to hire

I am a freelance sound recordist, designer, and filmmaker looking for opportunities in the industry. I have hands-on experience in sound recording, mixing, and design, along with a solid background in film production.

I hold an MA in Filmmaking with Distinction and a BA in Media Production with First-Class Honours. These degrees gave me practical experience with a range of equipment and media. I am versatile, reliable, self-managed, and a strong communicator. I always aim to deliver efficient, high-quality work.

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Language

English
Fluent

Work Experience

Sound Recordist at Darren Goodwin's Awakening Lizzie Borden (Film)
January 12, 2026 - January 17, 2026
Managed all on-location sound recording for the project, ensuring optimal dialogue, ambience, and Foley capture. Coordinated with the director and production team to understand creative direction and required acoustic texture. Converted on-site recordings to digital data with backups, set up and calibrated microphones, monitored levels, and maintained high quality sound throughout shoots from 2026-01-12 to 2026-01-17.
Lead Sound Designer at EXIT (Independent Film) directed by Patrick Astwood
October 10, 2025 - February 3, 2026
Led the sound design for an independent feature, enhancing storytelling through immersive audio cues, coordinating with the director and editor, and delivering tailored soundscapes. Cleaned up captured audio and dialogue, created engaging auditory elements, and produced a final mix suitable for post-production. Worked from October 2025 to February 2026.

Education

BA (Hons) in Media Production at Solent University
September 1, 2020 - April 1, 2024
MA in Film Making (Distinction) at University of Sussex
September 1, 2024 - September 1, 2025

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment
    uniE608 ERROR CODE
    When a synthetic robot begins to malfunction, its cruel owner returns to the corporation that built it for repairs, only to trigger a series of events that will lead to their destruction. This was a collaborative project during my MA course in filmmaking. I wrote the script, edited the film, and starred as one of the film's antagonists. filmmaking studentfilm shortfilm scifi screenwriter…
    uniE608 Line Nine
    Where fringe meets fact, and one survives. The sardonic host of the late-night live stream show, 'Line Nine', begins to question his reality after receiving a series of strange calls. This was my final project during my MA course. Line Nine focuses on themes of digital anxiety, conspiracies, and online paranoia. filmdirector filmmaker studentfilm shortfilm psychological…
    paper Seven Foot Man (2026)

    Louise Fairbrother, the director, brought me on as the sound recordist for this short film. I handled all location sound, ensuring dialogue, ambient sounds, and Foley were recorded clearly.

    I worked with Louise and the team to understand their needs, set up microphones, manage audio levels, check sound quality, and create digital backups. Both Louise and the editor gave me positive feedback. I’m grateful for the chance to work on this project and for everything I learned.

    paper Awakening Lizzie Borden (2026)

    Darren Goodwin, the film’s producer, hired me as the sound recordist for this micro-budget horror project. I handled all aspects of location sound, making sure dialogue, ambient sounds, and Foley were captured clearly.

    I worked closely with the director and production team to understand their requirements, set up microphones, manage audio levels, monitor sound quality, and convert everything into digital files with backups.

    This was my first feature film, and both Darren Goodwin and the editor, Jamie Pascoe, gave me a lot of positive feedback. I appreciate the opportunity and the experience I gained.