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I'm Aoto Hongo, a dedicated audio editor and sound designer with 7+ years of experience in film, television, and live entertainment. I specialize in dialogue editing, sound design, Foley, and 5.1 surround post-production, delivering immersive soundscapes and clear dialogue in fast-paced environments. I've collaborated remotely with directors, editors, and composers across Japan, Australia, and beyond, and have supported Universal Studios Japan's Audio Department on live productions. I enjoy shaping stories through sound and keeping the audience engaged from scene to final mix.…I'm Aoto Hongo, a dedicated audio editor and sound designer with 7+ years of experience in film, television, and live entertainment. I specialize in dialogue editing, sound design, Foley, and 5.1 surround post-production, delivering immersive soundscapes and clear dialogue in fast-paced environments. I've collaborated remotely with directors, editors, and composers across Japan, Australia, and beyond, and have supported Universal Studios Japan's Audio Department on live productions. I enjoy shaping stories through sound and keeping the audience engaged from scene to final mix.

Aoto Hongo

Sound Designer, Sound Editor, Audio Engineer, +2

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I'm Aoto Hongo, a dedicated audio editor and sound designer with 7+ years of experience in film, television, and live entertainment. I specialize in dialogue editing, sound design, Foley, and 5.1 surround post-production, delivering immersive soundscapes and clear dialogue in fast-paced environments. I've collaborated remotely with directors, editors, and composers across Japan, Australia, and beyond, and have supported Universal Studios Japan's Audio Department on live productions. I enjoy shaping stories through sound and keeping the audience engaged from scene to final mix.…I'm Aoto Hongo, a dedicated audio editor and sound designer with 7+ years of experience in film, television, and live entertainment. I specialize in dialogue editing, sound design, Foley, and 5.1 surround post-production, delivering immersive soundscapes and clear dialogue in fast-paced environments. I've collaborated remotely with directors, editors, and composers across Japan, Australia, and beyond, and have supported Universal Studios Japan's Audio Department on live productions. I enjoy shaping stories through sound and keeping the audience engaged from scene to final mix.

Available to hire

I’m Aoto Hongo, a dedicated audio editor and sound designer with 7+ years of experience in film, television, and live entertainment. I specialize in dialogue editing, sound design, Foley, and 5.1 surround post-production, delivering immersive soundscapes and clear dialogue in fast-paced environments.

I’ve collaborated remotely with directors, editors, and composers across Japan, Australia, and beyond, and have supported Universal Studios Japan’s Audio Department on live productions. I enjoy shaping stories through sound and keeping the audience engaged from scene to final mix.

Skills

Experience Level

Audio

Expert

Izotope Ozone

Expert

Pro Tools

Expert

Language

English

Advanced

Japanese

Fluent

Work Experience

Freelance Audio Editor / Sound Designer at Self-employed (Freelance)

January 1, 2019 - Present

Provide audio editing, dialogue cleanup, sound design, Foley recording and post-production for film, media and creative projects. Collaborate remotely with directors, editors and composers; deliver final mixes and stems in 5.1 surround format.

Audio Department Operator at Universal Studios Japan

January 1, 2019 - January 1, 2024

Operated and maintained audio systems for live entertainment productions; supported show operations and troubleshooting; collaborated with technical teams to ensure audio quality and consistency in high-pressure live environments.

Sound Designer / Sound Effects Editor at Thick Hands

January 1, 2025 - Present

Contributed to an award-winning short film; created complete sound design for animated short and collaborated closely with the director throughout production.

Sound Designer at Plus One

January 1, 2026 - Present

Short Film: dialogue editing, sound effects editing, Foley design, and final 5.1 mix preparation.

Sound Designer at Assassination

January 1, 2026 - Present

Feature Film: dialogue editing, sound effects editing, and 5.1 Surround work; contributed to a Cannes-presented project.