I love the wild culture of the seventies. Especially the culture of disco, american old-school, whose origins were in soul and funk music. After a two-year work on the trip-hop / downtempo project (mute-actor), I decided it was time to create what I can transfer all this love and ideas that just exploded outwards. What I do - sort of contemporary reinterpretation of the original house-grooves, recorded current trends and actually my personal vision (of course, if I may say so) of how it should sound. But not only disco-house. In general, initially, when the project was conceived (at one point, even for fun), it was more experimental direction, closer to the raw and crude techno sound. This idea has gone by the wayside, but not completely disappeared and the realization techno-oriented / raw material will also be present, though less frequently than deep / disco / house work. for booking all questions & proposals mail at _Email not available. Sign in: https://www.twine.net/signup_…I love the wild culture of the seventies. Especially the culture of disco, american old-school, whose origins were in soul and funk music. After a two-year work on the trip-hop / downtempo project (mute-actor), I decided it was time to create what I can transfer all this love and ideas that just exploded outwards. What I do - sort of contemporary reinterpretation of the original house-grooves, recorded current trends and actually my personal vision (of course, if I may say so) of how it should sound. But not only disco-house. In general, initially, when the project was conceived (at one point, even for fun), it was more experimental direction, closer to the raw and crude techno sound. This idea has gone by the wayside, but not completely disappeared and the realization techno-oriented / raw material will also be present, though less frequently than deep / disco / house work. for booking all questions & proposals mail at _Email not available. Sign in: https://www.twine.net/signup_WWWW…