Available to hire
I’m Wanda Alberini, an audio engineer specializing in post-production for film, TV, and series. I excel in recording, mixing, restoration, and immersive Dolby Atmos workflows, with a solid grasp of loudness standards for broadcast. I enjoy shaping sound that serves the story and enhance the viewer’s experience, and I work fluently in Pro Tools.
My background in musical composition and formal studies informs my approach to texture, rhythm, and mood. I collaborate effectively with directors, editors, and sound teams, and I’m open to remote work with clients worldwide.
Experience Level
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Language
Spanish; Castilian
Fluent
English
Advanced
Work Experience
Student – Audio Post-Production at TECSON – Sound Technology Institute
January 1, 2024 - PresentAcademic projects including live band studio recording, stereo mixing, Dolby Atmos mixing, and audio restoration; collaboration with peers on a team-based workflow.
Audio Post-Production Project (Demo Reel) at Self-initiated Project
January 1, 2026 - PresentLoudness mixing, sidechain ducking, and audio restoration for audiovisual content; full workflow using Pro Tools Studio, iZotope RX, and DaVinci Resolve; final delivery to broadcast loudness standards (LUFS/EBU R128).
Freelance Audio Engineer at Self-Directed / Personal Project
January 1, 2026 - PresentAudio post-production for audiovisual content; loudness mixing to broadcast standards; Pro Tools Studio + DaVinci Resolve + iZotope RX; final delivery to LUFS standards.
Student – Academic Projects at TECSON – Sound Technology Institute
January 1, 2024 - PresentParticipated in live band studio recording, microphone setup and placement; editing and mixing as part of a team; stereo mixing project and Dolby Atmos mixing project; audio restoration and cleanup using iZotope RX.
Education
Certificate at TECSON – Sound Technology Institute
January 1, 2024 - April 11, 2026Bachelor of Musical Arts (Composition) at Universidad Nacional de las Artes (UNA-DAMUS)
January 1, 2018 - December 31, 2020Audio Recording & Post-Production at TECSON – Sound Technology Institute
January 1, 2024 - April 11, 2026Bachelor of Musical Arts (Composition) at Universidad Nacional de las Artes (UNA-DAMUS)
January 1, 2018 - January 1, 2020Qualifications
Audio Post-Production Level II – AUDIOVISUAL
January 11, 2030 - April 11, 2026Audio Post-Production Level III – AUDIOVISUAL
January 11, 2030 - April 11, 2026Mixing Workshop – Pablo Rabinovich (Mixing & Mastering Engineer)
January 11, 2030 - April 11, 2026Studio Mixing Practice – Tomás Davies (Sound Engineer)
January 11, 2030 - April 11, 2026Sound Design – Ulises Labaronnie
January 11, 2030 - April 11, 2026Python – Basic Programming & Automation
January 11, 2030 - April 11, 2026Audio Post-Production Level II & III – AUDIOVISUAL
January 11, 2030 - April 11, 2026Mixing Workshop – Pablo Rabinovich (Mixing & Mastering Engineer)
January 11, 2030 - April 11, 2026Studio Mixing Practice – Tomás Davies (Sound Engineer)
January 11, 2030 - April 11, 2026Sound Design – Ulises Labaronnie
January 11, 2030 - April 11, 2026Studio Mixing – Estudios Diamond
January 11, 2030 - April 11, 2026Python – Basic Programming & Automation
January 11, 2030 - April 11, 2026Industry Experience
Media & Entertainment, Education, Professional Services
Experience Level
Expert
Expert
Expert
Expert
Intermediate
Intermediate
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