During look development, we explored two different styles. I built one look to closely match the client’s visual references, but we ultimately went with the second approach that leaned more toward a filmic look. Inspired by Kodak Vision3, I pushed the contrast, and brought back richer colors overall, and introduced subtle halation. I also softened the shadows and leaned into the Vision3 palette, with slightly cyan blues and stronger color separation. As always, I took special care with localized adjustments to bring the focus where it should be. Really glad I got to grade these beautiful images for Tony Lama Boots. Producer: Ojuice Films
- Colourist
- Post-Production
