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I’m Tiffany S Griffith, a 3 time Emmy recipient for sound editorial. A Supervising Sound Editor with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial, and delivering clean 5.1 stems. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.…I’m Tiffany S Griffith, a 3 time Emmy recipient for sound editorial. A Supervising Sound Editor with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial, and delivering clean 5.1 stems. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.

Tiffany S Griffith

Sound Editor, Post-Production, Audio Engineer, +3

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I’m Tiffany S Griffith, a 3 time Emmy recipient for sound editorial. A Supervising Sound Editor with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial, and delivering clean 5.1 stems. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.…I’m Tiffany S Griffith, a 3 time Emmy recipient for sound editorial. A Supervising Sound Editor with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story. I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial, and delivering clean 5.1 stems. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.

Available to hire

I’m Tiffany S Griffith, a 3 time Emmy recipient for sound editorial. A Supervising Sound Editor with experience in post-production sound for episodic (scripted) television and feature films. I’ve contributed to HBO’s Station Eleven, Mare of Easttown, and Watchmen, earning most recently a 2021 Emmy nomination for Station Eleven, along with three additional Emmy nominations and awards from the Hollywood Professional Association (HPA) and Motion Picture Sound Editors (MPSE) for House, M.D.; totaling 14 nominations. I’m a collaborative partner in every project, focused on clear dialogue, immersive sound effects, and dynamic mixes that serve the story.

I excel at managing turnover to mix, supervising dialogue/ADR/Foley/M&E editorial, and delivering clean 5.1 stems. I’m proficient with Avid/Pro Tools and all post-production workflows, and I own and operate my hardware and software to ensure smooth, on-time delivery. I thrive in fast-paced environments, partnering with editors, directors, and producers to realize a shared sonic vision.

Skills

DaVinci Resolve Studio

Experience Level

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Intermediate

Language

English

Fluent

Work Experience

Supervising Sound Editor / Sound Editor at Pacific Standard Sound

February 1, 2017 - Present

Sound Editorial for Episodic Television and Feature Films; Supervising Dialogue/ADR Sound Editor; manage projects and material from turnover to mix.

Supervising Dialogue / ADR Sound Editor at Formosa Group (previously Technicolor)

May 1, 2021 - December 1, 2022

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial

Supervising Dialogue / ADR Sound Editor at Technicolor Creative Services

June 1, 2014 - May 1, 2021

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects; Client liaison

Editorial - Sound Editor / Dialogue Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for Episodic Television/Feature Films; Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects (e.g., Vietnamese-to-English conversion; 5.1 prep; webisodes) and Editorial for Special Projects (Tony Sanchez Group) including profanity/content removal and stem delivery.

Sound Editor at Warner Bros. Entertainment Group of Companies

September 1, 2008 - October 1, 2008

Freelance Feature Editorial

Supervising Sound Editor at Formosa Group (previously Technicolor)

May 1, 2021 - December 1, 2022

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial

Editorial / Supervising Sound Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for Episodic Television and Feature Films • Dialogue/ADR/Foley/M&E Editorial, Cover ADR, Dub stage when needed, Conform dub stage mix sessions with automation, Supervise Special Projects; (i.e.: Vietnamese to English conversions and webisode series work)

Dialogue Editor at Warner Bros. Entertainment Group of Companies

September 1, 2008 - October 1, 2008

Freelance Feature Sound Editorial

Supervising Sound Editor / Sound Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for episodic television and feature films; Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects; including localization work and webisodes.

Sound Editor at Todd - AO Studios

December 30, 1993 - December 30, 2001

Sound Editor with administrative responsibilities; scheduled editors and Foley artists; set up ADR and Foley stages; created and maintained project schedules; developed a FileMaker Pro database to track editorial hours for billing; contributed to multiple projects over several years. Administrative Assistant to Director of Editorial Department and Editors at Todd - AO Studios January 1, 1993 - January 1, 1996 Closed Editorial Department budgets; Scheduled Editors and Foley Artists; Set up Editors, Dubbing, ADR and Foley stages with needed materials; Created Projected Schedules; Created and kept data base of editorial hours towards shows for billing; Created FileMaker Pro database for editors’ hours.