I’m a French director, editor, and multidisciplinary filmmaker with a strong passion for image-based storytelling. I grew up in Paris—surrounded by art, cinema, and culture—which shaped the way I see visual narratives and pushed me to pursue filmmaking early on. Today, I’m based in New York City, continuing to expand my craft across directing, editing, cinematography, and on-set production roles. I studied Writing and Directing at ESRA Paris, and later completed an exchange year in filmmaking and audio engineering at Stonestreet Studios in NYC. During those years, I threw myself into as many projects as possible, both as a filmmaker and a crew member. One of my most meaningful projects, Narcolepsy, was selected for the Short Film Corner at the 2025 Cannes Film Festival, and won multiple awards from the ESRA Professional Jury, including Best Film, Best Editing, Best Screenplay, and Best Sound. I also directed earlier narrative projects such as The Monkey’s Paw and Un Cas Vous Dites?, which helped me develop my visual language and confidence as a storyteller. Throughout my training and early career, I’ve also taken on a wide range of technical and production roles. I’ve worked as a 1st Assistant Camera, electrician, grip, DIT/media manager, and on-set photographer on various short films and independent productions in Paris and New York. These experiences taught me how a set truly functions, how to support a crew efficiently, and how to solve problems quickly while protecting the creative vision. In parallel, I’ve been writing as a film critic for Pelliculte, covering premieres, festivals, and new releases—including yearly coverage of the American Film Festival in Deauville. I’ve also gained experience in production offices, including my time at Bagan Films, where I handled script coverage, scheduling, budgeting support, and coordination with international partners. Whether I’m directing actors, shaping a story in the edit, lighting a scene, or supporting a production team, I thrive in environments where creativity meets precision. I love working under pressure, adapting quickly, and collaborating with people who share a passion for storytelling. My goal is to keep building meaningful, visually compelling work—both in the U.S. and in France—while continually expanding my skills on set and behind the camera.…I’m a French director, editor, and multidisciplinary filmmaker with a strong passion for image-based storytelling. I grew up in Paris—surrounded by art, cinema, and culture—which shaped the way I see visual narratives and pushed me to pursue filmmaking early on. Today, I’m based in New York City, continuing to expand my craft across directing, editing, cinematography, and on-set production roles. I studied Writing and Directing at ESRA Paris, and later completed an exchange year in filmmaking and audio engineering at Stonestreet Studios in NYC. During those years, I threw myself into as many projects as possible, both as a filmmaker and a crew member. One of my most meaningful projects, Narcolepsy, was selected for the Short Film Corner at the 2025 Cannes Film Festival, and won multiple awards from the ESRA Professional Jury, including Best Film, Best Editing, Best Screenplay, and Best Sound. I also directed earlier narrative projects such as The Monkey’s Paw and Un Cas Vous Dites?, which helped me develop my visual language and confidence as a storyteller. Throughout my training and early career, I’ve also taken on a wide range of technical and production roles. I’ve worked as a 1st Assistant Camera, electrician, grip, DIT/media manager, and on-set photographer on various short films and independent productions in Paris and New York. These experiences taught me how a set truly functions, how to support a crew efficiently, and how to solve problems quickly while protecting the creative vision. In parallel, I’ve been writing as a film critic for Pelliculte, covering premieres, festivals, and new releases—including yearly coverage of the American Film Festival in Deauville. I’ve also gained experience in production offices, including my time at Bagan Films, where I handled script coverage, scheduling, budgeting support, and coordination with international partners. Whether I’m directing actors, shaping a story in the edit, lighting a scene, or supporting a production team, I thrive in environments where creativity meets precision. I love working under pressure, adapting quickly, and collaborating with people who share a passion for storytelling. My goal is to keep building meaningful, visually compelling work—both in the U.S. and in France—while continually expanding my skills on set and behind the camera.WWWW…