I am a guitarist, composer, and educator with a deep focus on performance, theory, and music history. My work spans traditional classical models, 16th- and 18th-century counterpoint, Schoenberg’s Theory of Harmony, and contemporary electronic and computer music. I perform on a wide range of plucked instruments—guitar, lute, vihuela, mandolin, and more—and compose in both traditional and electronic idioms, exploring rich repertoire and performance practices across eras.
As an educator and program developer, I’ve built and led guitar programs, ensembles, and new-music studios, while mentoring student composers and sustaining collaborative projects with festivals and commissions. My career blends performance, scholarly research, and active collaboration with musicians and educators to expand opportunities for students and communities in the fields of music making and music study.
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