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While most of my world ends up in pixels, it always starts with a smudge of graphite on my hand. I’m a firm believer that the best designs aren’t just ‘built’, they’re felt. To me, the human hand is the most important tool in my kit; it’s what gives a brand its soul and keeps a digital interface from feeling cold. When I’m not sketching, you’ll find me at the School of Computing. Being a Teaching Assistant keeps me on my toes, there’s an incredible, infectious energy in a room full of students chasing new ideas. That ‘spark’ is what I bring to my work, whether I’m defining a brand’s visual DNA or crafting a UI that feels as intuitive as a conversation. I love the balance of it all: the logic of a grid, the rhythm of typography, and that little bit of ‘play’ that makes a design come alive.…While most of my world ends up in pixels, it always starts with a smudge of graphite on my hand. I’m a firm believer that the best designs aren’t just ‘built’, they’re felt. To me, the human hand is the most important tool in my kit; it’s what gives a brand its soul and keeps a digital interface from feeling cold. When I’m not sketching, you’ll find me at the School of Computing. Being a Teaching Assistant keeps me on my toes, there’s an incredible, infectious energy in a room full of students chasing new ideas. That ‘spark’ is what I bring to my work, whether I’m defining a brand’s visual DNA or crafting a UI that feels as intuitive as a conversation. I love the balance of it all: the logic of a grid, the rhythm of typography, and that little bit of ‘play’ that makes a design come alive.

Aleksandra Karanovic

Graphic Designer, Brand Designer, App Designer, +6

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While most of my world ends up in pixels, it always starts with a smudge of graphite on my hand. I’m a firm believer that the best designs aren’t just ‘built’, they’re felt. To me, the human hand is the most important tool in my kit; it’s what gives a brand its soul and keeps a digital interface from feeling cold. When I’m not sketching, you’ll find me at the School of Computing. Being a Teaching Assistant keeps me on my toes, there’s an incredible, infectious energy in a room full of students chasing new ideas. That ‘spark’ is what I bring to my work, whether I’m defining a brand’s visual DNA or crafting a UI that feels as intuitive as a conversation. I love the balance of it all: the logic of a grid, the rhythm of typography, and that little bit of ‘play’ that makes a design come alive.…While most of my world ends up in pixels, it always starts with a smudge of graphite on my hand. I’m a firm believer that the best designs aren’t just ‘built’, they’re felt. To me, the human hand is the most important tool in my kit; it’s what gives a brand its soul and keeps a digital interface from feeling cold. When I’m not sketching, you’ll find me at the School of Computing. Being a Teaching Assistant keeps me on my toes, there’s an incredible, infectious energy in a room full of students chasing new ideas. That ‘spark’ is what I bring to my work, whether I’m defining a brand’s visual DNA or crafting a UI that feels as intuitive as a conversation. I love the balance of it all: the logic of a grid, the rhythm of typography, and that little bit of ‘play’ that makes a design come alive.

Available to hire

While most of my world ends up in pixels, it always starts with a smudge of graphite on my hand. I’m a firm believer that the best designs aren’t just ‘built’, they’re felt. To me, the human hand is the most important tool in my kit; it’s what gives a brand its soul and keeps a digital interface from feeling cold. When I’m not sketching, you’ll find me at the School of Computing. Being a Teaching Assistant keeps me on my toes, there’s an incredible, infectious energy in a room full of students chasing new ideas. That ‘spark’ is what I bring to my work, whether I’m defining a brand’s visual DNA or crafting a UI that feels as intuitive as a conversation. I love the balance of it all: the logic of a grid, the rhythm of typography, and that little bit of ‘play’ that makes a design come alive.