I specialise in corporate and institutional video. Event promos, opening ceremonies, institutional films, investor and B2B communications, and brand narratives that need to actually land. The difference between a video that looks good and one that actually lands is insight, instinct, and judgment. Knowing what a room needs to feel before a single frame is cut, and building every decision around that. With whatever is available - stock footage, archive material, a tight timeline, an incomplete brief. Constraints don't limit the work. They focus it. If you're building toward something that matters and you need someone who knows exactly how to make it land, that's what I do. Work approach: Self-directed workflow (clear brief → accurate delivery) Efficient while maintaining high quality Available for projects & retainers.

Tseleaux Banzon

I specialise in corporate and institutional video. Event promos, opening ceremonies, institutional films, investor and B2B communications, and brand narratives that need to actually land. The difference between a video that looks good and one that actually lands is insight, instinct, and judgment. Knowing what a room needs to feel before a single frame is cut, and building every decision around that. With whatever is available - stock footage, archive material, a tight timeline, an incomplete brief. Constraints don't limit the work. They focus it. If you're building toward something that matters and you need someone who knows exactly how to make it land, that's what I do. Work approach: Self-directed workflow (clear brief → accurate delivery) Efficient while maintaining high quality Available for projects & retainers.

Available to hire

I specialise in corporate and institutional video. Event promos, opening ceremonies, institutional films, investor and B2B communications, and brand narratives that need to actually land.

The difference between a video that looks good and one that actually lands is insight, instinct, and judgment.

Knowing what a room needs to feel before a single frame is cut, and building every decision around that. With whatever is available - stock footage, archive material, a tight timeline, an incomplete brief. Constraints don’t limit the work. They focus it.

If you’re building toward something that matters and you need someone who knows exactly how to make it land, that’s what I do.

Work approach:
Self-directed workflow (clear brief → accurate delivery)
Efficient while maintaining high quality

Available for projects & retainers.

See more

Language

English
Fluent

Work Experience

Founder | Creative Director | Video Editor | Producer | Writer at Relevant Projects
June 1, 2025 - Present
Relevant Projects specializes in creative video production for corporate, government, and NGO clients. Services include video editing, motion graphics & production, found footage/stock editing (complete videos from existing assets, no production required). I translate complex policy content into accessible narratives, support corporate communications and brand storytelling, and maintain a fast, high-quality workflow with a self-directed process.
Creative Lead at GMOLx / GMIS
May 1, 2019 - May 1, 2025
Developed content strategies and creative direction for campaigns aligned with UAE Vision 2031 and economic diversification goals. Delivered storytelling-driven campaigns for GMIS 2019-2023; UNIDO General Assembly 2019; Mohamed Bin Rashid Initiative for Global Prosperity; Start AD; DRIFTx 2024; World Padel Tour 2023; GIFIS in partnership with Lloyd’s Register Foundation and Cambridge. Collaborated with MoIAT, TDRA ICT Fund, Abu Dhabi DED, Bayanat, Abu Dhabi Mobility, and Abu Dhabi DMT. Produced long-form videos (e.g., TDRA ICT Fund), opening ceremony films (e.g., UNIDO GA) and content strategy for major public sector initiatives. Led a team of 3 creatives in scriptwriting, editing, design, and animation; directed third-party agency collaboration; developed modular campaign frameworks and oversaw post-production for cross-channel cutdowns. Contributed to strategic pitches for Dubai Holding, Community Development Authority, and Abu Dhabi DMT.
Head of Creative Multimedia Services at Solar Entertainment Network
February 1, 2014 - November 1, 2016
Creative Operations & Campaign Delivery: Managed creative and production teams delivering campaigns across six broadcast channels for Coca-Cola, Unilever, Pfizer, McDonald’s, and Nissan; integrated regional campaigns into network programming; directed Pfizer Stresstab s TVC; improved delivery quality to 98% KPI; Content Licensing & Brand Partnerships with Fox Corporation, Warner Media, NBC Universal, and the NBA; led cost-saving improvements and the transition from SD to HD, building the in-house multimedia team.

Education

Bachelor's Degree, Mass Communication & Media Studies at University of Perpetual Help System DALTA, National Capital Region, Philippines
June 1, 2000 - March 2, 2004

Qualifications

Add your qualifications or awards here.

Industry Experience

Government, Non-Profit Organization, Media & Entertainment, Professional Services, Other