- Artist
- Colourist
- Project Manager
Timothy K Brown
- Footscray, Australia
- 3 projects
I am a Post-Production Specialist and Colourisation Artist with a background in modernising legacy media, notably for the BBC’s Doctor Who franchise.
About
I am a Post-Production Specialist and Colourisation Artist with a background in modernising legacy media, notably for the BBC’s Doctor Who franchise. I design hybrid AI–manual workflows —utilising EbSynth and the Adobe Creative Cloud— to solve complex visual challenges in video and film.
I am a detail-oriented creative technician who delivers high-fidelity assets for global distribution, combining traditional compositing skills with emerging AI technologies. I enjoy collaborating with restoration and editorial teams to maintain visual continuity and historical accuracy.
- Joined February 2026
Industry experience
- Media & Entertainment
- Education
- Professional Services
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Projects · 3
Colourised & re-edited edition of a 1963 classic Doctor Who adventure - the debut of the Daleks - broadcast on BBC4
I was one of a small team of colourisation artists on the project
- Artist
- Colourist
Colourised & re-edited edition of a 1969 classic Doctor Who adventure, broadcast on BBC4
I was one of a small team of colourisation artists on the project, in addition I performed some restoration tasks, specifically in reducing double-imaging & ghosting artefacts in the archive footage
- Artist
- Colourist
Work experience· 7 roles
Emerging AI Workflows: Focused on the integration of generative AI and neural-style transfer tools into traditional non-destructive post-production pipelines. Legacy Format Analysis: Conducted independent research into historical colour-imaging techniques and chemical film processes to refine digital-to-analogue aesthetic matching. Hybrid Imaging Research: Advanced a specialised practice in historical photographic processes, focusing on Cyanotype and Gum Bichromate printing to refine manual control over tonal range and colour layering. Portfolio Refinement: Technical experimentation with archival material to optimise temporal consistency in AI-assisted colourisation.
Project Delivery: Responsible for the technical modernisation of archival material for international commercial release. Individual Contribution: Personally executed 40+ minutes of colourisation within a large-scale project environment. Departmental Collaboration: Partnered with restoration and editorial teams to mitigate technical inconsistencies in high-value assets.
Multi-Format Production: Captured live performances using Digital video, 16mm, and Super 8 film, managing the end-to-end workflow from capture to finishing. Alternative Processes: Specialising in Cyanotype and Gum Bichromate printing, demonstrating a deep understanding of chemical imaging and light sensitivity.
Education
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