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I am a post-production professional with experience supporting feature films, documentaries, broadcast television, and branded content. I have worked extensively as an assistant editor and offline editor in Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X, managing everything from media ingest, dailies, syncing, bin organisation, stringouts, and review exports through to turnovers for sound, VFX, online, and final delivery. I enjoy bringing a calm, methodical approach to busy editorial environments and take pride in keeping projects organised, accessible, and on schedule. My background also includes assembly editing, online editing, quality control, camera operation, directing, and writing, giving me a broad understanding of the production process and strong creative communication with editors, directors, producers, and post teams. I have contributed to internationally distributed and festival-selected productions, including feature films and documentaries connected with Sundance Film Festival, and I am comfortable adapting to different workflows, software platforms, and production requirements while maintaining a high standard of technical accuracy.…I am a post-production professional with experience supporting feature films, documentaries, broadcast television, and branded content. I have worked extensively as an assistant editor and offline editor in Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X, managing everything from media ingest, dailies, syncing, bin organisation, stringouts, and review exports through to turnovers for sound, VFX, online, and final delivery. I enjoy bringing a calm, methodical approach to busy editorial environments and take pride in keeping projects organised, accessible, and on schedule. My background also includes assembly editing, online editing, quality control, camera operation, directing, and writing, giving me a broad understanding of the production process and strong creative communication with editors, directors, producers, and post teams. I have contributed to internationally distributed and festival-selected productions, including feature films and documentaries connected with Sundance Film Festival, and I am comfortable adapting to different workflows, software platforms, and production requirements while maintaining a high standard of technical accuracy.

Phillip Nashed

Assistant Editor, Post-Production, Video Editor, +2

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I am a post-production professional with experience supporting feature films, documentaries, broadcast television, and branded content. I have worked extensively as an assistant editor and offline editor in Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X, managing everything from media ingest, dailies, syncing, bin organisation, stringouts, and review exports through to turnovers for sound, VFX, online, and final delivery. I enjoy bringing a calm, methodical approach to busy editorial environments and take pride in keeping projects organised, accessible, and on schedule. My background also includes assembly editing, online editing, quality control, camera operation, directing, and writing, giving me a broad understanding of the production process and strong creative communication with editors, directors, producers, and post teams. I have contributed to internationally distributed and festival-selected productions, including feature films and documentaries connected with Sundance Film Festival, and I am comfortable adapting to different workflows, software platforms, and production requirements while maintaining a high standard of technical accuracy.…I am a post-production professional with experience supporting feature films, documentaries, broadcast television, and branded content. I have worked extensively as an assistant editor and offline editor in Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X, managing everything from media ingest, dailies, syncing, bin organisation, stringouts, and review exports through to turnovers for sound, VFX, online, and final delivery. I enjoy bringing a calm, methodical approach to busy editorial environments and take pride in keeping projects organised, accessible, and on schedule. My background also includes assembly editing, online editing, quality control, camera operation, directing, and writing, giving me a broad understanding of the production process and strong creative communication with editors, directors, producers, and post teams. I have contributed to internationally distributed and festival-selected productions, including feature films and documentaries connected with Sundance Film Festival, and I am comfortable adapting to different workflows, software platforms, and production requirements while maintaining a high standard of technical accuracy.

Available to hire

I am a post-production professional with experience supporting feature films, documentaries, broadcast television, and branded content. I have worked extensively as an assistant editor and offline editor in Avid Media Composer, Adobe Premiere Pro, and Final Cut Pro X, managing everything from media ingest, dailies, syncing, bin organisation, stringouts, and review exports through to turnovers for sound, VFX, online, and final delivery. I enjoy bringing a calm, methodical approach to busy editorial environments and take pride in keeping projects organised, accessible, and on schedule.

My background also includes assembly editing, online editing, quality control, camera operation, directing, and writing, giving me a broad understanding of the production process and strong creative communication with editors, directors, producers, and post teams. I have contributed to internationally distributed and festival-selected productions, including feature films and documentaries connected with Sundance Film Festival, and I am comfortable adapting to different workflows, software platforms, and production requirements while maintaining a high standard of technical accuracy.

Skills

Experience Level

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Intermediate

DaVinci Resolve Studio

Intermediate

Intermediate

Intermediate

Intermediate

Work Experience

Quality Control Technician (Freelance) at Lunar Pictures

April 1, 2026 - Present

Performing quality control on picture and sound deliverables for The Room Below, including sync verification, visual and audio issue checks, subtitle review, and validation of export specifications. Reviewing final masters against broadcast and distribution requirements, identifying picture artefacts, audio drift, and metadata inconsistencies, and maintaining clear QC documentation to support handover between editorial, online, sound, and delivery teams.

Assistant Editor / Editor at Legendary Entertainment / Spectrum Films

August 1, 2025 - October 1, 2025

Provided assistant editorial and editing support on the feature film Street Fighter, working alongside the supervising editor in Avid Media Composer. Managed dailies ingest, bin organisation, media continuity, version control, and project access across the production schedule. Built sizzle reels and stunt-vis sequences for director and producer review, and coordinated materials for turnovers to sound, VFX, and online departments.

2nd Assistant Editor at 20th Century Studios / Spectrum Films

January 1, 2025 - May 1, 2025

Supported the 1st Assistant Editor and offline editor on the feature film Send Help in Avid Media Composer. Managed media ingest, logging, and dailies syncing while maintaining a clean project and bin structure. Coordinated asset delivery between production offices in Sydney, Los Angeles, and Thailand, prepared review exports, distributed materials to producers and post-production teams, and maintained project databases, version logs, and archive records.

Assistant Editor / Assembly Editor / Online Editor at Independent Production

October 1, 2024 - December 1, 2024

Worked across multiple post-production roles on the feature film The Room Below, from project setup and assembly editing through to online delivery. Set up and maintained the editorial project, organised media, prepared the assembly cut, supported ongoing sequence work and review cut assembly, and delivered online edits and final review packages in line with production timelines and broadcast requirements.

1st Assistant Editor at Heretic Foundation

August 1, 2024 - October 1, 2024

Managed project organisation and media within Final Cut Pro X for the long-form production R.U.R. Rossum's Universal Robots, directed by Alex Proyas. Coordinated media ingest, clip organisation, and metadata tagging from shoot through offline. Built and maintained previs sequences and storyboard cuts for director and producer review, managed AI audio-sync workflows, and supported the editor throughout the offline cutting period.

Assistant Editor at In-Films / Spectrum Films

October 1, 2023 - January 1, 2024

Delivered full assistant editorial support on the feature documentary Sentient throughout the offline post period. Organised and maintained the Avid project across synced footage, interview bins, selects sequences, and editorial deliverables. Managed archive tracking and material continuity during handovers, prepared review cuts for director and producer approval, and supported final turnover and archive preparation for festival delivery.

Assistant Editor at Wildbear Entertainment

October 1, 2022 - October 1, 2023

Provided assistant editorial support across a 12-month engagement on documentary productions including The Black Hand for ABC TV and Every Little Thing. Managed media ingest, folder structures, proxy workflows, rushes, selects, stringouts, and metadata in Adobe Premiere Pro. Contributed to assembly and rough-cut preparation, supported review exports and file distribution, and maintained archive processes across multiple concurrent projects.

Video Editor at ISC Films

June 1, 2022 - September 1, 2022

Edited long-form documentary content for The Art of Survival in Adobe Premiere Pro. Managed project organisation and media handling throughout the edit and delivered export packages and review files in line with production schedules and broadcast delivery requirements.

Editor / Camera Operator at The PMN Group

January 1, 2014 - December 31, 2021

Delivered editing and production support across branded, corporate, interview, and short-form content from 2014 to 2021. Developed foundational experience in project organisation, timeline management, camera operation, and client-facing delivery. Provided editorial support for promotional trailer content associated with Terminator: Dark Fate.