Video Editor, Videographer and Content Producer at World Creative Resources (founder-operator)

Founded and operated a solo video production studio that grew into a book of 6+ recurring commercial clients across hospitality, events, retail, automotive and real estate. Delivered social/short-form edits within 3–5 business days and hero edits within 5–7 business days, using a templated DaVinci Resolve Studio 21 workflow (colour correction/grading, Fusion node-based motion graphics and VFX compositing, and Fairlight sound design). Managed client sign-off within two revision rounds by locking scope with written creative briefs, storyboards, shot lists and agreed delivery specifications before filming. Produced 10+ finished deliverables per month by capturing native 9:16 and 16:9 versions in parallel. Wrote platform-native captions/titles/descriptions/hashtags to match client brand guidelines, and delivered CASA-licensed drone cinematography in-house to remove aerial subcontractor costs. Maintained versioned, backed-up media libraries and used milestone-based payments (50/50) with

Video Editor, Videographer and Content Producer at World Creative Resources (WCR)

Sydney, NSW | Founder-operator. - Grew a solo studio into a book of 6+ recurring commercial clients spanning five industries (hospitality, events, retail, automotive and real estate) by owning every stage of the pipeline in-house, from creative brief through to final delivery, with no stage outsourced. - Delivered social and short-form edits within 3 to 5 business days and hero brand edits at rough cut within 5 to 7 business days of wrap, at or ahead of the Australian market standard, by building a templated DaVinci Resolve Studio 21 workflow covering primary and secondary colour correction, custom LUTs, Fusion node-based motion graphics and VFX compositing, and Fairlight sound design and audio mixing. - Closed client sign-off inside two revision rounds, at or below the industry standard of two to three, by locking scope before production with written creative briefs, storyboards, shot lists and agreed deliverable specifications signed off ahead of any camera work. - Doubled usable output per shoot day, producing 10+ finished deliverables each month, by capturing and mastering native 9:16 and 16:9 versions in parallel for Instagram Reels, TikTok, YouTube Shorts and Facebook. - Eliminated the need for a separate copywriter on 100% of deliverables by writing the platform-native caption, title, description and hashtag set to each client's brand guidelines alongside every edit. - Extended shoot coverage across Greater Sydney and removed subcontractor cost from aerial work by qualifying as a CASA-licensed drone operator and delivering aerial cinematography in-house for events, real estate walkthroughs and brand campaigns. - Protected margin on every engagement by scoping and budgeting each production before quoting, operating a 50/50 milestone payment structure, and maintaining a fully versioned, backed-up media asset library with zero data loss to date.

Freelance Videographer and Video Editor at Commercial Freelance Contracts

Built a commercial client base from zero across hospitality, retail and live-event businesses in Sydney by delivering on schedule and to brand guidelines. Increased usable output per shoot day by adapting single-shoot footage into multi-format cutdowns for 16:9 and 9:16 platforms (Instagram and Facebook). Funded and built a complete production stack (camera, lighting, audio and post-production) entirely from project revenue, removing equipment rental from quotes while maintaining an ongoing, reusable kit.

Freelance Videographer and Video Editor at Commercial Freelance Contracts (Sydney & Remote)

- Built a commercial client base from zero within 24 months across hospitality, retail and live-event businesses in Sydney, converting first-project clients into repeat engagements by delivering consistently on schedule and to brand guidelines. - Increased deliverables per shoot day at no additional production cost by adapting single-shoot footage into multi-format cutdowns across 16:9 and 9:16 for Instagram and Facebook. - Removed equipment rental from every quote by funding and building a complete production stack (camera, lighting, audio and post-production) entirely from project revenue, still in active commercial use four years on.