Rashieq Sasman

Provided targeted creative and visual arts instruction and ad-hoc coverage initially as a visual arts specialist. Appointed by the School Governing Body (SGB) on a formal three-year contract to manage the creative and visual arts curriculum.

Created detailed concept art and advanced matte paintings using complex color theory and lighting for high-profile productions, including HBO’s Raised By Wolves (Season 2), Disney’s Black Beauty, and Netflix’s The Kissing Booth. Produced high-quality visual assets such as turnaround sheets and storyboards for major films including Monster Hunter, Mowgli, and Deep Blue Sea 2 & 3. Designed character and environment concepts for global brands (Nike, Colgate, Nestle). Also contributed game assets, slot designs, and narrative storyboards for Yggdrasil (Vikings 3) and Betsoft (Dead Man’s Cove), and produced immersive world-building assets for Zau: Tales of Kenzera (Epic Games/Surgent Studios).

Roto for film Mowgli (2018); texturing and matte painting for Netflix 'The Kissing Booth'; concept art, design and storyboards for Yggdrasil games such as 'Vikings 3' and Betsoft's 'Dead Man’s Cove'; matte painting and design for 'Hooten and the Lady', 'The Last Post'; Deep Blue Sea 2 & 3 films and 'Monster Hunter' (2020); matte painting/concept art for 'Black Beauty' (2020) Disney; character and environment concept art for ads (Flying Fish, Colgate, SKII, Nestlé); concept art for Raised By Wolves Season 2 (HBO); in-house short films for BlackGinger; Zau: Tales Of Kanzera for Epic Games (2024 PS5/Xbox Series); digital paintings for Mad Little Badger: A Cape Town Song documentary.