Musical director of INTERESTELAB — an underground, transgressive collective that brings together musicians, dancers, photographers, and visual artists from across the Iberian Peninsula. The project focuses on the intersection of sound, body, and image, creating hybrid performances and experimental productions that explore the boundaries of stage and sound art.

As a composer and producer, I design original scores that become active voices within the scene, blending flamenco, electronic textures, poetry, and improvisation in dialogue with movement and visual narrative.

Commissioned by the Filmoteca de Catalunya, this project involved composing an original soundtrack for a classic silent film. The score was designed to enhance the emotional depth and rhythm of the film, while respecting its historical tone. The result was performed in a live cinema setting, reimagining the viewing experience through a contemporary musical lens.

This piece was created in collaboration with dancer and choreographer Karen Lugo. It’s a music and video project that integrates strong choreographic elements with original music specifically composed to dialogue with the movement. The result is a rhythmic and theatrical audiovisual language that blurs the line between music video and contemporary dance.

Produced and composed music for this performance-based music video by Ana Casado (aka Medusa). The piece combines a strong visual concept with an original composition crafted specifically for the artist, and was mastered in London. It’s a hybrid of scenic storytelling and electronic-infused songwriting.

Original music composed for “Closet”, a contemporary flamenco production by La Compañía Mutable, based in Madrid. The show explores identity, transformation, and the tension between inner and outer expression through flamenco, theatrical staging, and live music.

A musical composition created for a dance piece by choreographers Marcos Flores and Karen Lugo, premiered at Teatros del Canal (Madrid, Spain). The piece was a tribute to the legendary flamenco singer Enrique Morente, and my version reimagines a symphonic work with a focus on scenic dance — giving it a strong rhythmic and emotional identity suited for the stage.