I’m a film and concert composer, pianist, and music technologist currently studying under the film scoring program led by Emmy- and Grammy-winning composer Carlos Rafael Rivera (known for The Queen’s Gambit, Hacks, A Walk Among the Tombstones, etc.). Having scored over a dozen projects and produced over 400 tracks of music across various genres, I am an expert in the media scoring industry. My work blends rigorous music theory, hands-on composition, and modern DAW/score-prep workflows to create music for screens and ensembles.
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I was the lead composer and producer of music for the feature-length documentary “Holly’s Rescue” directed by William Day-Sharman under the Australia-based production company B201 Productions. I was responsible for writing over 35 minutes of music that accompanied the emotional narrative of the film. I communicated extensively and worked well within the appropriate deadlines given to me by the director over a period of 2 months.
I collaborated with another composer to co-compose the original film score to the film “The Hard Place” directed by Ethan Kozo. The film was premiered with a live performance of the score by an orchestra at the Cosford Cinema in Miami, Florida. I was responsible for dealing with composing the music for the film as well as arranging and preparing the parts for the performers and conductor.
I was the lead film composer and arranger for the short film “Senses.” Not only did I compose the music for the film, but was also responsible for orchestrating and arranging parts for the performers of the film score. I was able to meet very strict deadlines to realize the project, while continuously working with the director of the film.
I was the lead composer and producer of all music for the short film “How to Unlove Someone,” directed by Alex Debortoli and produced by the Australian-based company B201 Productions. This score combined elements of horror and comedy while hitting numerous complex and varied emotive beats throughout the narrative. I had extensive communication with the director and editor in order to accurately further the director’s vision for the film.
I was the lead composer and producer of the music for the film “Curveball,” produced by the Miami-based Sugar Land Productions. I communicated extensively with the director to bring his vision to life, writing music that effectively captures the anxiety and emotional depth of the narrative and characters involved within the context of the film’s setting. I also entirely produced and edited the accompanying soundtrack album for the film, which is available on all streaming platforms.
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A full 17-track pop music album produced entirely by myself for both a digital and physical international release. The album touches on a deeply-personal and emotional narrative brought to life by fusing my extensive film and concert composing experience with my music production experience.
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