I'm a senior sound designer and recording engineer with extensive experience in audio and video production. I excel at meeting producers' deadlines and delivering high-quality work under tight schedules. My expertise spans from live recording to post-production, and I pride myself on efficient, collaborative project execution. I've helped drive major workflow improvements, such as Turner Studios' transition from tape-based to digital file-based workflows, and I bring hands-on skills in dialogue editing, Foley recording, and music editing for high-profile clients. I thrive in fast-paced environments and love crafting immersive soundscapes that support storytelling.

Brad Simpson

I'm a senior sound designer and recording engineer with extensive experience in audio and video production. I excel at meeting producers' deadlines and delivering high-quality work under tight schedules. My expertise spans from live recording to post-production, and I pride myself on efficient, collaborative project execution. I've helped drive major workflow improvements, such as Turner Studios' transition from tape-based to digital file-based workflows, and I bring hands-on skills in dialogue editing, Foley recording, and music editing for high-profile clients. I thrive in fast-paced environments and love crafting immersive soundscapes that support storytelling.

Available to hire

I’m a senior sound designer and recording engineer with extensive experience in audio and video production. I excel at meeting producers’ deadlines and delivering high-quality work under tight schedules. My expertise spans from live recording to post-production, and I pride myself on efficient, collaborative project execution.

I’ve helped drive major workflow improvements, such as Turner Studios’ transition from tape-based to digital file-based workflows, and I bring hands-on skills in dialogue editing, Foley recording, and music editing for high-profile clients. I thrive in fast-paced environments and love crafting immersive soundscapes that support storytelling.

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Work Experience

Sound Designer/Audio Mixer at Bleacher Report – Gridiron Heights
January 1, 2022 - December 31, 2026
Sound design and audio mixing for Gridiron Heights seasons 7–10; responsible for dialogue editing, Foley integration, music editing, and final mix.
Senior Sound Designer/Recording Engineer at Turner Studios
January 1, 2002 - December 31, 2019
Led sound design and recording engineering across Turner Studios projects; integral to converting from tape-based to digital file-based workflows; directed dialogue editing, Foley, and music editing for major clients.
Audio Mixer/Videotape Operator at Nickelodeon Studios Florida
January 1, 1995 - December 31, 2002
Mixed and supervised audio for Nickelodeon productions; operated videotape systems and supported post-production.
Audio Systems Engineer at ProMix Inc.
January 1, 1993 - December 31, 1995
Installed and maintained audio systems for clients in Orlando; supported live and studio environments.
Producer/Engineer at Catspaw Productions Inc.
January 1, 1992 - December 31, 1993
Produced and engineered projects; collaborated with clients on audio deliverables.
Audio Engineer/Video Tape Operator at The Post Group at the Disney/MGM Studios
January 1, 1989 - December 31, 1992
Engineered audio for live and post-production; operated video tape equipment.

Education

Certificate of Completion at Full Sail Center for the Recording Arts, Orlando, FL
October 10, 1988 - July 10, 1989

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Professional Services