I’m Rendy, a music producer, composer, and sound designer with 10+ years of experience across radio broadcasting, music production, and digital content creation in Indonesia. I enjoy creating original music, audio branding, jingles, theme songs, and sound design from concept through final delivery—ensuring everything feels consistent, engaging, and broadcast-ready. In addition to producing and editing for radio programs (including daily cultural programming), I also handle audio post-production such as cleaning dialogue, mixing, mastering, and sound optimization for YouTube series. I’ve produced content for live on-air and live-streamed music performances, edited short-form TikTok videos with audio-visual alignment, and collaborated closely with production, programming, and marketing teams to deliver high-quality multimedia content.…

Rendyarr

I’m Rendy, a music producer, composer, and sound designer with 10+ years of experience across radio broadcasting, music production, and digital content creation in Indonesia. I enjoy creating original music, audio branding, jingles, theme songs, and sound design from concept through final delivery—ensuring everything feels consistent, engaging, and broadcast-ready. In addition to producing and editing for radio programs (including daily cultural programming), I also handle audio post-production such as cleaning dialogue, mixing, mastering, and sound optimization for YouTube series. I’ve produced content for live on-air and live-streamed music performances, edited short-form TikTok videos with audio-visual alignment, and collaborated closely with production, programming, and marketing teams to deliver high-quality multimedia content.…

Available to hire

I’m Rendy, a music producer, composer, and sound designer with 10+ years of experience across radio broadcasting, music production, and digital content creation in Indonesia. I enjoy creating original music, audio branding, jingles, theme songs, and sound design from concept through final delivery—ensuring everything feels consistent, engaging, and broadcast-ready.

In addition to producing and editing for radio programs (including daily cultural programming), I also handle audio post-production such as cleaning dialogue, mixing, mastering, and sound optimization for YouTube series. I’ve produced content for live on-air and live-streamed music performances, edited short-form TikTok videos with audio-visual alignment, and collaborated closely with production, programming, and marketing teams to deliver high-quality multimedia content.

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Language

Indonesian
Advanced
English
Intermediate

Work Experience

Original Soundtrack (Composer)
January 1, 2012 - Present
Created the original soundtrack for the independent film “Miss Lebay”.
Arranger, Vocal Director & Guitarist
January 1, 2012 - Present
Worked as Arranger, Vocal Director, and Guitarist for the project “Karaoke’s Bad Name (Re-Issue EP)”.
Lead Guitarist
January 1, 2012 - Present
Worked as Lead Guitarist for the album project “Sound of Hanamgke”.
Producer & Arranger at Liliium
January 1, 2012 - Present
Served as Producer and Arranger for the project.
Producer & Vocal Director at SAM S iTeS
January 1, 2012 - Present
Served as Producer and Vocal Director for the project.
Producer & Vocal Director at EvaTra — EvaTra EP
January 1, 2012 - Present
Served as Producer and Vocal Director for the project.
Producer / Content Producer at Radio Cakra 90.5 FM, Ardan Group, Bandung
January 1, 2012 - January 1, 2023
Managed and coordinated multiple radio programs, including commercial remote broadcasts, live on-air productions, and live-streamed music performances. Oversaw production and scheduling for the daily cultural program “Hariring Dangding dan Dongeng Sunda,” maintaining content quality and consistency. Produced original theme songs, station imaging, event music, and brand jingles for various programs and special events. Edited and enhanced audio for YouTube series (dialogue clean-up, mixing, mastering, sound optimization). Created and edited daily short-form video content for TikTok, optimizing audio-visual engagement and audience retention. Collaborated with programming, marketing, and production teams to deliver high-quality multimedia content across radio and digital platforms.
Audio Production / Audio Program Writer
January 1, 2009 - January 1, 2014
Produced audio content for radio broadcasting, including station jingles, commercial advertisements, promotional spots, and program imaging. Designed sound elements to strengthen brand identity, increase listener engagement, and support on-air production quality. Edited, mixed, and mastered audio materials to meet broadcast standards and technical requirements, and collaborated with marketing, programming, and production teams to develop audio campaigns and promotional content.

Education

Bachelor of Music at Pasundan University
January 1, 2008 - January 1, 2012

Qualifications

Audio Kinetic WhisE (Certification Program)
January 1, 2017 - October 3, 2026

Industry Experience

Media & Entertainment, Education
    Casablanca Parfume - Jingle Competition
    For Casablanca's youth jingle competition, I started by researching product keywords to build rhythmic lyrics and memorable tunes. Although EDM was dominant that year, we chose a different path. With nothing to lose, we used this project as a playground to explore an epic, cinematic sound. While we didn't take home the win, this project showcases my passion in cinematic audio production.…
    Sound Design and Composition for gaming related company
    My client is an RMT company within the MMO gaming community. They built a P2P trading platform and needed notification sounds that matched their audience and business. I was tasked with creating a set of gaming-style notification sounds for their website. The first sound was the General notification. Initially, the client described the mood as "tense," so I created a preview using a minor tonality. After hearing it, they clarified that they wanted something "tense but happy." Once I understood the direction, I adjusted the tonality and delivered a more suitable version. They later used the melody as background music for other online content. For the Boosting Order notification, the client wanted something more memorable and exciting. I created an epic-style sound with a cinematic, battle-inspired atmosphere to emphasize the importance of receiving a new order. The final sound was for the Wallet notification. We originally agreed on a simple design, but I decided to give it a magical, fairy-like character to match the Boosting Order theme. After the first review, the client felt the musical element was too subtle, so I added a light harp melody. The revised version met their expectations perfectly. The different styles exist because these sounds were commissioned at different times, with different creative directions from the client. The last one is a sound design concept for bumper overlays designed for Instagram and TikTok live streaming. Featuring custom sound effects and an AI-generated voice-over, the design enhances transitions, grabs attention, and adds a more dynamic feel to live content.…
    Sound Design and Composition for gaming related company
    My client is an RMT company within the MMO gaming community. They built a P2P trading platform and needed notification sounds that matched their audience and business. I was tasked with creating a set of gaming-style notification sounds for their website. The first sound was the General notification. Initially, the client described the mood as "tense," so I created a preview using a minor tonality. After hearing it, they clarified that they wanted something "tense but happy." Once I understood the direction, I adjusted the tonality and delivered a more suitable version. They later used the melody as background music for other online content. For the Boosting Order notification, the client wanted something more memorable and exciting. I created an epic-style sound with a cinematic, battle-inspired atmosphere to emphasize the importance of receiving a new order. The final sound was for the Wallet notification. We originally agreed on a simple design, but I decided to give it a magical, fairy-like character to match the Boosting Order theme. After the first review, the client felt the musical element was too subtle, so I added a light harp melody. The revised version met their expectations perfectly. The different styles exist because the client commissioned these sounds at different times, with different creative directions. The last one is a sound design concept for bumper overlays designed for Instagram and TikTok live streaming. Featuring custom sound effects and an AI-generated voice-over, the design enhances transitions, grabs attention, and adds a more dynamic feel to live content.…
    POPDA JABAR XIII - Sport Event
    POPDA (Pekan Olahraga Pelajar Daerah) is a government-organized student sports event. In 2023, it was held in the province of West Java (Jawa Barat). The organizer commissioned me to compose music for the opening ceremony, athlete parade (defile), and closing ceremony. Due to limited information about the event and without detailed discussions regarding the musical genre, style, or stage performances, I decided to incorporate Sundanese ethnic elements into each composition. For me, representing the local cultural identity through music is an essential part of creating a meaningful soundtrack for an event of this scale. For example, in the defile segment, I composed a fusion-style piece that gradually transitions into heavy metal, incorporating motifs from Sabilulungan, a well-known Sundanese folk song. This approach allowed me to combine contemporary energy with traditional cultural elements, reflecting both the spirit of competition and the identity of West Java.…