I’m an award-winning Senior Copywriter, Screenwriter, and Singer-songwriter, with 15+ years in high-level ideation.
Whether I’m writing words or notes, I’m recognized for my surprising narrative efficiency and my meticulous craft.
My work in advertising has been recognized with 150+ international and national awards, ranking me among the Top 5 Copywriters in Canada. I’ve created major, innovative campaigns for local and global brands alike, ranging from social marketing to retail. I also specialize in cross-market adaptation (English/French), ensuring brand narratives resonate across cultures.
I’ve crafted projects from concept through post-production—I’ve spent thousands of hours in studios directing actors and editing.
And I apply the same rigour to myself when it comes to being behind the microphone. As a Music Composer and Songwriter with absolute pitch, I also provide expert voice direction and versatile vocal performances. This expertise allows me to maintain a strong presence with my musical projects while delivering high-quality audio work.
In terms of Screenwriting, I develop fiction series for which I’ve collaborated with acclaimed creators and production houses. Working on multiple characters from every horizon means embracing their genuine voice—I have to master a wide range of nuances in my writing.
My native language is French—I’m a Quebecer (French Canadian). I started learning English in school when I was 9 years old. I have a Bachelor’s degree in Communication from Laval University in Quebec City (I studied in French).
Over my 15+ years in advertising and in music, I’ve worked in both French and English on a daily basis. At home, I fluently speak “Frenglish”, because my husband is an English-speaking American!
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Singer-Songwriter | Irish Moutarde
Discover some of my musical work with Irish Moutarde as a Singer-Songwriter.

Seamless mix of Celtic & Punk
Composing for Irish Moutarde means having to seamlessly blend the sounds of traditional Celtic instruments—bagpipe, banjo, accordion—with raw Punk melodies—guitar, bass and drums.
Bagpipe vs The Band
There’s a trickier challenge when it comes to writing parts for the bagpipe: it cannot play chromatically, and it features a unique non-standardized tuning system.
In fact, it’s strictly limited to a nine-note range—spanning just over an octave—omitting notes that aren’t part of the key the chanter is tuned in, and characterized by a flattened 7th.
Also, the bagpipe does not adhere to the 440 Hz standard concert pitch—like the rest of the band.
As a transposing instrument, its sheet music doesn’t read the same, as its written A actually sounds like a B-flat on the piano.
Listen to my work
Here are some songs I’ve composed and written for Irish Moutarde:
Watch The Bitter End music video
Listen on Spotify
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