My name is Tomas Della Torre. I am a dedicated alumna from NYU Steinhardt's Department of Music and Performing Arts Professions with a Bachelor of Music in Music Technology. I have experience engineering in both live and studio environments. I am currently the Head Audio Engineer at SOB's in New York City where I maintain a variety of responsibilities including : run FOH and monitors for national touring bands and ensembles, maintain L-Acoustics PA, RF coordination, and Dante network, recommend gear purchases, hire audio crew, advance shows, collaborate and coordinate with performers, artists, and management teams. Within the studio environment, I have experience as a Production Assistant at NYU's Clive Davis Institute of Recorded Music, where I advise and oversee students working on assignments in studios and production suites, maintain, clean, and prepare equipment, instruments, microphones, and facilities and keep record and inventory of equipment that is checked in and out, document needs for students, faculty, and staff, and file trouble reports for broken gear. I have recorded, mixed, and mastered projects in collaboration with corporations like NYU and Voice of America, as well as independent artists and producers.

Tomas Della Torre

My name is Tomas Della Torre. I am a dedicated alumna from NYU Steinhardt's Department of Music and Performing Arts Professions with a Bachelor of Music in Music Technology. I have experience engineering in both live and studio environments. I am currently the Head Audio Engineer at SOB's in New York City where I maintain a variety of responsibilities including : run FOH and monitors for national touring bands and ensembles, maintain L-Acoustics PA, RF coordination, and Dante network, recommend gear purchases, hire audio crew, advance shows, collaborate and coordinate with performers, artists, and management teams. Within the studio environment, I have experience as a Production Assistant at NYU's Clive Davis Institute of Recorded Music, where I advise and oversee students working on assignments in studios and production suites, maintain, clean, and prepare equipment, instruments, microphones, and facilities and keep record and inventory of equipment that is checked in and out, document needs for students, faculty, and staff, and file trouble reports for broken gear. I have recorded, mixed, and mastered projects in collaboration with corporations like NYU and Voice of America, as well as independent artists and producers.

Available to hire

My name is Tomas Della Torre. I am a dedicated alumna from NYU Steinhardt’s Department of Music and Performing Arts Professions with a Bachelor of Music in Music Technology. I have experience engineering in both live and studio environments. I am currently the Head Audio Engineer at SOB’s in New York City where I maintain a variety of responsibilities including : run FOH and monitors for national touring bands and ensembles, maintain L-Acoustics PA, RF coordination, and Dante network, recommend gear purchases, hire audio crew, advance shows, collaborate and coordinate with performers, artists, and management teams.

Within the studio environment, I have experience as a Production Assistant at NYU’s Clive Davis Institute of Recorded Music, where I advise and oversee students working on assignments in studios and production suites, maintain, clean, and prepare equipment, instruments, microphones, and facilities and keep record and inventory of equipment that is checked in and out, document needs for students, faculty, and staff, and file trouble reports for broken gear. I have recorded, mixed, and mastered projects in collaboration with corporations like NYU and Voice of America, as well as independent artists and producers.

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Experience Level

Expert
Expert

Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Head Audio Engineer at SOB's
May 1, 2025 - Present
Run FOH and monitors for national touring bands and ensembles. Maintain L-Acoustics PA, RF coordination, and Dante network. Recommend gear purchases. Hire audio crew. Advance shows, collaborate and coordinate with performers, artists, and management teams.
Audio Engineer at WNYU
January 1, 2025 - Present
Record, edit, mix, and master music for bands performing live in the studio. Coordinate logistics and backline for radio sessions with artists. Prepare mixes and masters for radio-ready broadcast.
Production Assistant at Clive Davis Institute of Recorded Music
January 1, 2025 - Present
Advise and oversee students working on assignments in studios and production suites. Maintain, clean, and prepare equipment, instruments, microphones, and facilities. Keep record and inventory of equipment checked in and out, document needs for students, faculty, and staff, and file trouble reports for broken gear.
Audio Engineer at Flatiron Room
August 1, 2024 - September 1, 2025
Ran FOH and monitors for live acts in blues, jazz, and ragtime in the context of a high-end restaurant.
Stage Hand at ARPI Group
July 1, 2021 - August 1, 2021
Set up stage lights, audio, and video for festivals, night clubs, and commissioned events. Prepared audiovisual equipment and mixed in-house rehearsal sessions for a variety of artists and performers.

Education

Bachelor of Music, Music Technology at New York University
September 1, 2022 - May 1, 2026

Qualifications

Dante Level 1
June 24, 2026 - June 24, 2026

Industry Experience

Media & Entertainment, Computers & Electronics
    Voice of America - West African Episode ft. Yacouba Sissoko

    Voice of America is an “international broadcaster, funded by the United States federal government and established in 1942. It is the largest and oldest of the US’s existing international broadcasters, producing digital, TV, and radio content in 48 languages for affiliate stations around the world.”

    On this episode of VOA, I mixed and mastered the recording session for Yacouba Sissoko, a Mali Kora play now based in Harlem, New York City, best know for his collaborations with jazz and pop musicians.

    <https://www.twine.net/signin

    Meeting MM

    Meeting MM is a documentary based on Mary Magdalene Serra, NYC-based experimental filmmaker in which she talks about her work in connection to queerness, identity, and how to navigate our deeply flawed, and hyper-censored society. I scored, arranged, recorded, and mixed the soundtrack to the documentary with a collaborator.