I’m a long-form audio producer and editor focused on stories at the intersection of culture, ethics, and lived experience. I specialize in in-depth interviews and narrative audio that move beyond soundbites to explore how people think and the worlds they inhabit.
I’m the founder and host of InterviewTime Podcast, where I produce what I describe as phenomenological audio portraits—extended conversations designed to reveal perspective, context, and meaning over time. I’m also the co-founder of The Authentic Cinema Podcast, a long-running series that examines film as a cultural and ethical expression, outside of purely commercial frameworks.
My approach to audio production is grounded in three principles: deep preparation, editorial clarity, and genuine curiosity. I focus as much on how a conversation is structured as on what is said, shaping interviews into coherent, engaging narratives while preserving the integrity of the speaker’s voice.
Before focusing fully on audio, I spent several years in digital project management at Gannett/LocaliQ, managing 50+ projects annually and coordinating cross-functional teams while maintaining timelines and editorial standards. I also founded Cold Frame Collective, a video production company where I developed a strong foundation in visual storytelling, production workflows, and collaborative creative work. Together, these experiences inform how I structure narratives, manage production, and collaborate with clients and teams.
What I bring to production:
Editorial research and story development
Interview preparation and conversational structure
Audio recording, editing, and post-production (Adobe Premiere)
Project coordination and workflow management
Collaborative, team-based production
I’m drawn to work that serves the public interest, treats complex subjects with care, and amplifies voices that are often overlooked. I value clarity, context, and accuracy, and I approach every project with a strong sense of editorial responsibility.
Currently seeking: Podcast production, long-form audio journalism, and public-media-adjacent projects.
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