I’m a motion designer with 20 years across motion design, CGI, and animation, with brands such as Ford, McDonald's, TVNZ, and Star Trek, supported by agency experience across Colenso BBDO, Ogilvy, and Havas. I’m currently on a 3D motion contract with Cheil working on Samsung’s new flip phone line, and I recently delivered a Gillette x NBA campaign through Havas—including a large-format build featuring a scaled-up, fully re-skinned 3D razor mounted on a Melbourne tram. Large-format and real-world entertainment environments are where I’ve spent much of my career. I’ve created installations, wall video content, rotating projection pieces, and light shows for festivals in Auckland, designing work that holds up at scale across multiple surfaces—not just on a screen. I’m strong in Adobe Creative Suite (especially After Effects and Premiere Pro) with solid Cinema 4D skills, and I’m comfortable owning projects end-to-end from concept and storyboard through to polished delivery.…I’m a motion designer with 20 years across motion design, CGI, and animation, with brands such as Ford, McDonald's, TVNZ, and Star Trek, supported by agency experience across Colenso BBDO, Ogilvy, and Havas. I’m currently on a 3D motion contract with Cheil working on Samsung’s new flip phone line, and I recently delivered a Gillette x NBA campaign through Havas—including a large-format build featuring a scaled-up, fully re-skinned 3D razor mounted on a Melbourne tram. Large-format and real-world entertainment environments are where I’ve spent much of my career. I’ve created installations, wall video content, rotating projection pieces, and light shows for festivals in Auckland, designing work that holds up at scale across multiple surfaces—not just on a screen. I’m strong in Adobe Creative Suite (especially After Effects and Premiere Pro) with solid Cinema 4D skills, and I’m comfortable owning projects end-to-end from concept and storyboard through to polished delivery.WWWW…