I’m a detail-oriented audio professional with 10+ years of experience in music composition, sound design, and post-production for film, TV, trailers, and games. I specialize in immersive, story-driven soundscapes and interactive audio, with expertise in Foley, adaptive systems, and high-fidelity mixing. Proficient with Logic Pro X, Unreal Engine 5, and Wwise. I love creating audio that enhances narrative and gameplay across media.
I collaborate closely with directors and editors, conduct field and Foley recordings for in-game use, and contribute to adaptive music and SFX integration to support pacing and storytelling.
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This is a re-score of a clip from the series Westworld that I composed for a Spitfire Audio contest.
Under my producer/creative lead’s guidance, we collaborated to produce a large-scale enhancement of the song “Colombia Mi Encanto” from the award-winning film, Encanto. This process included writing with and without visual media throughout the project. Our music begins at 0:55 and lasts through the remainder of the trailer.
I was assigned to enhance the iconic musical number of the film for the official trailer by adding original composition segments and additional layers to make the music feel larger and grander. My work starts at the 0:50 mark in the trailer below.
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