Wooyeon Lee Ian

Compositor at Spin VFX

The Beast Game Performed set extension and removal tasks using tracked cameras Matched colours consistentlyc across shots filmed with various cameras, including GoPro, without green screens Delivered multiple shots effectively and quickly, maintaining high-quality standards Dora and the Search for Sol Dorado Performed set extensions and added effects to the live-action set. Removed stunt rigs and wires connected to the actors. Composited a CG monkey interacting with the actors. Composited interactive fire effects with the actors. I Know What You Did Last Summer Modified the night sky and composited firework effects. Performed blue screen keying and composited assets in an outdoor, low-light environment. Composited flowing blood effects on actors and created interactive blood smears on surfaces. Currently working on unannounced Film project

Compositor at Cinesite

The Fall Guy Performed retiming of the shooting action and added CG sword and gunfire effects to maximize the dramatic impact Replaced some parts of the boat with CG asset, and composited bullet heat effects Improved the background of the set and added reflections from the glass Dashing through the snow Added CG Reindeer, sleigh, and snow from live footage Performed keying character and sleigh on the blue screen and composited the projected background The Beanie Bubble Resolved distortion due to retime from live footage and composited CG puppets, boxes, and dust The Mandalorian S3.E7 Modified and added backgrounds to footage shot on an LED wall Removed the stunt mattress and replaced the floor with reflections of characters Removed the props for the character moving violently and replaced them with CG props Composited the laser blaster effects and CG assets into the overall shots Tetris Performed keying vehicle and characters and composited 2D background, 3Dvehicles, and glass reflection effects Compositied dynamically collision with a CG vehicle after perfom keying from blue screen set Composited CG building, birds, and projected car from live footage Black Panther: Wakanda Forever Composited CG ship, helicopter, muzzle flash, and bullets after keying ship and characters from the set Composited CG building and forest from live drone shot Roald Dahl's Matilda the Musical Performed keying characters and composited CG circus tent, crowd, and highlights Composited sky and hot-air baloon after keying character Removed chacracters hair and replaced CG animated hair from live footage Composited CG building on the real building and colour corrected sky from live footage

Compositor at DNEG

The Adam Project Performed deep compositing with Clarisse-generated multi-pass airplane. Composited keying from the blue screen over the airplane cockpit window and replace the background Using LIDAR information, composited burning ember in dark forest shots in 3D. Kung Fury2 Performed keying the character on the green screen and composited it with the scene of emergency escape from the plane cockpit . and blended emergency lights, smokes, and motion blur through the shot. Performed placing BG to the long hallway shots with 3D tracking. Composited eye glow and reflective effects appropriate for the light source. Brahmastra Composited various CG elements including fire with controlled light and color Performed keying in a shot with a blue screen partially installed in the outdoor scene Applied projection and matchmoving BG using 3D camera information Rotoscoped the crowd from outdoor shots without a blue screen and reposition them to blend into the overall landscape Performed keying and placing a 3D stadium to integrated with other shots Composited the shadow, motion blur, light, and color of CG ball Composited the indoor and outdoor areas in 3D within Nuke based on the green screen keying and tracking information from the shots taken in the studio Achieved keying a translucent plastic helmet from a blue screen Embedded a glass and reflection effect from a 3D scene embodied in Nuke The Undoing Communicated with HBO team in real time to provide a quick feedback to deliver all the shots within the deadline Performed keying and tracking from the white screen on the smartphone and laptop with composited contents in Implemented a layer of snow and modification to the building elements per the director' s intention Bhoot Exercised keying and tracking from the green screen and 3D matchmoving the background in lack of lighting condition Modified the BG, such as applying multiple spots of rust to the elements on the ship Bell Bottom Performed logo replacing, mark removal, and rotoscoping in the prep stage Mulan, Jumanji: The Next Level, Maleficent: Mistress of Evil The Addams Family, Men in Black: International, Aladdin Optimized scripts consisting of deep information, green screen, and various colors light for stereo compositing Re-developped the existing Nuke scripts into the Fusion to optimize the results exercising extensive understanding in both programs

Stereo Compositor at Legned 3D

Thor: Ragnarok, A wrinkle in time, The Meg Exercised diverse techniques including but not limited to, matte painting, rig removal, Rotoscope, tracking, set extensions, throughout the compositing process Applied 3D compositing including depth passes Nuke, Mocha to client assets and final source plates Collaborated with the Lead Stereo Compositor, Production Coordinator, and Compositing Supervisor to assure efficient shot production

Compositor at Spin VFX

Set Extension and Removal tasks with tracked cameras; color matching across shots filmed with various cameras (including GoPro); set/background improvements; added reflections on glass; bullet heat effects; replaced some boat parts with CG assets; improved background of the set and reflections.

Compositor at DNEG

The Adam Project: deep compositing with Clarisse-generated multi-pass airplane; blue-screen keying over cockpit window; background replaced using 3D match-moving with LiDAR data.