My editing career has spanned high-profile documentary series, network television, branded content, and experimental independent films. I have shaped complex stories with a strong sense of rhythm and emotion—whether distilling a sprawling narrative into a tight, suspenseful trailer, or elevating branded and social assets with a sharp editorial POV. I am fluent in Adobe Premiere Pro, with additional proficiency in After Effects and DaVinci Resolve, and I regularly collaborate with VFX, motion graphics, and sound teams to deliver polished, integrated final pieces.…

Aimee Jennings

My editing career has spanned high-profile documentary series, network television, branded content, and experimental independent films. I have shaped complex stories with a strong sense of rhythm and emotion—whether distilling a sprawling narrative into a tight, suspenseful trailer, or elevating branded and social assets with a sharp editorial POV. I am fluent in Adobe Premiere Pro, with additional proficiency in After Effects and DaVinci Resolve, and I regularly collaborate with VFX, motion graphics, and sound teams to deliver polished, integrated final pieces.…

Available to hire

My editing career has spanned high-profile documentary series, network television, branded content, and experimental independent films. I have shaped complex stories with a strong sense of rhythm and emotion—whether distilling a sprawling narrative into a tight, suspenseful trailer, or elevating branded and social assets with a sharp editorial POV. I am fluent in Adobe Premiere Pro, with additional proficiency in After Effects and DaVinci Resolve, and I regularly collaborate with VFX, motion graphics, and sound teams to deliver polished, integrated final pieces.

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Language

English
Fluent
German
Intermediate

Work Experience

Freelance Editor at Hulu
November 1, 2024 - October 13, 2025
Freelance editor on The Other Black Girl (Limited Series) and Washington Black (Limited Series); responsibilities included editorial assembly, collaborating with showrunners, and delivering final cuts for delivery.
Freelance Editor at ABC
October 1, 2022 - October 13, 2025
Freelance editor on Imaginary Mary (Season 1), For Life (Season 2), Grown-ish (Season 4), and Grey’s Anatomy (Season 19); duties included editorial assembly, shot selection, and sequence finishing.
Assistant/Editor at CBS
May 1, 2022 - October 13, 2025
Assistant/editor on S.W.A.T. (Season 5) and Bull (Seasons 2-4); responsibilities included assisting editors, assembling cuts, and contributing to post-production workflow.
Editor at Freeform
May 1, 2016 - October 13, 2025
Editor on Baby Daddy (Season 5); duties included cutting, pacing, and preparing episodes for broadcast.
Producer/Editor at Vice
April 1, 2015 - October 13, 2025
Producer/Editor on Munchies Series; involved in both production and editorial tasks to shape documentary content.
Producer/Editor at NBC Universal
May 1, 2010 - October 13, 2025
Producer/Editor – E! Online and MyStyle.com; Special Projects included Red Carpet Premieres, MyStyle Test Drive; The Girls Next Door; Keeping Up with the Kardashians.
Freelance Editor at Hulu
November 1, 2024 - October 13, 2025
Edited limited series projects including The Other Black Girl and Washington Black.
Freelance Editor at ABC
October 1, 2022 - October 13, 2025
Freelance editor on multiple ABC series including Imaginary Mary (season 1), For Life (season 2), Grown-ish (season 4), and Grey's Anatomy (season 19).
Assistant/Editor at CBS
May 1, 2022 - October 13, 2025
Assistant/Editor on S.W.A.T. (season 5) and Bull (seasons 2-4).
Editor at Freeform
May 1, 2016 - October 13, 2025
Editor for Baby Daddy season 5.
Producer/Editor at Vice
April 1, 2015 - October 13, 2025
Producer/Editor for Munchies Series.
Producer/Editor at NBC Universal
May 1, 2010 - October 13, 2025
Producer/Editor for E! Online and MyStyle.com with special projects including Red Carpet Premieres, MyStyle Test Drive; The Girls Next Door; Keeping Up with the Kardashians.
Freelance Editor at Hulu
November 1, 2024 - October 13, 2025
Freelance editor for limited series The Other Black Girl and Washington Black.
Freelance Editor at ABC
October 1, 2022 - October 13, 2025
Editing for Imaginary Mary (season 1), For Life (season 2), Grown-ish (season 4), and Grey's Anatomy (season 19).
Assistant/Editor at CBS
May 1, 2022 - October 13, 2025
Assistant Editor for S.W.A.T. (season 5) and Bull (seasons 2-4).
Editor at Freeform
May 1, 2016 - October 13, 2025
Editor for Baby Daddy (season 5).
Producer/Editor at Vice
April 1, 2015 - October 13, 2025
Producer/Editor for Munchies Series.
Producer/Editor at NBC Universal
May 1, 2010 - October 13, 2025
Producer/Editor for E! Online and MyStyle.com; Special Projects including Red Carpet Premieres, MyStyle Test Drive; The Girls Next Door; Keeping Up with the Kardashians.
Freelance Editor at Hulu
November 1, 2024 - October 14, 2025
Edited The Other Black Girl (Limited series) and Washington Black (Limited series).
Freelance Editor at ABC
October 1, 2022 - October 14, 2025
Edited Imaginary Mary S1, For Life S2, Grown-ish S4, Grey’s Anatomy S19.
Assistant/Editor at CBS
May 1, 2022 - October 14, 2025
S.W.A.T. S5; Bull S2-4.
Editor at Freeform
May 1, 2016 - October 14, 2025
Baby Daddy S5.
Producer/Editor at Vice
April 1, 2015 - October 14, 2025
Munchies Series.
Producer/Editor at NBC Universal
May 1, 2010 - October 14, 2025
E!online.com and MyStyle.com Special Projects: Red Carpet Premieres, MyStyle Test Drive; The Girls Next Door; Keeping Up with the Kardashians.

Education

MFA in Film/Video at California Institute of the Arts
August 14, 2000 - May 10, 2002

Qualifications

Avid Media Composer certified
March 9, 2009 - October 14, 2025

Industry Experience

Media & Entertainment, Professional Services
    uniE608 Thus: The Conclusion
    Thus: The Conclusion is the latest meditation in The Sentence Series by Aimee Jennings and Fraternal Films, a journey into the delicate terrain of memory, time, and place. It follows a quiet arc of overcoming fear and defying expectation, arriving not at triumph in the conventional sense but at the rarest kind of acceptance—of self, of circumstance, of impermanence itself. Like its predecessors, the film is less a narrative than a constellation of moments: bodies moving through Iceland’s stark light, windswept African horizons, fragments of life caught between the lens and the fleetingness of experience. Each image feels like a memory already fading, stitched together by a voice asking what it means to carry one’s past and still move forward. Currently in development with support from Film Independent, Thus extends the series’ exploration of lyrical imagery and introspective storytelling with a cinematic essay that seeks not resolution but understanding—a film that lives in the space between what we remember and what we choose to let go.…