I am sound designer/mixer/engineer, an audio artist coming from a classical music and electroacoustic/multimedia composition background. Passionate about everything sound/acoustic/psychoacoustic, as well as film, videogames, performing arts, architecture, painting, sculpture and design. For the past 30 years, I have spent my time between studio work and pursuing various endeavours in the realms of field recording for ambiances and sound effects – for sound libraries, soundscape, sound heritage and ecology. From Montreal to Yukon, Barcelona to Yucatán and Costa Rica. I cherishes opportunities to explore, research, to share and be in the coach/mentor seat. For the past few years, I have put a lot of attention on the topics of Electric Vehicles acoustic and sound design, sound sculptures, and music education tools. And now AI for all of that, needless to say… Trailblazing the VR/AR/XR scene in Montreal from 2015 to 2018, I got an edge for Immersive 3D sound with Ambisonics and Binaural technologies, collaborating with Canadian producers and Audiokinetic. Dolby Atmos, Auro3D, Sony’s, MPEG-H and the likes is my daily diet. Worth mentioning is the mandatory audio repair and restore skills to wield for all these projects. All the details are found in my CV and Filmography/Projects PDF. Proven proficiency in sound restoration, sound editing, mixing and integration for linear and interactive medias, audio recording in studio, remote locations, and field recording. For VO, sound effects and foley, music and soundscapes. Contributed to many fiction films, documentaries, MOWs, TV dramatic series and animation of various types, as well as video games and Podcasts. • 25+ years of proven proficiency for delivering the best audio possible for all mandates, collaborating closely with directors and producers from many art forms and medias. • 25+ years of sound recording, editing, and mixing. Pro Tools, Reaper, etc. • Pursuing research and development for various audio and sound design interests with the inherent necessity to collaborate, share and educate implies the highest standard for verbal and written communication skills. • I am a detail-oriented, self-motivated person, and totally comfortable working independently in a remote environment. • Freelance work in my 7.1 home studio equipped with all the bells and whistles needed for sound design, and mixing. • I would be thrilled to collaborate for TWINE’s clients mission,…I am sound designer/mixer/engineer, an audio artist coming from a classical music and electroacoustic/multimedia composition background. Passionate about everything sound/acoustic/psychoacoustic, as well as film, videogames, performing arts, architecture, painting, sculpture and design. For the past 30 years, I have spent my time between studio work and pursuing various endeavours in the realms of field recording for ambiances and sound effects – for sound libraries, soundscape, sound heritage and ecology. From Montreal to Yukon, Barcelona to Yucatán and Costa Rica. I cherishes opportunities to explore, research, to share and be in the coach/mentor seat. For the past few years, I have put a lot of attention on the topics of Electric Vehicles acoustic and sound design, sound sculptures, and music education tools. And now AI for all of that, needless to say… Trailblazing the VR/AR/XR scene in Montreal from 2015 to 2018, I got an edge for Immersive 3D sound with Ambisonics and Binaural technologies, collaborating with Canadian producers and Audiokinetic. Dolby Atmos, Auro3D, Sony’s, MPEG-H and the likes is my daily diet. Worth mentioning is the mandatory audio repair and restore skills to wield for all these projects. All the details are found in my CV and Filmography/Projects PDF. Proven proficiency in sound restoration, sound editing, mixing and integration for linear and interactive medias, audio recording in studio, remote locations, and field recording. For VO, sound effects and foley, music and soundscapes. Contributed to many fiction films, documentaries, MOWs, TV dramatic series and animation of various types, as well as video games and Podcasts. • 25+ years of proven proficiency for delivering the best audio possible for all mandates, collaborating closely with directors and producers from many art forms and medias. • 25+ years of sound recording, editing, and mixing. Pro Tools, Reaper, etc. • Pursuing research and development for various audio and sound design interests with the inherent necessity to collaborate, share and educate implies the highest standard for verbal and written communication skills. • I am a detail-oriented, self-motivated person, and totally comfortable working independently in a remote environment. • Freelance work in my 7.1 home studio equipped with all the bells and whistles needed for sound design, and mixing. • I would be thrilled to collaborate for TWINE’s clients mission,WWWW…