I am an international dramaturg with a passion for storytelling and a knack for shaping ideas into vivid theatrical and cinematic forms. Born in California and raised across India, China, and France, I bring a global perspective to my work, blending research, texture, and emotional resonance to illuminate complex lived experiences. Trained in New York City with a focus on directing and dramaturgy, I collaborate across disciplines to guide projects from concept to production, translating ideas into compelling, image-driven storytelling. I thrive in collaborative environments where research, cultural context, and creative development intersect. My strength lies in turning diverse perspectives into cohesive narratives, while balancing creativity with strategic thinking to shape IP for film and TV. My multicultural background informs every dramaturgical decision, from historical research to contemporary resonance, helping teams navigate complex ideas and audience needs with clarity and empathy.

Alejandra Godoy

I am an international dramaturg with a passion for storytelling and a knack for shaping ideas into vivid theatrical and cinematic forms. Born in California and raised across India, China, and France, I bring a global perspective to my work, blending research, texture, and emotional resonance to illuminate complex lived experiences. Trained in New York City with a focus on directing and dramaturgy, I collaborate across disciplines to guide projects from concept to production, translating ideas into compelling, image-driven storytelling. I thrive in collaborative environments where research, cultural context, and creative development intersect. My strength lies in turning diverse perspectives into cohesive narratives, while balancing creativity with strategic thinking to shape IP for film and TV. My multicultural background informs every dramaturgical decision, from historical research to contemporary resonance, helping teams navigate complex ideas and audience needs with clarity and empathy.

Available to hire

I am an international dramaturg with a passion for storytelling and a knack for shaping ideas into vivid theatrical and cinematic forms. Born in California and raised across India, China, and France, I bring a global perspective to my work, blending research, texture, and emotional resonance to illuminate complex lived experiences. Trained in New York City with a focus on directing and dramaturgy, I collaborate across disciplines to guide projects from concept to production, translating ideas into compelling, image-driven storytelling.

I thrive in collaborative environments where research, cultural context, and creative development intersect. My strength lies in turning diverse perspectives into cohesive narratives, while balancing creativity with strategic thinking to shape IP for film and TV. My multicultural background informs every dramaturgical decision, from historical research to contemporary resonance, helping teams navigate complex ideas and audience needs with clarity and empathy.

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Language

English
Fluent

Work Experience

Dramaturg at Melissa Maney (Theatre Projects)
July 1, 2025 - Present
Dramaturgical research and development for Hungry Women (co-won, July 2025), The Future is Female (Aug 2025), The Scorned Women’s Salon, Universe 25.
Creative Development Executive / Dramaturg at 2 OAKS PRODUCTION
September 1, 2023 - Present
Read and write scripts, screen films, and track IP for development and production consideration; evaluate pitches and make recommendations to senior management regarding sellable concepts; develop and edit treatments for feature films and limited TV series; creating proposals for how an IP can be shaped, adapted, or transformed into viable film or TV series; independently write and develop material for film and TV.
Dramaturg at The Tank NYC
April 1, 2022 - Present
Ancient History by Jonon Gansukh: conducted research on Chinese queer history (Cut Sleeve story) and queer relationships in the Western Han Dynasty; emphasizing symbolic and visual storytelling.
Dramaturg at Bank Street Theater NYC
March 1, 2022 - Present
Decomposed Theater or: the Human Trashcan: dramaturgical research on playwright Matei Vișniec and Romanian-French cultural influences; guided interdisciplinary piece; entrusted with directing scenes while maintaining dramaturgical consistency.
Dramaturg / Assistant Director at Bank Street Theater NYC
November 1, 2021 - Present
The Fools That Run This Earth: dramaturgical research, organized documentation, consulted with creative team, recorded and reported rehearsal process, and facilitated rehearsals.
Writing Consultant at 2 OAKS PRODUCTION
February 1, 2022 - September 30, 2023
Provided detailed notes and feedback on project drafts, outlines, and treatments; conducted in-depth research and dialogue revisions; collaborated with directors to generate new concepts and ideas.
Literary Intern at 2 OAKS PRODUCTION
May 1, 2020 - February 28, 2022
A ssisted with assembling pitches; read and analyzed incoming scripts; researched and brainstormed for period-based movie, limited series, and feature films; contributed contemporary political insight (feminism, queer identities, intersectionality, etc.).
Creative Intern at Celestica
May 1, 2016 - July 31, 2016
Shanghai, China; part of a team that designed a new architectural layout to increase artistic and innovative work for the engineering team based in Shanghai; contributed to company newsletter.
Creative Development Executive/ Dramaturg at 2 OAKS PRODUCTION
September 1, 2023 - Present
Read and write scripts, screen films, and track IP for development and production consideration. Evaluate pitches and make recommendations to senior management regarding sellable concepts and IP. Develop and edit treatments for feature films and limited TV series. Creating proposals for how an IP can be shaped, adapted, or transformed into viable film or TV series. Independently write and develop material for film and TV.
Dramaturg/Assistant Director at Bank Street Theater NYC
November 1, 2021 - November 1, 2021
The Fools That Run This Earth: Dramaturgical research of project. Organized documentation and consulted with creative team. Recorded and reported rehearsal process to the creative and production teams. Facilitated rehearsals.
Dramaturg at Melissa Maney – Hungry Women / The Future is Female / The Scorned Women’s Salon / Universe 25
July 1, 2025 - July 1, 2025
Dramaturgical collaboration on multiple Melissa Maney projects: Hungry Women (Soho Playhouse Lighthouse Series, co-won, July 2025); The Future is Female (New Perspectives Theatre Co., August 2025); The Scorned Women’s Salon (Present); Universe 25 (Present).

Education

Bachelor of Fine Arts in Directing at The New School: School of Drama, New York, NY
January 11, 2030 - December 8, 2025
International Baccalaureate Diploma at Dulwich College - Shanghai, China
January 11, 2030 - December 8, 2025
High School Diploma at Stonehill International School - Bangalore, India
January 11, 2030 - December 8, 2025
Bachelor of Fine Arts in Directing - Graduate with Honors at The New School: School of Drama, New York, NY
January 11, 2030 - December 8, 2025
International Baccalaureate Diploma at Dulwich College - Shanghai, China
January 11, 2030 - December 8, 2025
High School Diploma at Stonehill International School - Bangalore, India
January 11, 2030 - December 8, 2025

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services