• Served as the Senior Audio Engineer for the EP “Dig Your Own Grave” by Violent Offence.
• Recorded the entire EP live in a single day, ensuring high-quality sound without overdubs.
• Collaborated with the band during their UK tour, contributing to their growing audience and success.
• Developed expertise in live recording techniques and audio engineering best practices.

In my role as a Mixing/Mastering Engineer, I was responsible for creating a seamless audio experience for a photography gallery event featuring live music. This project, organized by Klug, showcased the intersection of visual and auditory art at the “Tent Art Festival” in Drama, Greece. My work involved meticulous attention to detail in mixing and mastering spoken word performances, ensuring a captivating experience for attendees.

• Collaborated with the psychedelic progressive rock band Epileptic Lizards to record their EP “Praying for the End of Days.”
• Planned and organized recording sessions, ensuring a smooth workflow and creative environment.
• Co-produced the EP, contributing to the artistic direction and sound engineering.
• Developed skills in audio engineering, production, and project management within a dynamic music setting.

I successfully led a two-day recording session at Rockfield Studios, producing high-quality tracks for two bands.

• Recorded “5 Minutes” and “Something I Am” live, enhancing the authenticity of the performances.
• Employed effective communication strategies to maximize session efficiency and collaboration.
• Utilised diverse microphones and instruments to achieve superior sound quality and artistic expression.

I had the privilege of producing and engineering the debut album for Rainyday Rainbow, where I played a pivotal role in the creative process.

• Organized and scheduled recording sessions to optimize productivity and meet project deadlines.
• Co-produced and engineered the album, emphasizing collaboration and a positive working environment.
• Utilized conflict resolution skills to manage and de-escalate disagreements among band members, enhancing team dynamics.

• Led the recording and mixing of an EP for the alternative punk band Slumzz, ensuring high-quality sound.
• Organized and directed recording sessions to maximize efficiency within a two-day timeframe.
• Collaborated closely with band members to capture their artistic vision and sound.

I had the opportunity to work closely with Whiskey Cure, contributing to the creation of two songs that showcased my audio engineering and production skills.

• Co-wrote and performed on “Where I Am” and “Wagon Wheel,” enhancing the duo’s musical repertoire.
• Planned and executed recording sessions that allowed for the songs to be fully recorded in just a few hours.
• Developed expertise in mixing and mastering, delivering high-quality audio results.

• Co-produced and engineered the debut album for MotherTongue, a progressive rock band from Cardiff.
• Planned and organized recording sessions, ensuring a smooth workflow.
• Employed diverse recording techniques to capture unique sounds while maintaining overall consistency in sound.
• Edited audio files and mixed tracks, currently advancing to the mastering stage.