Aaron Spritzer
I’m Aaron Spritzer, a Toronto-based multi-disciplinary designer and visual storyteller who loves turning creative ideas into polished on-screen experiences.
About
I’m Aaron Spritzer, a Toronto-based multi-disciplinary designer and visual storyteller who loves turning creative ideas into polished on-screen experiences. My background spans film production, VFX, motion design, photography, and 3D, giving me a strong bridge between creative direction and the technical details that make projects run smoothly.
Across recent years, I’ve supported major productions and helped build in-house production capability through thoughtful workflows and collaborative problem-solving. On set and in post-production, I’ve worked closely with VFX supervisors and creative teams—handling capture and playback needs, creating custom motion graphics for on-screen elements, and translating script and production requirements into tangible assets that meet (and often exceed) expectations.
- 7 years' experience
- Joined September 2026
Industry experience
- Media & Entertainment
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Work experience· 5 roles
Worked on the VFX team for Season 1 of Reacher as an on-set VFX and playback artist. Ensured camera and lighting information was captured throughout production and supported production-to-post workflows. Designed and built custom motion graphics and playback content for practical on-screen effects featured on various screens throughout the series, assisting production designers and art direction to translate script needs into usable assets.
Developed and delivered visual content across motion graphics, video production, photography, and 3D design. Supported growth of an in-house production studio by creating and refining creative workflows and expanding team capabilities. Collaborated with stakeholders and creative partners to translate ideas into engaging visual experiences, while maintaining reliability and a strong creative eye throughout production.
Assisted the art direction team with production needs supporting day-to-day coordination between office and set. Helped bridge production and post-production requirements through organization and collaboration with department heads to gather and compile episodic materials and related information. Also supported on-set operations during 2nd unit direction needs.
Education
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