I’m Tiffany S Griffith (look me up on IMDb.com), if you need your podcast cleaned up, I’m the person you hire. If you need your YouTube audio edited and cleaned up, again I’m the person you want to hire. As a 3 time Emmy recipient for sound editorial (dialogue and sound effects/foley) I have the skills and the equipment you’re looking to hire. I’m a professional with more than 50k credited hours as a Supervising Dialogue Sound Editor, Local 700 Editors Guild, with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.…I’m Tiffany S Griffith (look me up on IMDb.com), if you need your podcast cleaned up, I’m the person you hire. If you need your YouTube audio edited and cleaned up, again I’m the person you want to hire. As a 3 time Emmy recipient for sound editorial (dialogue and sound effects/foley) I have the skills and the equipment you’re looking to hire. I’m a professional with more than 50k credited hours as a Supervising Dialogue Sound Editor, Local 700 Editors Guild, with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.WWWW…