Head of Sound at Black Power Desk

Led the entire sound and technical department both in-house and on tour. Mixed the show live each night for a cast of 9 and a 3-piece band. Tuned, tested, and maintained durability of all radio mics. Fitted mics on each actor with tailored notes for costumes and individual skin-tone tape. Tuned the band’s in-ear monitors (Avioms) for balance and clarity. Carried out full rig and system checks prior to every performance. Maintained steady communication with the Stage Management team. Delivered real-time sound adjustments and coordination over comms during performances.

Composer, Sound Designer & Sound No.1 at Don't Tell Dad About Diana

Designed bespoke soundscape. Composed songs for choreographed numbers. Recorded vocals in a studio environment. Led musical rehearsals to teach actors’ vocal lines.

Sound Designer, Composer at How To Kill Your Landlord

Designed bespoke soundscape. Mixed the design for each venue.

Sound Designer & Sound No.1 at Blizzard

Designed bespoke soundscape. Microphone management.

Composer, Sound Designer & Sound No.1 at To The Bone – Dublin Int’l Gay Theatre Festival

My score was the winner of the Hilton Edwards Award for best aspect of a production.

Head of Sound at Brixton House Theatre

Led the entire sound and technical department in-house and on tour; mixed the show live for a 9-piece cast and a 3-piece band; tuned and maintained radio mics; fitted actors with mics and costume notes; tuned the band’s in-ear monitors; conducted full rig and system checks; maintained communication with Stage Management and delivered real-time sound adjustments via comms.

Sound Technician at Brixton House Theatre

In-house SME for all audio technical queries for visiting companies; set up and operate sound desks for performances; lead get-ins/get-outs and production events; provide on-hand mixing, EQ and sound design advice; mix and maintain sound desks and equipment.

Audio Editor at Deluxe Entertainment

Inspect audio attributes of all episodes and movies; troubleshoot audio problems in mixing, sampling, bit rates, track labelling and sync; crosscheck broadcast levels with guidelines; detail corrections on stems to fit streaming parameters.

Composer, Sound Designer & Sound No.1 at Dont Tell Dad About Diana

Designed bespoke soundscape; composed songs for choreographed numbers; recorded vocals in a studio; led musical rehearsals to teach actors’ vocal lines.

Sound Designer & Composer at How To Kill Your Landlord

Designed bespoke soundscape; mixed the design for each venue; produced tailored audio to support narrative and staging.

Sound Designer & Sound No.1 at Blizzard

Designed bespoke soundscape; managed microphone setup and balance across multiple venues (Soho Theatre, 59E59, Oxford venue); ensured clarity and balance for live performances.

Composer, Sound Designer & Sound No.1 at To The Bone

Created score and sound design; oversaw live execution at Dublin International Gay Theatre Festival; produced cohesive audio to support performance narrative.

Head of Sound at Brixton House Theatre

Led the entire sound and technical department in-house and on tour; mixed live shows for a cast of 9 and a 3-piece band; tuned and maintained radio mics; fitted mics on actors with tailored costume notes; tuned the band's in-ear monitors; performed full rig and system checks; maintained communication with Stage Management; delivered real-time sound adjustments over comms during performances.

Sound Technician at Brixton House

In-house SME for audio technical queries for visiting companies; set up and operate sound desks for performances; lead get-ins, fit-ups, get-outs and production events; operate technical sound equipment for performances, events and installations; provide on-hand mixing, EQ and sound design advice; mix, EQ and maintain all sound desks and equipment.

Audio Editor at Deluxe Entertainment

Inspect audio attributes of all episodes and movies submitted by clients; troubleshoot audio problems in mixing, sampling, bit rates, track labeling, and sync; crosscheck broadcast levels are in line with audio broadcasting guidelines; detail all corrections made on stems to fit within streaming services’ parameters.

Head of Sound at Brixton House Theatre, Warwick Arts Centre, The Lowry, Birmingham Hippodrome

Led the entire sound and technical department both in-house and on tour. Mixed the show live each night for a cast of 9 and a 3-piece band. Tuned, tested, and maintained durability of all radio mics, fitted mics on actors with tailored notes for costumes, and tuned in-ear monitors for balance and clarity.

Composer, Sound Designer & Sound No.1 at Don't Tell Dad About Diana

Designed bespoke soundscapes and composed songs for choreographed numbers. Recorded vocals and led musical rehearsals.

Sound Designer, Composer at How To Kill Your Landlord

Designed and mixed soundscapes tailored for different venues.

Sound Designer & Sound No.1 at Blizzard

Managed microphone systems and designed soundscapes for live performances.

Sound Technician at Brixton House

Acted as in-house subject matter expert for audio queries, collaborated with creative teams, and ensured equipment setups.

Audio Editor at Deluxe Entertainment

Inspected audio attributes, troubleshot mixing issues, and ensured compliance with broadcast audio guidelines.

Audio Editor / Mixer at Deluxe Entertainment

Work on feature and episodic post-production audio, ensuring mixes meet broadcaster and streaming platform specifications. Conduct detailed QC and corrective editing in Pro Tools, focusing on sync, loudness, bit depth, and track labeling accuracy. Assist in mix sessions and review passes for Dolby Atmos, 5.1, and stereo deliverables. Liaise with engineers and clients to manage content transfer, version control, and quick turnaround. Document and communicate all mix and stem corrections for client transparency. Collaborate with wider technical team to ensure efficient studio setup, troubleshooting, and deliverables management.

Sound Technician at Brixton House

Provide technical audio support for all visiting productions; manage sound desk setup (Yamaha, Digico T), playback configuration, and mic systems. Act as in-house SME for audio-related troubleshooting and maintenance. Support daily mix operations and ensure smooth studio and stage transitions between shows.

Head of Sound (Stage Credits) at Brixton House Theatre; Warwick Arts Centre; The Lowry; Birmingham Hippodrome

Led the entire sound and technical department both in-house and on tour. Mixed the show live each night for a cast of nine and a three-piece band. Tuned, tested, and maintained all radio mics and in-ear monitoring systems. Performed full rig and system checks prior to every performance. Communicated closely with Stage Management and creative departments.

Composer, Sound Designer & Sound No.1 at Don't Tell Dad About Diana; Edinburgh Fringe, Dublin Fringe, Camden People's Theatre

Designed bespoke soundscape and composed music for choreographed numbers. Recorded and mixed studio vocals for integration into show playback. Led live mixes for performances.

Sound Designer & Composer at How To Kill Your Landlord

Designed a bespoke soundscape and mixed playback for choreographed numbers across Edinburgh Fringe, Old Red Lion Theatre, Drayton Arms Theatre.

Sound Designer & Sound No.1 at Blizzard Soho Theatre (London); 59E59 Theatres (New York); St. John's College (Oxford)

Designed and mixed live soundscapes and managed all microphone systems.

Composer, Sound Designer & Sound No.1 at To The Bone Dublin International Gay Theatre Festival

Composed the award-winning score (Hilton Edwards Award – Best Aspect of a Production).

Head of Sound / Sound Designer & Composer at Black Power Desk Brixton House Theatre, Warwick Arts Centre, The Lowry, Birmingham Hippodrome

Led the entire sound and technical department both in-house and on tour. Mixed the show live each night for a cast of nine and a three-piece band. Tuned, tested, and maintained all radio mics and in-ear monitoring systems. Performed full rig and system checks prior to every performance. Communicated closely with Stage Management and creative departments.

Composer, Sound Designer & Sound No.1 at Don’t Tell Dad About Diana

Designed bespoke soundscape and composed music for choreographed numbers. Recorded and mixed studio vocals for integration into show playback. Live mixed performances.

Sound Designer at How To Kill Your Landlord

Designed bespoke soundscape and mixed playback for multiple venues.

Sound Designer & Sound No.1 at Blizzard Soho Theatre (London); 59E59 Theatres (New York); St. John's College (Oxford)

Designed and mixed live soundscapes and managed all microphone systems.