I’m a young multidisciplinary creator and autistic polymath working professionally as Zazie Productions. My work builds immersive, genre-crossing worlds at the intersections of experimental music, filmmaking, graphic design, and neurodivergent advocacy. Since age 9, I’ve earned a reputation for hyper-detailed, conceptually layered projects that bridge the underground and the emerging — always experimenting, always inviting others to look sideways at what’s possible. As a composer and sound artist, I work across IDM, ambient, noise, psytrance, and cinematic scoring. I’ve self-produced ten full-length albums & EPs, appeared on 50+ international compilations, and released signature works like Stutter to Stammer (Super Deluxe) and Spectral Ode to Synesthesia (2025). My label’s Dissonance Index Vol. 1 — a 105-track compilation spanning seven countries — was delivered in just four months, fully self-managed from metadata to mastering. My entire catalog is fully sync-ready—I own 100% of the master, mechanical, and publishing rights to all my music, which makes licensing fast, flexible, and hassle-free. Whether it’s a feature film, high-impact trailer, streaming docuseries, or art installation, my tracks are ideal for projects that need original sound without any clearance delays. I also run one of the largest Goa/Psytrance playlists in the U.S. (31K+ organic followers) and regularly help emerging artists through placements on Groover, PlaylistPush, and SoundCampaign, driving 8K+ new streams in under two years. My feedback blends deep compositional insight with practical marketing guidance — helping artists find real audiences, not vanity metrics. Beyond music, I reach over 10M+ monthly views with my satirical mental health page, @WellMeaningNeurotypicals — a Gen Z cult classic for its irreverent commentary on neurodiversity. Formative moments I’m proud of: • Pulitzer Center Finalist, Local Letters for Global Change — recognized in 8th grade for a letter that sparked local-to-global dialogue. • Commissioned by Black Mountain College to reimagine Satie’s Gymnopédie No. 1 through musique concrète; featured in an archival interview on experimental process. Selected features & media: Black Mountain College Podcast | Album of the Year | Ranger, HEAVY, Superpresent, 100Subtexts | Radio: Asheville FM, Glacier FM | Featured alongside KMFDM & Beauty in Chaos | Praise from David Finkelstein (Film Threat) | Voidstar Solidarity [ACLU Benefit] | Who is the Dreamer? (David Lynch tribute) | Exhibitions at Ripples Gallery & New Media Art Space. I’m always learning, always open to unlikely collaborations, and always building toward work that’s rigorous, strange, and true.

Zazie Kanwar-Torge

I’m a young multidisciplinary creator and autistic polymath working professionally as Zazie Productions. My work builds immersive, genre-crossing worlds at the intersections of experimental music, filmmaking, graphic design, and neurodivergent advocacy. Since age 9, I’ve earned a reputation for hyper-detailed, conceptually layered projects that bridge the underground and the emerging — always experimenting, always inviting others to look sideways at what’s possible. As a composer and sound artist, I work across IDM, ambient, noise, psytrance, and cinematic scoring. I’ve self-produced ten full-length albums & EPs, appeared on 50+ international compilations, and released signature works like Stutter to Stammer (Super Deluxe) and Spectral Ode to Synesthesia (2025). My label’s Dissonance Index Vol. 1 — a 105-track compilation spanning seven countries — was delivered in just four months, fully self-managed from metadata to mastering. My entire catalog is fully sync-ready—I own 100% of the master, mechanical, and publishing rights to all my music, which makes licensing fast, flexible, and hassle-free. Whether it’s a feature film, high-impact trailer, streaming docuseries, or art installation, my tracks are ideal for projects that need original sound without any clearance delays. I also run one of the largest Goa/Psytrance playlists in the U.S. (31K+ organic followers) and regularly help emerging artists through placements on Groover, PlaylistPush, and SoundCampaign, driving 8K+ new streams in under two years. My feedback blends deep compositional insight with practical marketing guidance — helping artists find real audiences, not vanity metrics. Beyond music, I reach over 10M+ monthly views with my satirical mental health page, @WellMeaningNeurotypicals — a Gen Z cult classic for its irreverent commentary on neurodiversity. Formative moments I’m proud of: • Pulitzer Center Finalist, Local Letters for Global Change — recognized in 8th grade for a letter that sparked local-to-global dialogue. • Commissioned by Black Mountain College to reimagine Satie’s Gymnopédie No. 1 through musique concrète; featured in an archival interview on experimental process. Selected features & media: Black Mountain College Podcast | Album of the Year | Ranger, HEAVY, Superpresent, 100Subtexts | Radio: Asheville FM, Glacier FM | Featured alongside KMFDM & Beauty in Chaos | Praise from David Finkelstein (Film Threat) | Voidstar Solidarity [ACLU Benefit] | Who is the Dreamer? (David Lynch tribute) | Exhibitions at Ripples Gallery & New Media Art Space. I’m always learning, always open to unlikely collaborations, and always building toward work that’s rigorous, strange, and true.

Available to hire

I’m a young multidisciplinary creator and autistic polymath working professionally as Zazie Productions. My work builds immersive, genre-crossing worlds at the intersections of experimental music, filmmaking, graphic design, and neurodivergent advocacy.

Since age 9, I’ve earned a reputation for hyper-detailed, conceptually layered projects that bridge the underground and the emerging — always experimenting, always inviting others to look sideways at what’s possible.

As a composer and sound artist, I work across IDM, ambient, noise, psytrance, and cinematic scoring. I’ve self-produced ten full-length albums & EPs, appeared on 50+ international compilations, and released signature works like Stutter to Stammer (Super Deluxe) and Spectral Ode to Synesthesia (2025). My label’s Dissonance Index Vol. 1 — a 105-track compilation spanning seven countries — was delivered in just four months, fully self-managed from metadata to mastering.

My entire catalog is fully sync-ready—I own 100% of the master, mechanical, and publishing rights to all my music, which makes licensing fast, flexible, and hassle-free. Whether it’s a feature film, high-impact trailer, streaming docuseries, or art installation, my tracks are ideal for projects that need original sound without any clearance delays.

I also run one of the largest Goa/Psytrance playlists in the U.S. (31K+ organic followers) and regularly help emerging artists through placements on Groover, PlaylistPush, and SoundCampaign, driving 8K+ new streams in under two years. My feedback blends deep compositional insight with practical marketing guidance — helping artists find real audiences, not vanity metrics.

Beyond music, I reach over 10M+ monthly views with my satirical mental health page, @WellMeaningNeurotypicals — a Gen Z cult classic for its irreverent commentary on neurodiversity.

Formative moments I’m proud of:
• Pulitzer Center Finalist, Local Letters for Global Change — recognized in 8th grade for a letter that sparked local-to-global dialogue.
• Commissioned by Black Mountain College to reimagine Satie’s Gymnopédie No. 1 through musique concrète; featured in an archival interview on experimental process.

Selected features & media:
Black Mountain College Podcast | Album of the Year | Ranger, HEAVY, Superpresent, 100Subtexts | Radio: Asheville FM, Glacier FM | Featured alongside KMFDM & Beauty in Chaos | Praise from David Finkelstein (Film Threat) | Voidstar Solidarity [ACLU Benefit] | Who is the Dreamer? (David Lynch tribute) | Exhibitions at Ripples Gallery & New Media Art Space.

I’m always learning, always open to unlikely collaborations, and always building toward work that’s rigorous, strange, and true.

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Language

English
Fluent

Work Experience

Director, Producer, Animator, Composer, Sound Designer at Phantom Requiem
December 31, 2024 - July 30, 2025
Directed, produced, animated, composed music, and designed sound for the film Phantom Requiem in 2024.
Producer, Director, Cinematographer, Visual Effects Artist at Deaf Orphans of Streamcast
December 31, 2024 - July 30, 2025
Produced, directed, served as cinematographer, and created visual effects for Deaf Orphans of Streamcast in 2024.
Producer, Director, Cinematographer, Visual Effects Artist at Beyond The Silken Threads
December 31, 2025 - July 30, 2025
Produced, directed, was cinematographer, and worked as visual effects artist on Beyond The Silken Threads in 2025.
Composer at MIKE HAS A VISITOR
December 31, 2025 - July 30, 2025
Composed music for MIKE HAS A VISITOR, credited on IMBd, in 2025.
Director, Producer, Animator, Composer, Sound Designer at Zazie Productions
December 31, 2024 - July 30, 2025
Directed, produced, animated, composed, and sound designed the film "Phantom Requiem" in 2024, overseeing all creative and technical aspects of production. Worked independently to ensure a cohesive vision.
Producer, Director, Cinematographer, Visual Effects Artist at Zazie Productions
December 31, 2024 - July 30, 2025
Produced, directed, shot, and created visual effects for the film "Deaf Orphans of Streamcast" in 2024, managing all phases from pre-production to post-production with full creative control.
Producer, Director, Cinematographer, Visual Effects Artist at Zazie Productions
December 31, 2025 - July 30, 2025
Led the production of "Beyond The Silken Threads" (2025), handling directing, producing, cinematography, and visual effects. Coordinated artistic vision and technical execution for a multidisciplinary project.
Composer at MIKE HAS A VISITOR (IMBd credit)
December 31, 2025 - July 30, 2025
Composed the soundtrack music for "MIKE HAS A VISITOR," contributing to the film's emotional tone and atmosphere, as credited on IMBd (2025).
Founder & Curator at The Vanishing Point Syndicate
December 31, 2025 - July 30, 2025
Founded the Vanishing Point Syndicate and singlehandedly produced and released "Dissonance Index Vol. 1," a 105-track international compilation featuring diverse experimental artists. Managed artist outreach, metadata, mastering, track ordering, visual design, press materials, and promotion across platforms within 4 months.
Director, Producer, Animator, Composer, Sound Designer at Zazie Productions
December 31, 2024 - July 30, 2025
Directed, produced, animated, composed, and sound designed the film Phantom Requiem (2024).
Producer, Director, Cinematographer, Visual Effects Artist at Zazie Productions
December 31, 2024 - July 30, 2025
Produced, directed, shot, and created visual effects for Deaf Orphans of Streamcast (2024).
Producer, Director, Cinematographer, Visual Effects Artist at Zazie Productions
December 31, 2025 - July 30, 2025
Produced, directed, shot, and created visual effects for Beyond The Silken Threads (2025).
Composer at MIKE HAS A VISITOR
December 31, 2025 - July 30, 2025
Composed music credited on IMBd for the project MIKE HAS A VISITOR (2025).
Founder and Producer at The Vanishing Point Syndicate
December 31, 2025 - July 30, 2025
Founded and produced Dissonance Index Vol. 1 (2025), a 105-track international compilation from various countries. Managed all production phases including artist outreach, metadata tracking, mastering coordination, track ordering, visual design, press materials, and promotional campaigns across Bandcamp, Discord, and underground music communities.

Education

Add your educational history here.

Qualifications

Member – Musicians United for Social Equity (MUSE)
January 11, 2030 - July 30, 2025
Registered Artist – Broadcast Music, Inc. (BMI)
January 11, 2030 - July 30, 2025
Special Jury Mention – Pebbles Underground Film Festival
January 1, 2024 - December 31, 2024
Official Selection – Octopus Marquee Underground Film Festival
January 11, 2030 - July 30, 2025
Exclusive Stream – PVTV Fringe Flicks
January 11, 2030 - July 30, 2025
Special Mention for Artistic Contribution – Kvikmyndalistahátíð Íslands, Reykjavik
January 1, 2024 - December 31, 2024
Pulitzer Center Finalist – Local Letters for Global Change
January 1, 2021 - December 31, 2021
Member – Musicians United for Social Equity (MUSE)
January 1, 2024 - December 31, 2024
Registered Artist – Broadcast Music, Inc. (BMI)
January 1, 2024 - December 31, 2024
Member – Musicians United for Social Equity (MUSE)
January 11, 2030 - July 30, 2025
Registered Artist – Broadcast Music, Inc. (BMI)
January 11, 2030 - July 30, 2025

Industry Experience

Media & Entertainment, Non-Profit Organization, Professional Services, Software & Internet, Other