Audio engineer and post-production specialist with 15 years of hands-on experience across dialogue editing, sound design, scoring, mixing, and live sound. I bring a strong technical foundation paired with specialized training in music and film/audio production—reliable under tight deadlines and across fast-moving projects. I’ve led mix and post workflows for film, TV, and podcasts, edited and mastered branded commercial audio, and handled front-of-house and monitor engineering for touring acts. I’m known for clean, high-quality delivery and clear collaboration with creative teams from production through final mix and mastering.

J. Tighe Lemieux

Audio engineer and post-production specialist with 15 years of hands-on experience across dialogue editing, sound design, scoring, mixing, and live sound. I bring a strong technical foundation paired with specialized training in music and film/audio production—reliable under tight deadlines and across fast-moving projects. I’ve led mix and post workflows for film, TV, and podcasts, edited and mastered branded commercial audio, and handled front-of-house and monitor engineering for touring acts. I’m known for clean, high-quality delivery and clear collaboration with creative teams from production through final mix and mastering.

Available to hire

Audio engineer and post-production specialist with 15 years of hands-on experience across dialogue editing, sound design, scoring, mixing, and live sound. I bring a strong technical foundation paired with specialized training in music and film/audio production—reliable under tight deadlines and across fast-moving projects.

I’ve led mix and post workflows for film, TV, and podcasts, edited and mastered branded commercial audio, and handled front-of-house and monitor engineering for touring acts. I’m known for clean, high-quality delivery and clear collaboration with creative teams from production through final mix and mastering.

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Language

English
Fluent

Work Experience

Audio Mixer at Rail Events, Inc.
January 1, 2025 - Present
Managing seasonal production setups and sound mixing on-location
Audio Editor at Digital Mind State
January 1, 2024 - Present
Editing and mastering audio for commercial and branded content; collaborating with visual teams to sync sound with video narratives
Audio Technician at Humboldt State University
January 1, 2023 - Present
Supporting campus events with setup and operation of audio systems; training student staff on live sound best practices
Audio Engineer at Center Arts
January 1, 2022 - Present
Mixing live performances for touring acts; handling front-of-house and monitor engineering duties
Post-Production Engineer at JTL Audio
June 1, 2021 - Present
I work as an engineer for films, TV, and podcasts. My responsibilities include editing and mastering audio for various projects, ensuring the highest quality sound production.
Post-Production Engineer at JTL-Audio
January 1, 2021 - Present
Lead mix engineer for various film, TV, and podcast projects; specialized in dialogue editing, scoring, and sound design; delivering high-quality post-production on tight deadlines
Audio Editor at Digital Mind State
June 1, 2020 - May 1, 2021
My role involves editing and mastering audio for client content and brand needs. Collaborating with clients to synchronize sound with visuals is a primary aspect of the job.
Audio Technician at Humboldt State University
January 1, 2018 - January 1, 2020
Assisting with live events and setup and operation of audio systems.
Audio Mixer at Rail Events, Inc.
January 1, 2017 - January 1, 2018
Provided live audio mixing for various events, ensuring optimal sound quality during performances.
Audio Mixer at IMDb
January 1, 2015 - January 1, 2015
Hired Gun (2015) - Audio Mixer, Sound Recordist, Boom Operator and Post-Production Editor (credit).
Audio Mixer / Sound Recordist / Boom Operator / Post-Production Editor at IMDb – Hired Gun (2015)
January 1, 2015 - December 31, 2015
Credit for Hired Gun (2015): Audio Mixer, Sound Recordist, Boom Operator and Post-Production Editor
Post-Production Editor at IMDb – Hired Gun (2015)
January 1, 2015 - January 1, 2015
Contributed as post-production editor and audio professional on feature project; roles included audio mixer, sound recordist and boom operator
Audio Mixer, Sound Recordist, Boom Operator and Post-Production Editor at IMDb / Hired Gun (Film, 2015)
January 1, 2015 - December 31, 2015
Credits for Hired Gun (2015): performed audio mixing, sound recording, boom operation and post-production editing.

Education

Master’s Degree in Music Technology with emphasis in Studio Technology at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
August 20, 2008 - May 15, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 1, 2018 - January 27, 2026
Master Recording Program at Conservatory of Recording Arts & Sciences
January 11, 2030 - January 1, 2018
Master’s Degree in Music Technology with an emphasis in Studio Technology at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 1, 2018 - March 9, 2026
Master’s Degree in Music Technology with emphasis in Studio Technology at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 1, 2018 - January 1, 2018
Master’s Degree in Music Technology (Studio Technology) at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 11, 2030 - January 1, 2018
Master’s Degree in Music Technology with an emphasis in Studio Technology at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at CALIFORNIA POLYTECHNIC STATE UNIVERSITY, HUMBOLDT
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 1, 2018 - May 21, 2026
Master’s Degree in Music Technology with emphasis in Studio Technology at Southern Utah University
January 1, 2025 - May 21, 2026
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 11, 2030 - January 1, 2018
Master’s Degree in Music Technology with an emphasis in Studio Technology at Southern Utah University
January 11, 2030 - January 1, 2025
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 11, 2030 - January 1, 2012
Master Recording Program at Conservatory of Recording Arts & Sciences
January 1, 2018 - July 9, 2026
Master’s Degree in Music Technology with an emphasis in Studio Technology at Southern Utah University
January 1, 2025 - July 9, 2026
Bachelor’s Degree in Music Production and Music Composition at California Polytechnic State University, Humboldt
January 1, 2012 - July 9, 2026

Qualifications

Final Cut Pro
January 11, 2030 - November 30, 2025
QLab
January 11, 2030 - November 30, 2025
Melodyne
January 11, 2030 - November 30, 2025
Waves
January 11, 2030 - November 30, 2025
Izotope
January 11, 2030 - November 30, 2025
OSHA 30
January 11, 2030 - November 30, 2025
Pro Tools
January 11, 2030 - November 30, 2025
Logic Pro X
January 11, 2030 - November 30, 2025
Ableton Live
January 11, 2030 - November 30, 2025
Wwise
January 11, 2030 - November 30, 2025
Final Cut Pro
January 11, 2030 - December 23, 2025
QLab
January 11, 2030 - December 23, 2025
Melodyne
January 11, 2030 - December 23, 2025
Waves
January 11, 2030 - December 23, 2025
Izotope
January 11, 2030 - December 23, 2025
OSHA 30
January 11, 2030 - December 23, 2025
Pro Tools
January 11, 2030 - December 23, 2025
Logic Pro X
January 11, 2030 - December 23, 2025
Ableton Live
January 11, 2030 - December 23, 2025
Wwise
January 11, 2030 - December 23, 2025
Final Cut Pro
January 11, 2030 - January 27, 2026
QLab
January 11, 2030 - January 27, 2026
Melodyne
January 11, 2030 - January 27, 2026
Waves
January 11, 2030 - January 27, 2026
Izotope Ozone
January 11, 2030 - January 27, 2026
OSHA 30
January 11, 2030 - January 27, 2026
Pro Tools
January 11, 2030 - January 27, 2026
Logic Pro X
January 11, 2030 - January 27, 2026
Ableton Live
January 11, 2030 - January 27, 2026
Wwise
January 11, 2030 - January 27, 2026
IMDb Credit: Hired Gun (2015) - Audio Mixer, Sound Recordist, Boom Operator, and Post-Production Editor
January 11, 2030 - January 1, 2015
Final Cut Pro
January 11, 2030 - March 9, 2026
QLab
January 11, 2030 - March 9, 2026
Melodyne
January 11, 2030 - March 9, 2026
Waves
January 11, 2030 - March 9, 2026
Izotope
January 11, 2030 - March 9, 2026
OSHA 30
January 11, 2030 - March 9, 2026
Pro Tools
January 11, 2030 - March 9, 2026
Logic Pro X
January 11, 2030 - March 9, 2026
Ableton Live
January 11, 2030 - March 9, 2026
Wwise
January 11, 2030 - March 9, 2026
Final Cut Pro
January 11, 2030 - March 30, 2026
QLab
January 11, 2030 - March 30, 2026
Melodyne
January 11, 2030 - March 30, 2026
Waves
January 11, 2030 - March 30, 2026
Izotope
January 11, 2030 - March 30, 2026
OSHA 30
January 11, 2030 - March 30, 2026
Pro Tools
January 11, 2030 - March 30, 2026
Logic Pro X
January 11, 2030 - March 30, 2026
Ableton Live
January 11, 2030 - March 30, 2026
Wwise
January 11, 2030 - March 30, 2026
OSHA 30
January 11, 2030 - May 1, 2026
Final Cut Pro
January 11, 2030 - May 1, 2026
QLab
January 11, 2030 - May 1, 2026
Melodyne
January 11, 2030 - May 1, 2026
Waves
January 11, 2030 - May 1, 2026
Izotope Ozone
January 11, 2030 - May 1, 2026
Pro Tools
January 11, 2030 - May 1, 2026
Logic Pro X
January 11, 2030 - May 1, 2026
Ableton Live
January 11, 2030 - May 1, 2026
Wwise
January 11, 2030 - May 1, 2026
Final Cut Pro
January 11, 2030 - May 21, 2026
QLab
January 11, 2030 - May 21, 2026
Melodyne
January 11, 2030 - May 21, 2026
Waves
January 11, 2030 - May 21, 2026
Izotope Ozone
January 11, 2030 - May 21, 2026
OSHA 30
January 11, 2030 - May 21, 2026
Pro Tools
January 11, 2030 - May 21, 2026
Logic Pro X
January 11, 2030 - May 21, 2026
Ableton Live
January 11, 2030 - May 21, 2026
Wwise
January 11, 2030 - May 21, 2026
Dante
January 11, 2030 - May 21, 2026
CTS
January 11, 2030 - May 21, 2026
Final Cut Pro
January 11, 2030 - May 28, 2026
QLab
January 11, 2030 - May 28, 2026
Melodyne
January 11, 2030 - May 28, 2026
Waves
January 11, 2030 - May 28, 2026
Izotope
January 11, 2030 - May 28, 2026
OSHA-30
January 11, 2030 - May 28, 2026
Pro Tools
January 11, 2030 - May 28, 2026
Logic Pro X
January 11, 2030 - May 28, 2026
Ableton Live
January 11, 2030 - May 28, 2026
Wwise
January 11, 2030 - May 28, 2026
Final Cut Pro
January 11, 2030 - July 9, 2026
QLab
January 11, 2030 - July 9, 2026
Melodyne
January 11, 2030 - July 9, 2026
Waves
January 11, 2030 - July 9, 2026
iZotope Neutron
January 11, 2030 - July 9, 2026
iZotope Ozone
January 11, 2030 - July 9, 2026
OSHA 30
January 11, 2030 - July 9, 2026

Industry Experience

Media & Entertainment, Education, Professional Services, Travel & Hospitality, Other, Gaming, Software & Internet