I’m Shreejit Madhavan Nair, a film editor and post‑production specialist with 15 years of hands‑on experience across Indian cinema, television, and festival settings. I’ve worked with 35mm, 16mm, and digital workflows (HD and 4K), coordinating on‑set data management, offline/online editing, color grading, and delivery pipelines for feature films, short films, and documentaries. I’m comfortable bridging creative needs with technical requirements, and I thrive in collaborative environments where storytelling, efficiency, and quality matter. I’m passionate about crafting compelling narratives through precise editing, robust data workflows, and tight cross‑team communication. I enjoy optimizing post pipelines, ensuring timely delivery, and maintaining high standards from shoot to final cut. In short, I’m your go‑to editor who balances creative sensibilities with practical, production‑level discipline.

Shreejit Madhavan Nair

I’m Shreejit Madhavan Nair, a film editor and post‑production specialist with 15 years of hands‑on experience across Indian cinema, television, and festival settings. I’ve worked with 35mm, 16mm, and digital workflows (HD and 4K), coordinating on‑set data management, offline/online editing, color grading, and delivery pipelines for feature films, short films, and documentaries. I’m comfortable bridging creative needs with technical requirements, and I thrive in collaborative environments where storytelling, efficiency, and quality matter. I’m passionate about crafting compelling narratives through precise editing, robust data workflows, and tight cross‑team communication. I enjoy optimizing post pipelines, ensuring timely delivery, and maintaining high standards from shoot to final cut. In short, I’m your go‑to editor who balances creative sensibilities with practical, production‑level discipline.

Available to hire

I’m Shreejit Madhavan Nair, a film editor and post‑production specialist with 15 years of hands‑on experience across Indian cinema, television, and festival settings. I’ve worked with 35mm, 16mm, and digital workflows (HD and 4K), coordinating on‑set data management, offline/online editing, color grading, and delivery pipelines for feature films, short films, and documentaries. I’m comfortable bridging creative needs with technical requirements, and I thrive in collaborative environments where storytelling, efficiency, and quality matter.

I’m passionate about crafting compelling narratives through precise editing, robust data workflows, and tight cross‑team communication. I enjoy optimizing post pipelines, ensuring timely delivery, and maintaining high standards from shoot to final cut. In short, I’m your go‑to editor who balances creative sensibilities with practical, production‑level discipline.

See more

Language

English
Fluent
Hindi
Advanced
Marathi (Marāṭhī)
Advanced

Work Experience

Editor at Whistling Woods International
January 1, 2012 - December 31, 2012
Edited 3 short films shot on 35mm and HD (Remember A Day, Sach Meah) and contributed to post-production workflow for festival-ready cuts during training.
Promo Editor at Mumbai Film Festival
January 1, 2012 - December 31, 2012
Cut and assembled over 200 promotional AVs for international films and jury member footage, assisting festival promotions.
Assistant Editor at Phantom Films
January 1, 2013 - December 31, 2013
Assistant editor on the feature Queen (Director: Vikas Bahl); supported on-set workflow and post-production.
DIT / On-Set Editor / Assistant Editor at Happy New Year (Film)
January 1, 2014 - December 31, 2014
Assisted editors (Anand Subaya / Tushar Parekh); performed DIT and on-set editing for Farah Khan's film Happy New Year.
DIT / On-Set Editor at Bodhi (Marathi Language Feature)
January 1, 2014 - December 31, 2014
DIT, data workflow and on-set editing for the Marathi feature Bodhi directed by Vinit Chandrasekharan; produced by Moshe Production.
Post Production Consultant / DIT at Ram (Short Film)
January 1, 2014 - December 31, 2014
Post Production Consultant / DIT for the short film Ram; managed data workflows and offline/online syncing.
DIT / Data & Workflow for Daddy at Kundalini Productions (Project)
January 1, 2016 - December 31, 2016
DIT and data workflow for the film Daddy; responsible for on-set data management and workflow integration.
DIT / Data & Workflow for Jab Harry Met Sejal at Red Chillies Entertainment
January 1, 2016 - December 31, 2016
DIT and data/workflow management for Jab Harry Met Sejal; on-set data handling and delivery preparation.
DIT / On-Set Editor at The Sky Is Pink
January 1, 2017 - December 31, 2017
DIT and data workflow for Roy Kapur Films' The Sky is Pink; supported on-set data management and post workflow.
DIT / On-Set Editor at Aadhaar
January 1, 2018 - December 31, 2018
DIT data & workflow for Aadhaar (Director Suman Ghosh) in Ranchi; on-set data management and delivery readiness.
Chief Editor at Munish Raizada Films
April 1, 2019 - November 30, 2019
Chief Editor for a documentary; responsibilities included editorial direction and overall post-production workflow (Apr–Nov 2019).
DIT / Post Production / Special OPS at Friday Film Works
January 1, 2019 - December 31, 2019
DIT/Data & Workflow for Special OPS and related projects; post-production workflows and documentation.
DIT / Post Production at Content Factory
January 1, 2020 - December 31, 2020
DIT/Data & Workflow and colorist support for a Times Network PSA on Mental Health; post-production coordination.
DIT / Data & Workflow at Friday Film Works
January 1, 2020 - December 31, 2020
DIT/Data & Workflow for multiple projects including Disney+ Hotstar, Netflix, and Prime Video collaborations; on-set data handling and delivery.
Editor (Corporate AVs) at DSP BlackRock / ICICI Lombard / ICICI Home Loans / Inkfruit / Remit to India / YesBank & Mahindra & Mahindra
January 1, 2013 - December 31, 2013
Edited 8 corporate AVs for multiple clients.
Assistant Editor at PHANTOM
January 1, 2013 - December 31, 2013
Assistant Editor on a feature Queen directed by Vikas Bahl; reference Line Producer Chaitali Parmar.
Associate Editor / Colorist at Jabbo ki Ainak
January 1, 2013 - December 31, 2013
Associate Editor and Colorist for a short film Jabbo ki Ainak.
DIT / Data & Workflow at Post Black Box Services LLP
January 1, 2013 - December 31, 2013
DIT for ads (Fiama Di Wills, Tata Sky, Idea) and post-production data workflow; offline, sound sync, and AVID.
Assistant Editor / DIT at Happy New Year (Farah Khan)
January 1, 2014 - December 31, 2014
On-set editing support; DIT and offline workflow for the feature Happy New Year; assisted editors Anand Subaya and Tushar Parekh.
Film Editor at Kamal Amrohi Pictures
January 1, 2015 - December 31, 2015
Edited the feature Nagrik; directed by Shashilal Nair; project later on hold due to finances.
Post Production Consultant / DIT at Miransha Naik / JUJE (Konkani Film)
January 1, 2014 - December 31, 2014
DIT and post production workflow for Konkani film Juje; Ram (short) and other post tasks.
DIT / Data & Workflow at Daddy (Kundalini Productions)
January 1, 2016 - December 31, 2016
DIT and data workflow for the feature Daddy directed by Ashim Alluwwalia; starring Arjun Rampal.
DIT / Data & Workflow at Jab Harry Met Sejal (Red Chillies Entertainment)
January 1, 2016 - December 31, 2016
DIT and data workflow for Jab Harry Met Sejal directed by Imtiaz Ali; starring Shah Rukh Khan.
Editor / DIT at Parth Enterprises / Imtiaz Ali (Ajanm, Durga)
January 1, 2016 - December 31, 2016
Edited two short films Ajanm and Durga; on-set edit and post workflow.
DIT / Data & Workflow at Roy Kapur Films
January 1, 2017 - December 31, 2017
DIT & Data workflow for The Sky is Pink (Shonali Bose); in progress.
DIT / Data & Workflow at Drishyam Films Pvt Ltd
January 1, 2018 - December 31, 2018
DIT & Data workflow for Aadhaar directed by Suman Ghosh (Ranchi).
DIT / Data & Workflow at Friday Film Works
January 1, 2019 - December 31, 2019
Special OPS 2019 post production data & workflow; on two documentaries.
DIT / Data & Workflow at Friday Film Works
January 1, 2019 - December 31, 2019
The Relationship Manager (short) and other Friday Film Works projects.
DIT / Data & Workflow at Content Factory / Times Network
January 1, 2020 - December 31, 2020
DIT / Data workflow; edited and color graded a Mental Health PSA for Times Network.
DIT / Data & Workflow Specialist at Red Chillies Entertainment
January 1, 2016 - December 31, 2016
Led on-set DIT and data workflow for Jab Harry Met Sejal, including transcoding, data management, and on-set support to ensure continuity between shoot and post.
Assistant Editor / DIT at Phantom Films
January 1, 2013 - December 31, 2013
Assistant editor on feature Queen; on-set DIT, offline/online workflow coordination and color coordination.
Associate Editor / Colorist at Jabbo Ki Ainak (Short Film)
January 1, 2013 - December 31, 2013
Assisted editing and color grading for a short film; on-set data management and post‑production coordination.
Line Producer at Friday Film Works
January 1, 2019 - December 31, 2019
DID data and workflow for multiple documentaries; on-set coordination and post‑production oversight.
DIT / Data & Workflow at Content Factory / Friday Film Works
January 1, 2020 - December 31, 2020
DIT data and workflow for various projects including Special OPS; on‑set to post pipeline support and transcoding.
DIT / Data & Workflow at Various Netflix/Disney+ / Friday Film Works
January 1, 2017 - Present
DIT data and workflow for multiple high-profile projects (The Sky is Pink, AadhaAR, Jab Harry Met Sejal, etc.); on‑set to post pipeline optimization.
Editor at Kamal Amrohi Pictures
January 1, 2015 - December 31, 2015
Edited feature film Nagrik; post‑production coordination; project timing and delivery.
Chief Editor / On-Set Editor at Jab An Award‑Winning / Moshe Production
January 1, 2016 - December 31, 2016
Edited two short films (Ajanm, Durga) and performed on‑set DIT / post workflow for Marathi short features.
DIT / Data & Workflow at Drishyam Films
January 1, 2018 - December 31, 2018
DIT data and workflow for AADHAAR (Ranchi); on-set data management and post coordination.

Education

Bachelor of Commerce (B.Com) at Mumbai University
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation at Whistling Woods International
January 11, 2030 - March 28, 2026
Bachelor of Commerce at University of Mumbai
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation at Whistling Woods International
January 11, 2030 - March 28, 2026
Bachelor of Commerce at Mumbai University
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing at Whistling Woods International
January 11, 2030 - March 28, 2026

Qualifications

AVID Media Composer Certified
January 11, 2030 - March 28, 2026
Bachelor of Commerce (B.Com)
January 11, 2030 - March 28, 2026
Diploma in Film Making / Film Editing Specialisation
January 11, 2030 - March 28, 2026
AVID Media Composer Certified
January 11, 2030 - March 28, 2026
AVID Media Composer Certification
January 11, 2030 - March 28, 2026
Certified in Final Cut Pro / Adobe Premiere Pro
January 11, 2030 - March 28, 2026
DaVinci Resolve Certification
January 11, 2030 - March 28, 2026
AVID Media Composer Certified
January 11, 2030 - March 28, 2026

Industry Experience

Media & Entertainment, Education, Professional Services, Other