I’m a versatile music composer and producer with 15+ years of professional experience across studio recording, live performance, and large-scale ensemble direction. I compose, arrange, and produce cinematic music for film, television, video games, and commercial media—bringing visual storytelling and creative direction to life through strong themes, detailed orchestration, and polished audio deliverables. I’m also deeply hands-on with the production process, including realistic MIDI mockups, mixing and mastering workflows, and efficient turnaround on complex projects. In addition to composing for media, I support high-quality score preparation for performers using professional notation and part-printing workflows, and I enjoy collaborating closely with directors and artists to ensure the final music fully matches the intended tone, branding goals, and narrative vision.…

Michael Campanile

I’m a versatile music composer and producer with 15+ years of professional experience across studio recording, live performance, and large-scale ensemble direction. I compose, arrange, and produce cinematic music for film, television, video games, and commercial media—bringing visual storytelling and creative direction to life through strong themes, detailed orchestration, and polished audio deliverables. I’m also deeply hands-on with the production process, including realistic MIDI mockups, mixing and mastering workflows, and efficient turnaround on complex projects. In addition to composing for media, I support high-quality score preparation for performers using professional notation and part-printing workflows, and I enjoy collaborating closely with directors and artists to ensure the final music fully matches the intended tone, branding goals, and narrative vision.…

Available to hire

I’m a versatile music composer and producer with 15+ years of professional experience across studio recording, live performance, and large-scale ensemble direction. I compose, arrange, and produce cinematic music for film, television, video games, and commercial media—bringing visual storytelling and creative direction to life through strong themes, detailed orchestration, and polished audio deliverables.

I’m also deeply hands-on with the production process, including realistic MIDI mockups, mixing and mastering workflows, and efficient turnaround on complex projects. In addition to composing for media, I support high-quality score preparation for performers using professional notation and part-printing workflows, and I enjoy collaborating closely with directors and artists to ensure the final music fully matches the intended tone, branding goals, and narrative vision.

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Work Experience

Band Director at Monsignor Bonner and Archbishop Prendergast High School
January 1, 2023 - January 1, 2026
Directed and rehearsed large-scale instrumental ensembles, applying real-world expertise in score study, orchestration, and acoustic balance. Composed and customized arrangements to highlight the strengths of different ensembles while meeting seasonal deadlines. Led project management and logistics for major performances, coordinating between students, administrators, and external vendors.
Freelance Composer & Audio Producer at Elkton, MD
January 1, 2011 - Present
Compose, arrange, and produce original music and score mockups tailored to client specifications for film, recording projects, and commercial media. Deliver fast turnarounds using advanced workflows in Cubase, Pro Tools, and Digital Performer. Collaborate closely with artists and directors to capture their vision, and manage professional-grade sheet music preparation using Dorico for recording musicians and ensembles.

Education

Master of Music (M.M.) in Film Scoring at Berklee College of Music
January 11, 2030 - June 1, 2027
Bachelor of Science (B.S.) in Music at Temple University
January 1, 2012 - April 1, 2012

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education
    Unsolved: Cereal Murders
    Collaborated with the Director on the creative vison for the film. The director was looking for a "Twilight Zone" film score. Cues were composed, orchestrated, mock up and mixing.…
    Lunar Threat Film
    This was a film score cue, recorded remotely by the Budapest Symphony Orchestra. I was responsible for composing, orchestrating, scoring the parts, scoring the session, recording and arranging the mockup, running the session with the Orchestra and conductor, then receiving the completed recording session, "comp-ing" the session, and sync-ing it to the mockup recording for final mix.…