Hi, I’m Shreejit Madhavan Nair, a film editor and post-production professional with over 15 years of experience across Indian cinema, television, and advertising. I specialize in offline editing, on-set DIT/workflow setup, color management, and building efficient post pipelines that keep productions on schedule while delivering high-quality results. I’ve worked across features, shorts, and corporate projects, collaborating closely with directors, producers, and crews to craft compelling narratives and seamless deliveries. I enjoy solving complex workflow challenges and mentoring teams to adopt best practices in post production. My project resume includes work with Phantom, Red Chillies, Roy Kapur Films, Drishyam Films, and several other studios, spanning award-winning features to major campaigns. I’m passionate about storytelling through editing and committed to delivering polished, on-time outputs from set to screen.

Shreejit Madhavan Nair

Hi, I’m Shreejit Madhavan Nair, a film editor and post-production professional with over 15 years of experience across Indian cinema, television, and advertising. I specialize in offline editing, on-set DIT/workflow setup, color management, and building efficient post pipelines that keep productions on schedule while delivering high-quality results. I’ve worked across features, shorts, and corporate projects, collaborating closely with directors, producers, and crews to craft compelling narratives and seamless deliveries. I enjoy solving complex workflow challenges and mentoring teams to adopt best practices in post production. My project resume includes work with Phantom, Red Chillies, Roy Kapur Films, Drishyam Films, and several other studios, spanning award-winning features to major campaigns. I’m passionate about storytelling through editing and committed to delivering polished, on-time outputs from set to screen.

Available to hire

Hi, I’m Shreejit Madhavan Nair, a film editor and post-production professional with over 15 years of experience across Indian cinema, television, and advertising. I specialize in offline editing, on-set DIT/workflow setup, color management, and building efficient post pipelines that keep productions on schedule while delivering high-quality results. I’ve worked across features, shorts, and corporate projects, collaborating closely with directors, producers, and crews to craft compelling narratives and seamless deliveries.

I enjoy solving complex workflow challenges and mentoring teams to adopt best practices in post production. My project resume includes work with Phantom, Red Chillies, Roy Kapur Films, Drishyam Films, and several other studios, spanning award-winning features to major campaigns. I’m passionate about storytelling through editing and committed to delivering polished, on-time outputs from set to screen.

See more

Language

English
Fluent
Hindi
Advanced
Marathi (Marāṭhī)
Advanced

Work Experience

DIT / Data & Workflow at Content Factory
January 1, 2020 - December 31, 2020
Edited and colored for a TV commercial (Mental Health PSA) for Times Network; managed data and delivery.
DIT / Data & Workflow at Content Factory / Friday Film Works
January 1, 2020 - December 31, 2020
DIT data and workflow for various projects including Special OPS; on‑set to post pipeline support and transcoding.
DIT / Data & Workflow at Content Factory / Times Network
January 1, 2020 - December 31, 2020
DIT / Data workflow; edited and color graded a Mental Health PSA for Times Network.
DIT / Data & Workflow at Friday Film Works
January 1, 2020 - December 31, 2020
DIT/Data & Workflow for multiple projects including Disney+ Hotstar, Netflix, and Prime Video collaborations; on-set data handling and delivery.
DIT / Post Production at Content Factory
January 1, 2020 - December 31, 2020
DIT/Data & Workflow and colorist support for a Times Network PSA on Mental Health; post-production coordination.
Chief Editor at Munish Raizada Films
April 1, 2019 - November 30, 2019
Chief Editor for a documentary; responsibilities included editorial direction and overall post-production workflow (Apr–Nov 2019).
Line Producer at Friday Film Works
January 1, 2019 - December 31, 2019
DID data and workflow for multiple documentaries; on-set coordination and post‑production oversight.
DIT / Data & Workflow at Friday Film Works
January 1, 2019 - December 31, 2019
The Relationship Manager (short) and other Friday Film Works projects.
DIT / Data & Workflow at Friday Film Works
January 1, 2019 - December 31, 2019
Special OPS 2019 post production data & workflow; on two documentaries.
DIT / Post Production / Special OPS at Friday Film Works
January 1, 2019 - December 31, 2019
DIT/Data & Workflow for Special OPS and related projects; post-production workflows and documentation.
DIT Data and Workflow at Drishyam Films
January 1, 2018 - December 31, 2018
DIT data and workflow for Aadhaar (Suman Ghosh) in Ranchi; maintained data integrity and delivery readiness.
DIT / Data & Workflow at Drishyam Films
January 1, 2018 - December 31, 2018
DIT data and workflow for AADHAAR (Ranchi); on-set data management and post coordination.
DIT / Data & Workflow at Drishyam Films Pvt Ltd
January 1, 2018 - December 31, 2018
DIT & Data workflow for Aadhaar directed by Suman Ghosh (Ranchi).
DIT / On-Set Editor at Aadhaar
January 1, 2018 - December 31, 2018
DIT data & workflow for Aadhaar (Director Suman Ghosh) in Ranchi; on-set data management and delivery readiness.
DIT & Data & Workflow at Roy Kapur Films
January 1, 2017 - December 31, 2017
DIT and data workflow for The Sky is Pink (Shonali Bose) and related shoots; supported post-production pipeline and delivery.
DIT / Data & Workflow at Various Netflix/Disney+ / Friday Film Works
January 1, 2017 - Present
DIT data and workflow for multiple high-profile projects (The Sky is Pink, AadhaAR, Jab Harry Met Sejal, etc.); on‑set to post pipeline optimization.
DIT / Data & Workflow at Roy Kapur Films
January 1, 2017 - December 31, 2017
DIT & Data workflow for The Sky is Pink (Shonali Bose); in progress.
DIT / On-Set Editor at The Sky Is Pink
January 1, 2017 - December 31, 2017
DIT and data workflow for Roy Kapur Films' The Sky is Pink; supported on-set data management and post workflow.
DIT & Data & Workflow / On-Set Editing at Red Chillies Entertainment / JAB HARRY MET SEJAL
January 1, 2016 - December 31, 2016
DIT and data workflow for high-profile feature; contributed to on-set editorial readiness and post-production pipeline.
Chief Editor / On-Set Editor at Jab An Award‑Winning / Moshe Production
January 1, 2016 - December 31, 2016
Edited two short films (Ajanm, Durga) and performed on‑set DIT / post workflow for Marathi short features.
DIT / Data & Workflow Specialist at Red Chillies Entertainment
January 1, 2016 - December 31, 2016
Led on-set DIT and data workflow for Jab Harry Met Sejal, including transcoding, data management, and on-set support to ensure continuity between shoot and post.
Editor / DIT at Parth Enterprises / Imtiaz Ali (Ajanm, Durga)
January 1, 2016 - December 31, 2016
Edited two short films Ajanm and Durga; on-set edit and post workflow.
DIT / Data & Workflow at Jab Harry Met Sejal (Red Chillies Entertainment)
January 1, 2016 - December 31, 2016
DIT and data workflow for Jab Harry Met Sejal directed by Imtiaz Ali; starring Shah Rukh Khan.
DIT / Data & Workflow at Daddy (Kundalini Productions)
January 1, 2016 - December 31, 2016
DIT and data workflow for the feature Daddy directed by Ashim Alluwwalia; starring Arjun Rampal.
DIT / Data & Workflow for Jab Harry Met Sejal at Red Chillies Entertainment
January 1, 2016 - December 31, 2016
DIT and data/workflow management for Jab Harry Met Sejal; on-set data handling and delivery preparation.
DIT / Data & Workflow for Daddy at Kundalini Productions (Project)
January 1, 2016 - December 31, 2016
DIT and data workflow for the film Daddy; responsible for on-set data management and workflow integration.
Editor at Kamal Amrohi Pictures
January 1, 2015 - December 31, 2015
Edited feature film Nagrik; post‑production coordination; project timing and delivery.
Film Editor at Kamal Amrohi Pictures
January 1, 2015 - December 31, 2015
Edited the feature Nagrik; directed by Shashilal Nair; project later on hold due to finances.
DIT / Data & Workflow / Post Production Consultant at Freelance (Various Projects)
January 1, 2014 - December 31, 2014
Implemented data management and post workflows for multiple projects including Ram (short), JUJE (Konkan film), and other assignments; led on-set DIT activities and offline/online integration.
Editor at Kamal Amrohi Pictures
January 1, 2014 - January 1, 2014
Edited feature Nagrik directed by Shashilal Nair; project acknowledged as National Award-worthy; current status: hold due to finances.
Post Production Consultant / DIT at Miransha Naik / JUJE (Konkani Film)
January 1, 2014 - December 31, 2014
DIT and post production workflow for Konkani film Juje; Ram (short) and other post tasks.
Assistant Editor / DIT at Happy New Year (Farah Khan)
January 1, 2014 - December 31, 2014
On-set editing support; DIT and offline workflow for the feature Happy New Year; assisted editors Anand Subaya and Tushar Parekh.
Post Production Consultant / DIT at Ram (Short Film)
January 1, 2014 - December 31, 2014
Post Production Consultant / DIT for the short film Ram; managed data workflows and offline/online syncing.
DIT / On-Set Editor at Bodhi (Marathi Language Feature)
January 1, 2014 - December 31, 2014
DIT, data workflow and on-set editing for the Marathi feature Bodhi directed by Vinit Chandrasekharan; produced by Moshe Production.
DIT / On-Set Editor / Assistant Editor at Happy New Year (Film)
January 1, 2014 - December 31, 2014
Assisted editors (Anand Subaya / Tushar Parekh); performed DIT and on-set editing for Farah Khan's film Happy New Year.
DIT / Digital Imaging Technician at Post Black Box Services LLP
January 1, 2013 - January 1, 2013
DIT for advertisements (Fiama Di Wills / Tata Sky / Idea); post workflow, transcoding, sound syncing; supported feature work (Basmati Blues) using AVID.
Video Editor / Editor at Corporate AVs (DSP BlackRock / ICICI Lombard / ICICI Home Loans / Inkfruit / Remit to India / Yes Bank / Mahindra & Mahindra)
January 1, 2013 - January 1, 2013
Edited 8 corporate AVs, coordinating with clients to ensure brand guidelines and delivery timelines were met.
Associate Editor / Colorist at Jabbo Ki Ainak (Short Film)
January 1, 2013 - December 31, 2013
Assisted editing and color grading for a short film; on-set data management and post‑production coordination.
Assistant Editor / DIT at Phantom Films
January 1, 2013 - December 31, 2013
Assistant editor on feature Queen; on-set DIT, offline/online workflow coordination and color coordination.
DIT / Data & Workflow at Post Black Box Services LLP
January 1, 2013 - December 31, 2013
DIT for ads (Fiama Di Wills, Tata Sky, Idea) and post-production data workflow; offline, sound sync, and AVID.
Associate Editor / Colorist at Jabbo ki Ainak
January 1, 2013 - December 31, 2013
Associate Editor and Colorist for a short film Jabbo ki Ainak.
Assistant Editor at PHANTOM
January 1, 2013 - December 31, 2013
Assistant Editor on a feature Queen directed by Vikas Bahl; reference Line Producer Chaitali Parmar.
Editor (Corporate AVs) at DSP BlackRock / ICICI Lombard / ICICI Home Loans / Inkfruit / Remit to India / YesBank & Mahindra & Mahindra
January 1, 2013 - December 31, 2013
Edited 8 corporate AVs for multiple clients.
Assistant Editor at Phantom Films
January 1, 2013 - December 31, 2013
Assistant editor on the feature Queen (Director: Vikas Bahl); supported on-set workflow and post-production.
Promo Editor at Mumbai Film Festival
January 1, 2012 - December 31, 2012
Cut and assembled over 200 promotional AVs for international films and jury member footage, assisting festival promotions.
Editor at Whistling Woods International
January 1, 2012 - December 31, 2012
Edited 3 short films shot on 35mm and HD (Remember A Day, Sach Meah) and contributed to post-production workflow for festival-ready cuts during training.
Film Editor / Editor at Independent / Freelance
January 1, 2010 - January 1, 2010
Edited 35mm and 16mm film projects and digital footage using Arri, Red, and Sony F3/F35 camera pipelines; contributed to narrative pacing, continuity, and final delivery for short films and festival projects.

Education

Bachelor of Commerce (B.Com) at Mumbai University
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation at Whistling Woods International
January 11, 2030 - March 28, 2026
Bachelor of Commerce at University of Mumbai
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation at Whistling Woods International
January 11, 2030 - March 28, 2026
Bachelor of Commerce at Mumbai University
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing at Whistling Woods International
January 11, 2030 - March 28, 2026
Bachelor in Commerce at Mumbai University
January 11, 2030 - July 3, 2026
Diploma in Film Making / Film Editing Specialisation at Whistling Woods International
January 11, 2030 - July 3, 2026

Qualifications

AVID Media Composer Certified
January 11, 2030 - March 28, 2026
Bachelor of Commerce (B.Com)
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation
January 11, 2030 - March 28, 2026
AVID Media Composer Certified
January 11, 2030 - March 28, 2026
AVID Media Composer Certification
January 11, 2030 - March 28, 2026
Certified in Final Cut Pro / Adobe Premiere Pro
January 11, 2030 - March 28, 2026
DaVinci Resolve Certification
January 11, 2030 - March 28, 2026
AVID Media Composer Certified
January 11, 2030 - March 28, 2026
AVID Media Composer Certified
January 11, 2030 - July 3, 2026

Industry Experience

Media & Entertainment, Education, Professional Services, Other