Hello! I am a London-based sound designer based in London, with over five years of experience working across post for doc, film & TV, podcasts and immersive audio. My strong music background and studies at the National Film and Television School have shaped his innovative approach to storytelling and his ability to work across different mediums. My work has been featured at major international festivals, including Cannes, Doc Edge, Melbourne Documentary Film Festival, London Film Week, Naples International Film Festival, Tallinn Black Nights Film Festival, and EnergaCAMERAIMAGE. In 2022, my work on the feature film The Fence earned a Broadcast Tech Award 2023 nomination for excellence in audio post-production (scripted). He also received a 2022 MPSE Golden Reel Award nomination (Verna Fields Award) and won The Avid Excellence in Sound Design Award in 2021 for film Pressure. In addition to providing sound design services for commercial and independent clients, including Paramount+ UK, BBC, Amazon, Universal, and Warner Brothers, I am a co-founder of Sound Universe, a collective of sound designers collaborating on freelance-based projects. We specialise in Dialogue Editing, Sound Effects Editing, Voiceover Recording, Foley, Dubbing, Mixing, and Mastering. sounduniverse.uk _Website not available. Sign in: https://www.twine.net/signup_

ANTEK RUTCZYNSKI

PRO

Hello! I am a London-based sound designer based in London, with over five years of experience working across post for doc, film & TV, podcasts and immersive audio. My strong music background and studies at the National Film and Television School have shaped his innovative approach to storytelling and his ability to work across different mediums. My work has been featured at major international festivals, including Cannes, Doc Edge, Melbourne Documentary Film Festival, London Film Week, Naples International Film Festival, Tallinn Black Nights Film Festival, and EnergaCAMERAIMAGE. In 2022, my work on the feature film The Fence earned a Broadcast Tech Award 2023 nomination for excellence in audio post-production (scripted). He also received a 2022 MPSE Golden Reel Award nomination (Verna Fields Award) and won The Avid Excellence in Sound Design Award in 2021 for film Pressure. In addition to providing sound design services for commercial and independent clients, including Paramount+ UK, BBC, Amazon, Universal, and Warner Brothers, I am a co-founder of Sound Universe, a collective of sound designers collaborating on freelance-based projects. We specialise in Dialogue Editing, Sound Effects Editing, Voiceover Recording, Foley, Dubbing, Mixing, and Mastering. sounduniverse.uk _Website not available. Sign in: https://www.twine.net/signup_

Available to hire

Hello! I am a London-based sound designer based in London, with over five years of experience working across post for doc, film & TV, podcasts and immersive audio. My strong music background and studies at the National Film and Television School have shaped his innovative approach to storytelling and his ability to work across different mediums.

My work has been featured at major international festivals, including Cannes, Doc Edge, Melbourne Documentary Film Festival, London Film Week, Naples International Film Festival, Tallinn Black Nights Film Festival, and EnergaCAMERAIMAGE.

In 2022, my work on the feature film The Fence earned a Broadcast Tech Award 2023 nomination for excellence in audio post-production (scripted). He also received a 2022 MPSE Golden Reel Award nomination (Verna Fields Award) and won The Avid Excellence in Sound Design Award in 2021 for film Pressure.

In addition to providing sound design services for commercial and independent clients, including Paramount+ UK, BBC, Amazon, Universal, and Warner Brothers, I am a co-founder of Sound Universe, a collective of sound designers collaborating on freelance-based projects.

We specialise in Dialogue Editing, Sound Effects Editing, Voiceover Recording, Foley, Dubbing, Mixing, and Mastering.

sounduniverse.uk
Website not available. Sign in: https://www.twine.net/signup

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Language

English
Fluent
Polish
Fluent

Work Experience

Sound Designer I Sound Engineer I Sound Editor I Dubbing Mixer at Freelance: Collaborated with post-production companies including Screen Scene, Films@59, and De Lane Lea - Warner Bros., delivering film and TV audio for clients such as Paramount+ UK, BBC, Amazon U.S., and Universal.
January 1, 2017 - September 12, 2025
As a freelance Sound Editor and Re-recording Mixer, I have overseen audio postproduction for a range of projects, including feature films, short films, documentaries and interactive. My responsibilities have included: Supervising Audio Post-Production: Managed the end-to-end audio post-production process, ensuring highest-quality of audio for both feature, short films and radio drama. Sound Design, Editing, and Mixing: Designed, edited, and mixed sound in various formats, including R128 stereo, 5.1, and Dolby Atmos. Audio Restoration: Utilised the latest tools and plugins for dialogue cleanup and restoration to enhance quality of dialogue and sound archives. Recorded and edited voiceovers, ADR, and podcast voices, ensuring clear and effective delivery in line with the director's creative vision. Collaborating with Directors and Producers: Participated in spot meetings with directors and producers to discuss creative and technical requirements. Session Management: Delivered and managed audio sessions, coordinated with foley editors, and prepared detailed spotting notes to guide their work. Custom Sound Effects: Created and recorded custom sound effects for diverse projects, such as vehicle recordings for the feature film The Fence and a sound library featuring swimming sounds for short film Pressure.
Sound Designer I Sound Engineer at Theatre / Jazz Café POSK
March 1, 2017 - January 1, 2019
Managed live sound operations in dynamic, and high-energy environments (venues up to 300 capacity). Communicated with bands and artists about their technical and creative requirements for live shows. Attended production meetings and rehearsals to discuss briefs, scripts, technical requirements and sound design concepts with directors and producers. Designed and prepared sound effects for the shows to align with the director's vision for each production. Managed pre-production rehearsals and sound checks to ensure high-quality of live sound reinforcement during performances. Recorded and edited live performances, delivering clear and precise audio to clients.
Sound Recordist Assistant I Boom Operator at Freelance
January 1, 2017 - Present
As a Boom Operator and Sound Recordist Assistant, I have collaborated with international and local productions across Poland, the United Kingdom, and the United States. Key Responsibilities: set up microphones and recording equipment for multichannel crowd recording sessions, operated the boom during recording sessions, communicated clearly with crew and talent to ensure smooth on-set sound capture Feature Film - Whitney Houston: I Wanna Dance with Somebody (2022) Prod. TriStar Pictures / Sony Pictures Role: Sound Recordist Assistant / Boom Operator (Crowd Recording), Short Film - Balloons (2022) Prod. Studio Munka Role: Sound Recordist Assistant / Boom Operator, Feature Film - Moonage Daydream (2022) Prod. Universal Pictures International Role: Sound Recordist Assistant / Boom Operator (Crowd Recording), Feature Film - The Fence (2022) Dir. William Stone Role: Car Sound Effects Recording Nominated - Broadcast Tech Award 2023 for Excellence in Audio Post-Production (Scripted), Short Film - Pressure (2021) Dir. Támas Fekete / Prod. Jordi Morera Role: Sound Designer / Boom Operator Nominations: 2022 MPSE Golden Reel Award - Verna Fields Award; Winner: Avid Excellence in Sound Design Award 2021, Short Film - Cotton Socks (2021) Dir. Lisa Clarkson / Prod. Jack Pollington Role: Sound Recordist Assistant / Boom Operator TV Series - Lekarze na Start (2017) Prod. TV Puls Role: Sound Recordist Assistant / Boom Operator, Short Film - Unfortune Teller (2016) Lodz Film School, Warsaw, Poland Role: Sound Operator Assistant

Education

MA in Sound Design for Film and Television at National Film and Television School
January 1, 2019 - January 1, 2021
BA (Hons) Music Technology (Audio Post Production) at University of West London
January 1, 2015 - January 1, 2018

Qualifications

Broadcast Tech Award - Excellence in Audio Post-Production (Scripted) — nomination
January 1, 2023 - January 1, 2023
MPSE Golden Reel - Verna Fields Award — nomination
January 1, 2022 - January 1, 2022
Avid Excellence in Sound Design for Pressure — Winner
January 1, 2021 - January 1, 2021

Industry Experience

Media & Entertainment, Professional Services
    paper Finite: The Climate of Change (Espresso Media) I Amazon I 2022 I Documentary Feature

    Sound Editor | Dubbing Mixer
    A compelling exploration of humanity’s impact on the planet, Finite: the Climate of Change combines intimate storytelling with striking visuals to raise awareness about climate challenges. I worked on sound editing and dubbing mixing, ensuring clarity, emotional impact, and immersive audio that complements the narrative.

    Focus Future Award (Winner), Melbourne Documentary Film Festival 2022 (Selected), Doc Edge 2022 (Official Selection), Light House International Film Festival 2022 (Selected), Leeds International Film Festival 2022 (Selected), Brisbane International Film Festival 2022 (Official Selection), Jackson Wild 2022 (Finalist)

    paper Chasing Unicorns | Amazon | HBO Europe I 2021 I Feature Film

    Sound Effects Editor | Dialogue Editor
    A heartfelt coming-of-age story following a group of misfit friends chasing their dreams and facing unexpected challenges. My work included dialogue editing, sound effects editing, and enhancing the film’s immersive audio experience.
    Tallinn Black Nights 2019 (Shortlisted), London Film Week 2020 (Shortlisted), Prague Film Awards (Shortlisted), Miami Independent Film Fest 2020 (Shortlisted), Riverside International Film Fest 2020 (Winner), Vegas Movie Awards 2020 (Winner), My Baltic Film Festival 2020 (Shortlisted), Naples International Film Festival 2021 (Shortlisted)

    paper The Last City | Amazon U.S. | 2024 | Podcast Series

    A gripping post-apocalyptic podcast series set in a dystopian world, following survivors navigating life after a global catastrophe, mixed in Dolby Atmos. I provided ,sound effects editing and foley. Listen here: https://www.twine.net/signin
    #Podcast #Sound Effects Editing #Foley #DolbyAtmos #Foley #SoundEffects #ImmersiveAudio #ProTools

    paper Von Fock | Eesti Televisioon | 2025 | Episodes 5-8

    A gripping Estonian TV series, with Episodes 5–8 featuring intricate soundscapes and immersive audio storytelling. My work included dialogue editing, sound effects, foley, and mixing to enhance the narrative and bring the world of Von Fock to life.
    #TVSeries #sounddesign #sound editor #ProTools

    uniE608 #ThisIsMySilence | British Tinnitus Association | YouTube
    A powerful short film raising awareness of tinnitus and the personal experiences behind the condition. Produced by the British Tinnitus Association, ThisIsMySilence blends emotional storytelling with immersive sound design to portray life with constant inner noise. shortfilm sounddesign awareness health ProTools mixing soundediting
    uniE608 Pressure | National Film and Television School (NFTS) | YouTube
    Pressure YouTube A tense and beautifully crafted short exploring emotional endurance under extreme pressure. Created at the National Film and Television School, Pressure earned nominations for the MPSE Golden Reel Award (Verna Fields Award, 2022) and won the Avid Excellence in Sound Design Award (2021). shortfilm sounddesign awardwinning Dolby Atmos mixing dialogue editing sound effects editing foley ProTools
    uniE608 Alhamour H.A | Netflix | Shahid | MBC Studios I Warner Bros.
    A slick Saudi crime drama inspired by true events, Alhamour H.A follows a security guard who rises to become one of the biggest financial fraudsters in Jeddah. Stylish, fast-paced, and full of tension, it offers a rare glimpse into the lavish world of high-stakes deception. featurefilm sounddesign sound effects editor postproduction ProTools
    uniE608 Harry Wild | Acorn TV | Amazon Prime Video | ITVX | BBC
    A witty and gripping mystery drama starring Jane Seymour as a retired literature professor turned amateur sleuth, solving crimes with sharp intellect and dark humour in modern-day Dublin. tvseries sounddesign sound effects editor postproduction AcornTV ITVX BBC ProTools
    uniE608 The Castaways | Paramount+ UK
    A thrilling survival drama following two sisters stranded on a remote island after a plane crash, uncovering dark secrets and shocking twists along the way. tvseries sounddesign sound effects editing postproduction ParamountPlusUK ProTools
    uniE608 The Fence | Apple TV (uk)| Amazon Prime Video | Sky Store | YouTube | & more
    Motorbikes, fast cars, punch-ups and 80's music. Set on the streets of 1980's Bristol, this retro flick follows a council estate kid out to settle the score with local thieves. feature sound design supervising sound editor dialogue editing sound effects editing foley ADR surround sound Pro Tools Broadcast Tech Award 2023 in excellence in audio post-production scripted (Nominee)