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I’m Philip Clements, an award-winning Foley Editor and Re-recording Mixer with over 15 years’ experience in the film and TV industry. I use Pro Tools and related audio workflows to record, edit, and mix detailed sound work that supports the story—bringing scenes to life with clarity, impact, and consistency. Across my career I’ve worked on high-profile series including The Crown, Peaky Blinders, and Chernobyl, and I’ve been recognised with an Emmy Award for Sound Editing. Whether in-house at major post-production studios or freelancing, I enjoy collaborating with directors, producers, and supervisors, managing delivery schedules, and building strong relationships with audio professionals in the UK and internationally.…I’m Philip Clements, an award-winning Foley Editor and Re-recording Mixer with over 15 years’ experience in the film and TV industry. I use Pro Tools and related audio workflows to record, edit, and mix detailed sound work that supports the story—bringing scenes to life with clarity, impact, and consistency. Across my career I’ve worked on high-profile series including The Crown, Peaky Blinders, and Chernobyl, and I’ve been recognised with an Emmy Award for Sound Editing. Whether in-house at major post-production studios or freelancing, I enjoy collaborating with directors, producers, and supervisors, managing delivery schedules, and building strong relationships with audio professionals in the UK and internationally.

Philip Clements

Sound Editor, Audio Mixer, Sound Engineer, +3

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I’m Philip Clements, an award-winning Foley Editor and Re-recording Mixer with over 15 years’ experience in the film and TV industry. I use Pro Tools and related audio workflows to record, edit, and mix detailed sound work that supports the story—bringing scenes to life with clarity, impact, and consistency. Across my career I’ve worked on high-profile series including The Crown, Peaky Blinders, and Chernobyl, and I’ve been recognised with an Emmy Award for Sound Editing. Whether in-house at major post-production studios or freelancing, I enjoy collaborating with directors, producers, and supervisors, managing delivery schedules, and building strong relationships with audio professionals in the UK and internationally.…I’m Philip Clements, an award-winning Foley Editor and Re-recording Mixer with over 15 years’ experience in the film and TV industry. I use Pro Tools and related audio workflows to record, edit, and mix detailed sound work that supports the story—bringing scenes to life with clarity, impact, and consistency. Across my career I’ve worked on high-profile series including The Crown, Peaky Blinders, and Chernobyl, and I’ve been recognised with an Emmy Award for Sound Editing. Whether in-house at major post-production studios or freelancing, I enjoy collaborating with directors, producers, and supervisors, managing delivery schedules, and building strong relationships with audio professionals in the UK and internationally.

Available to hire

I’m Philip Clements, an award-winning Foley Editor and Re-recording Mixer with over 15 years’ experience in the film and TV industry. I use Pro Tools and related audio workflows to record, edit, and mix detailed sound work that supports the story—bringing scenes to life with clarity, impact, and consistency.

Across my career I’ve worked on high-profile series including The Crown, Peaky Blinders, and Chernobyl, and I’ve been recognised with an Emmy Award for Sound Editing. Whether in-house at major post-production studios or freelancing, I enjoy collaborating with directors, producers, and supervisors, managing delivery schedules, and building strong relationships with audio professionals in the UK and internationally.

Skills

Mix

Audio

Experience Level

Mix

Expert

Audio

Expert

Work Experience

Foley Editor/Mixer

March 1, 2021 - March 1, 2026

Recorded and edited Foley for TV shows for Disney, Netflix, ITV, and Channel 4. Cultivated strong working relationships with leading audio professionals in the UK and internationally, creating collaboration opportunities across teams and projects. Managed freelance schedules, negotiated terms, and secured contracts with post-production houses to optimise workflow and support reliable project delivery.

Freelance Foley Editor

March 1, 2020 - March 1, 2021

Worked as a freelance sound editor, teaming up with talented sound supervisors, directors, and producers to deliver Foley sound and supporting audio work for production needs. Maintained excellent communication with colleagues and clients while working closely within creative and post-production teams.

Foley Editor/Mixer at Boom Post Ltd

June 1, 2008 - March 1, 2020

Led the Foley team at Boom Post in Soho, one of the country’s leading sound post-production studios. Designed and delivered training programmes for runners and junior staff to strengthen their technical skills and industry knowledge. Managed studio scheduling, staff assignments, and project workflows for numerous high-end TV dramas. Played a pivotal role as Foley Mixer and Editor on acclaimed, high-budget productions including The Crown and Chernobyl.