Arthur Brouns is a Belgian composer and music producer whose scores blend orchestral and electronic elements. His work spans film, theatre, video games, fashion and installation, shaping immersive sound worlds rooted in narrative and experimentation. Recent projects include the soundtrack for Trokas Duras, winner of the Short Film Jury Award at Sundance 2025, and additional music for the Emmy nominated Netflix series Encounters. He has worked with clients including BBC, Netflix, Nike, PUBGM and Jaguar, and collaborated with artists and directors across Europe. He first emerged in the electronic music scene, performing as a producer from the age of fifteen and later appearing at festivals such as Tomorrowland. The orchestra entered his life in his mid twenties and opened a new direction in his work, leading to years of study and a personal language at the meeting point of acoustic and electronic sound. He also leads Cortex Ensemble, a group devoted to live performance and film scoring, whose work has appeared at Art Basel Miami, International Theater Amsterdam and Bozar Brussels. A graduate of the Film Scoring Academy of Europe, where he now teaches and leads the Music Technology program, he has studied under Conrad Pope, Mikolai Stroinski and Andy Hill. He is currently expanding his work in interactive music, adaptive scoring and world-building sound for games and new media.…Arthur Brouns is a Belgian composer and music producer whose scores blend orchestral and electronic elements. His work spans film, theatre, video games, fashion and installation, shaping immersive sound worlds rooted in narrative and experimentation. Recent projects include the soundtrack for Trokas Duras, winner of the Short Film Jury Award at Sundance 2025, and additional music for the Emmy nominated Netflix series Encounters. He has worked with clients including BBC, Netflix, Nike, PUBGM and Jaguar, and collaborated with artists and directors across Europe. He first emerged in the electronic music scene, performing as a producer from the age of fifteen and later appearing at festivals such as Tomorrowland. The orchestra entered his life in his mid twenties and opened a new direction in his work, leading to years of study and a personal language at the meeting point of acoustic and electronic sound. He also leads Cortex Ensemble, a group devoted to live performance and film scoring, whose work has appeared at Art Basel Miami, International Theater Amsterdam and Bozar Brussels. A graduate of the Film Scoring Academy of Europe, where he now teaches and leads the Music Technology program, he has studied under Conrad Pope, Mikolai Stroinski and Andy Hill. He is currently expanding his work in interactive music, adaptive scoring and world-building sound for games and new media.WWWW…