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I’m Tiffany S. Griffith. 3x Emmy recipient for Stranger Things and Watchman. Technical operations and media workflow leader with 25+ years directing complex digital media pipelines for studios like HBO, Netflix, NBCUniversal, and Warner Bros. I excel at end-to-end production workflows, digital asset management, and multi-format delivery, coordinating cross-functional teams to meet tight deadlines while upholding high quality. DaVinci Resolve and FCP picture editing systems. DM me for a demo of my picture editing skills.i have a list of credits on IMDb. It will demonstrate motion graphics, timing, and AI generated text to sync video.The sound is Temp! I have not done any sound work on it yet! That’ll come after I finish with the picture editing as usual. I’m just getting into producing podcasts and looking to add podcast production to my résumé. I’m open to traveling for work and excited to bring my blend of hands-on technical expertise and collaborative leadership to new challenges.…I’m Tiffany S. Griffith. 3x Emmy recipient for Stranger Things and Watchman. Technical operations and media workflow leader with 25+ years directing complex digital media pipelines for studios like HBO, Netflix, NBCUniversal, and Warner Bros. I excel at end-to-end production workflows, digital asset management, and multi-format delivery, coordinating cross-functional teams to meet tight deadlines while upholding high quality. DaVinci Resolve and FCP picture editing systems. DM me for a demo of my picture editing skills.i have a list of credits on IMDb. It will demonstrate motion graphics, timing, and AI generated text to sync video.The sound is Temp! I have not done any sound work on it yet! That’ll come after I finish with the picture editing as usual. I’m just getting into producing podcasts and looking to add podcast production to my résumé. I’m open to traveling for work and excited to bring my blend of hands-on technical expertise and collaborative leadership to new challenges.

Tiffany S. Griffith

Sound Editor, Video Editor, Post-Production

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I’m Tiffany S. Griffith. 3x Emmy recipient for Stranger Things and Watchman. Technical operations and media workflow leader with 25+ years directing complex digital media pipelines for studios like HBO, Netflix, NBCUniversal, and Warner Bros. I excel at end-to-end production workflows, digital asset management, and multi-format delivery, coordinating cross-functional teams to meet tight deadlines while upholding high quality. DaVinci Resolve and FCP picture editing systems. DM me for a demo of my picture editing skills.i have a list of credits on IMDb. It will demonstrate motion graphics, timing, and AI generated text to sync video.The sound is Temp! I have not done any sound work on it yet! That’ll come after I finish with the picture editing as usual. I’m just getting into producing podcasts and looking to add podcast production to my résumé. I’m open to traveling for work and excited to bring my blend of hands-on technical expertise and collaborative leadership to new challenges.…I’m Tiffany S. Griffith. 3x Emmy recipient for Stranger Things and Watchman. Technical operations and media workflow leader with 25+ years directing complex digital media pipelines for studios like HBO, Netflix, NBCUniversal, and Warner Bros. I excel at end-to-end production workflows, digital asset management, and multi-format delivery, coordinating cross-functional teams to meet tight deadlines while upholding high quality. DaVinci Resolve and FCP picture editing systems. DM me for a demo of my picture editing skills.i have a list of credits on IMDb. It will demonstrate motion graphics, timing, and AI generated text to sync video.The sound is Temp! I have not done any sound work on it yet! That’ll come after I finish with the picture editing as usual. I’m just getting into producing podcasts and looking to add podcast production to my résumé. I’m open to traveling for work and excited to bring my blend of hands-on technical expertise and collaborative leadership to new challenges.

Available to hire

I’m Tiffany S. Griffith. 3x Emmy recipient for Stranger Things and Watchman. Technical operations and media workflow leader with 25+ years directing complex digital media pipelines for studios like HBO, Netflix, NBCUniversal, and Warner Bros. I excel at end-to-end production workflows, digital asset management, and multi-format delivery, coordinating cross-functional teams to meet tight deadlines while upholding high quality. DaVinci Resolve and FCP picture editing systems. DM me for a demo of my picture editing skills.i have a list of credits on IMDb. It will demonstrate motion graphics, timing, and AI generated text to sync video.The sound is Temp! I have not done any sound work on it yet! That’ll come after I finish with the picture editing as usual.

I’m just getting into producing podcasts and looking to add podcast production to my résumé.

I’m open to traveling for work and excited to bring my blend of hands-on technical expertise and collaborative leadership to new challenges.

Skills

DaVinci Resolve Studio

Experience Level

DaVinci Resolve Studio

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Expert

Intermediate

Language

English

Fluent

Work Experience

Assistant Professor of Instruction at Columbia College Chicago

December 1, 2023 - May 1, 2025

Designed and launched new curriculum focused on post-production workflows and audio systems; delivered 12 credit hours per semester across multiple courses, adapting technical material for diverse learners; mentored students on industry-standard workflows, collaboration, and technical problem-solving; strengthened leadership, communication, and training capabilities applicable to corporate and technical environments.

Supervising Sound Editor at Formosa Group (previously Technicolor)

May 1, 2021 - December 1, 2022

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial

Supervising Dialogue / ADR Sound Editor at Formosa Group (previously Technicolor)

May 1, 2021 - December 1, 2022

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial

Supervising Sound Editor / Sound Editor at Pacific Standard Sound

February 1, 2017 - Present

Sound Editorial for Episodic Television and Feature Films; Supervising Dialogue/ADR Sound Editor; manage projects and material from turnover to mix.

Supervising Dialogue / ADR Sound Editor at Technicolor Creative Services

June 1, 2014 - May 1, 2021

Editorial for Episodic Television/Feature Films • Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects; Client liaison

Dialogue Editor at Warner Bros. Entertainment Group of Companies

September 1, 2008 - October 1, 2008

Freelance Feature Sound Editorial

Sound Editor at Warner Bros. Entertainment Group of Companies

September 1, 2008 - October 1, 2008

Freelance Feature Editorial

Supervising Sound Editor / Operations Lead at NBCUniversal

January 1, 2002 - June 1, 2014

Managed full lifecycle of post-production operations, including scheduling, budgeting, and delivery pipelines; led coordination between editorial, production, and executive stakeholders on high-volume projects; oversaw localization workflows, including foreign-language adaptation and compliance edits for global distribution; directed content compliance initiatives (broadcast, airline, and international standards); built and maintained internal tracking systems (FileMaker Pro databases) to manage editorial resources and timelines and budgets; supervised special projects involving content transformation, multi-format delivery, and rights compliance.

Supervising Sound Editor / Sound Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for episodic television and feature films; Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects; including localization work and webisodes.

Editorial / Supervising Sound Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for Episodic Television and Feature Films • Dialogue/ADR/Foley/M&E Editorial, Cover ADR, Dub stage when needed, Conform dub stage mix sessions with automation, Supervise Special Projects; (i.e.: Vietnamese to English conversions and webisode series work)

Editorial - Sound Editor / Dialogue Editor at NBCUniversal, Inc

January 1, 2002 - June 1, 2014

Editorial for Episodic Television/Feature Films; Dialogue/ADR/Foley/M&E Editorial; Cover ADR; Dub stage when needed; Conform dub stage mix sessions with automation; Supervise Special Projects (e.g., Vietnamese-to-English conversion; 5.1 prep; webisodes) and Editorial for Special Projects (Tony Sanchez Group) including profanity/content removal and stem delivery.

Sound Editor at Todd - AO Studios

December 30, 1993 - December 30, 2001

Sound Editor with administrative responsibilities; scheduled editors and Foley artists; set up ADR and Foley stages; created and maintained project schedules; developed a FileMaker Pro database to track editorial hours for billing; contributed to multiple projects over several years. Administrative Assistant to Director of Editorial Department and Editors at Todd - AO Studios January 1, 1993 - January 1, 1996 Closed Editorial Department budgets; Scheduled Editors and Foley Artists; Set up Editors, Dubbing, ADR and Foley stages with needed materials; Created Projected Schedules; Created and kept data base of editorial hours towards shows for billing; Created FileMaker Pro database for editors’ hours.

Editorial Operations & Administrative Coordinator at Todd-AO

January 1, 1993 - January 1, 2002

Managed budgets, scheduling, and operational logistics for editorial teams; built custom databases to track labor, resources, and production timelines; supported leadership with workflow coordination and process tracking across multiple projects.

Supervising Sound Editor / Workflow Lead at Pacific Standard Sound / Formosa Group / Westwind Media

January 1, 1993 - Present

Directed end-to-end post-production sound workflows for episodic television and feature films, managing intake through final delivery; coordinated cross-functional teams including editorial, mix stages, production, and studio stakeholders; oversaw digital asset management, versioning, and multi-format deliverables across global distribution platforms; implemented workflow efficiencies to meet aggressive deadlines while maintaining high-quality standards; served as primary liaison between creative teams and studio executives; ensured compliance with technical specifications, delivery standards, and intellectual property requirements.