Andrey Suzi

VerifiedAvailable to hire

I'm a cinematographer with 25 years in TV, documentary and narrative work, based in Finland.

About

I’m a cinematographer with 25 years in TV, documentary and narrative work, based in Finland. These days I mostly edit, grade and sound-design brand films, and I direct AI-generated shots (Higgsfield, Kling, Seedance, Nano Banana Pro) the way I’d light and frame a real set.

I cut in DaVinci Resolve, my main tool for the last year, and in Premiere Pro, which I’ve used for many years. If you need a clean edit, one consistent look across mixed footage, or a short brand film built from AI footage, I can take it from storyboard to final delivery. AI-generated footage is always labelled as such, so you know exactly what you’re getting.

Most of my clients are in beauty, FMCG, automotive and real estate. I’m happy to start with a small paid test.

Languages

  • EnglishIntermediate
  • RussianFluent
  • FinnishBeginner

Industry experience

  • Media & Entertainment

Projects · 9

A 19-second vertical fashion reel about a silver sequin gown on desert dunes at sunset. One heroine and one dress, kept consistent across wide shots, macro details and a lip-synced shot where she speaks, plus voice-over. I made it start to finish myself: concept, AI generation and animation, voice, edit, colour, grain and sound mix. The focus was the cinematography: low warm sun, gentle handheld camera, sequins catching light, moving sand. Unofficial concept inspired by Arcina Ori’s silver sequin halter dress. Not affiliated with or commissioned by the brand.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

ECgists Oy | Silver Ray Absorption Chiller Promo (0:60) A 60-second promo for ECgists Oy, a Finnish company developing absorption chillers, built around the Silver Ray cruise ship. The film explains the idea through clean diagrams and a calm, confident look: dark navy, warm gold and an icy-blue energy flow. I did direction, motion graphics, edit, colour and sound. The schematics and the animated energy lines are built by hand in DaVinci Resolve Fusion, so the diagrams stay exact. Key frames were generated with AI (Nano Banana Pro), and the music was generated in ElevenLabs Music

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

Borealite EchoBelly | AI Brand Film (1:25) A 1:25 AI-generated brand film for Borealite EchoBelly, a fetal doppler that accompanies expecting mothers through pregnancy. The story follows the product from the founder's first sketch, through prototypes, to a quiet moment at home when a mother hears her baby's heartbeat, and closes on the brand line: "Wellbeing in every heartbeat." All visuals are AI-generated from the client's product reference images: key frames in Nano Banana Pro, animation in Higgsfield with Kling. I handled concept, storyboard, AI shot direction, edit and colour grade in DaVinci Resolve, and sound design with music.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

Floof GO | Hybrid AI Brand Film A brand film for Floof GO, a pet food brand ("Real Food. Anywhere."). A dog and its owner go from a quiet morning walk through Tokyo streets to a Parisian café, an open highway, a tropical beach and an African savanna, then home for dinner. It's a hybrid film. I was given green-screen footage of the dog and owner and real product footage. I edited the whole film from that material, generated the AI worlds and shots (Nano Banana Pro, Higgsfield), composited the characters into each setting so they sit in the light of the scene, and did the final colour grade in DaVinci Resolve.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

Polestar | Unofficial AI Spec Film An independent spec film about a Polestar car, made as a personal creative exercise. Not commissioned by or affiliated with Polestar. The car is the hero: light, reflections and movement on the body, in a calm cinematic look. All footage is AI-generated (Seedance and Kling). I did the direction, edit and colour grade in DaVinci Resolve.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

Beauty Macro AI | Tinted Balm Spec Reel (9:16) A vertical spec reel of tinted balm macro shots. In beauty, getting the shade right is everything, and a traditional macro shoot needs precision lighting and special optics to do it. Here I wanted to see how close an AI pipeline can get to a real macro shoot. I lit and framed every shot the way I would on set. Each tint holds its exact shade and texture from the first shot to the last. All footage is AI-generated from product reference images. Independent spec work, not made for or affiliated with any brand.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

PUMA Speedcat OG | Unofficial AI Spec Reel (9:16, 0:16) An independent spec reel for the PUMA Speedcat OG, made as a personal creative exercise. Not commissioned by or affiliated with PUMA. A wet city street at dusk, steam from the grates, red suede in the rain. The concept and the line "The City Is The Track" are mine. All footage is AI-generated (Nano Banana Pro and Seedance in Higgsfield). I did the edit, the colour grade in DaVinci Resolve and the sound.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

The Lake | Cinematic AI Storytelling (0:47) A 47-second poetic, atmospheric concept film in the style of Nordic natural skincare: connection with nature, natural care, freshness, the rejuvenating power of northern nature. An independent concept piece, not made for a brand. The focus is character consistency, mood lighting and atmosphere. All footage is AI-generated: the images were generated with AI and animated in Kling. I did everything myself: images, animation, edit, colour grade, sound, and music generated in Suno.

  • AI Video Editor
  • Cinematographer
  • Director of Photography
  • +2

Problem: Traditional car shoots require huge budgets, logistics, and ideal weather. Solution: AI-generated automotive commercial with professional DoP control over lighting and camera movement. Tech: Higgsfield.ai + DaVinci Resolve. Result: High-end visual storytelling ready for social media or TVC.

  • Animation Director

Work experience

Founder & AI Video Director · Oy Suzi Media Production LtdJan 2015 – Present · 11 yrs 11 mos

Editing, colour and sound for brand films and social video. AI-generated shots directed as cinematography, with a storyboard-to-delivery workflow for beauty, FMCG, automotive and real estate clients.

Cameraman · Global Broadcasters (ZDF, APTN, etc.)Jan 1999 – Present · 27 yrs 11 mos

Career started in 1999. International television and documentary production, including news camera work for The Associated Press (2008–2015). Lighting and optics in varied locations, broadcast-quality delivery on tight deadlines. Documentary films for a theatre festival, typically around 20 minutes each.

Education

Cinematography · VGIK Gerasimov Institute of Cinematography2006 – 2011

Testimonials · 5.0 from 1 review

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