I have 4 years of experience editing audiovisual projects and now exploring podcast editing. I create, assemble, and refine the audio elements in film, television shows, video games, podcasts or other media production. I study sound direction and post-sound production, and currently use Pro Tools for audio editing. Since I see sound editing as an individual project in which I put my own stamp, I like to take it very seriously. For this, I organize my day based on the hours I'm going to dedicate to editing, which are usually 4 to 7 per day since I also study at the university. As for my availability, I am willing to talk to the client at any time of the day and also to give unlimited revisions, since I am satisfied when the client is satisfied.…

Tomas Marconi

I have 4 years of experience editing audiovisual projects and now exploring podcast editing. I create, assemble, and refine the audio elements in film, television shows, video games, podcasts or other media production. I study sound direction and post-sound production, and currently use Pro Tools for audio editing. Since I see sound editing as an individual project in which I put my own stamp, I like to take it very seriously. For this, I organize my day based on the hours I'm going to dedicate to editing, which are usually 4 to 7 per day since I also study at the university. As for my availability, I am willing to talk to the client at any time of the day and also to give unlimited revisions, since I am satisfied when the client is satisfied.…

Available to hire

I have 4 years of experience editing audiovisual projects and now exploring podcast editing. I create, assemble, and refine the audio elements in film, television shows, video games, podcasts or other media production. I study sound direction and post-sound production, and currently use Pro Tools for audio editing.
Since I see sound editing as an individual project in which I put my own stamp, I like to take it very seriously. For this, I organize my day based on the hours I’m going to dedicate to editing, which are usually 4 to 7 per day since I also study at the university. As for my availability, I am willing to talk to the client at any time of the day and also to give unlimited revisions, since I am satisfied when the client is satisfied.

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Language

Spanish; Castilian
Fluent
English
Fluent
German
Intermediate
Portuguese
Fluent
French
Beginner

Work Experience

Sound Editor / Re-Recording Mixer at Documental UNLP - Liga Esports (LEIF)
March 31, 2022 - September 12, 2025
In this project I did all the sound editing, in addition to music editing, and proposed edits to improve the viewer's assimilation. Worked with Pro Tools and tools such as RX9, Sound Miner, and Goyo.
Sound Technician / Editor at University Television (UNLP)
November 30, 2022 - September 12, 2025
Operated live sound for over 50 TV broadcasts, ensuring optimal mix and microphone setup for presenters and guests. Organized material for editors, prepared Pro Tools sessions, performed noise reduction and mastering for weekly podcasts with over 10,000 monthly listeners, ensuring broadcast quality on Spotify and Apple Podcasts.
Sound Editor / Freelancer at Freelance (Upwork, Fiverr, Freelancer)
December 30, 2019 - Present
Currently freelancing as sound editing and sound design for freelance projects on Upwork, Fiverr, and Freelancer; experienced with Pro Tools, Izotope RX, and other audio tools. Involved in post-production for film, TV, and podcasts and maintaining a portfolio.
Sound Editor at La Burbuja Sonido
July 10, 2024 - Present
Im actually working in a PostProduction Sound Studio here in Buenos Aires. In this studio, I have the opportunity to edit for major television series here in Argentina, and I was able to participate as sound editor in the series "El Eternauta."

Education

Techicality in Sound and Recording at National University of La Plata
January 27, 2020 - November 25, 2022
Degree in Sound and Recording at Universidad Nacional de La Plata (UNLP)
January 11, 2030 - November 1, 2024
Bachelor's Degree in Sound Direction at Escuela de Experimentación y Realización Cinematográfica (INCAA)
January 11, 2030 - September 12, 2025

Qualifications

Spacial Sound and 3D
February 16, 2021 - May 4, 2021
Mastering for Audio Visuals
January 11, 2030 - September 12, 2025
Advanced English
January 11, 2030 - September 12, 2025

Industry Experience

Media & Entertainment, Professional Services, Education
    paper LivLabelFree - Podcast Editing

    Recently I’m working on this Podcast in which my tasks are leveling to the LUFS standards of the platforms to which it is published, noise reduction and restoration, removing unwanted sounds, creative sound editing according to the narrative of the episode (which requires cutting and splicing phrases or words with others to finish closing an idea), equalization of voices to generate a homogeneous and pleasant to the ear coloratura.
    I edit this entirely in DAW Pro Tools and use tools such as RX 11, Clear, Dx Revive, Fab Filter Bundle, Nugen Bunlde, etc.

    paper Atomic Anesthesia - Podcast Editing

    For about a year I’ve been editing the sound of this weekly Podcast, in which my tasks are leveling to the LUFS standards of the platforms to which it is published, noise reduction and restoration, removing unwanted sounds, creative sound editing according to the narrative of the episode (which requires cutting and splicing phrases or words with others to finish closing an idea), equalization of voices to generate a homogeneous and pleasant to the ear coloratura.
    I edit this entirely in DAW Pro Tools and use tools such as RX 11, Clear, Dx Revive, Fab Filter Bundle, Nugen Bunlde, etc.