I am a Director of Photography and Colourist with 15+ years of experience across documentaries, music videos, ads, live events and corporate work, now specializing at the intersection of cinematography and AI systems. I use my background in visual storytelling, lighting, composition and color grading to evaluate and guide AI models that generate and edit images and video.
Recently, I have been working as an AI Trainer on large-scale image-editing and instruction-following projects, consistently ranking among the top contributors. For me, a DoP is not defined by holding a camera, but by speaking the language of cinematic imagery: framing, rhythm, light and emotion. Just as email didn’t eliminate the post office but instead allowed messages to move faster, AI isn’t here to erase creative roles — it accelerates them. Historically, new tools didn’t take away craftsmanship; they expanded what skilled people could achieve. I approach technology the same way — I like to look under the hood. I am open to remote and hybrid roles where I can help frontier AI and creative teams reach higher visual quality and more robust models.
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