Sound designer and audio post-production specialist dedicated to enhancing visual storytelling through sound. Expert in precision technical restoration and custom Foley work, providing end-to-end audio solutions—from set recording to final mix—with broadcast-quality standards and fast delivery.

Cesar Contreras Salgado

Sound designer and audio post-production specialist dedicated to enhancing visual storytelling through sound. Expert in precision technical restoration and custom Foley work, providing end-to-end audio solutions—from set recording to final mix—with broadcast-quality standards and fast delivery.

Available to hire

Sound designer and audio post-production specialist dedicated to enhancing visual storytelling through sound. Expert in precision technical restoration and custom Foley work, providing end-to-end audio solutions—from set recording to final mix—with broadcast-quality standards and fast delivery.

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Experience Level

Expert
Expert
Intermediate

Language

Spanish; Castilian
Fluent
English
Advanced

Work Experience

Sound Designer / Audio Post-Production at In progress (projects listed)
January 1, 2026 - January 1, 2026
Sound design and audio post-production for multiple audiovisual projects (e.g., "Silencio Roto" and "Reflejos de un Amor"). Responsibilities include sound design and audio post-production elements tailored to storytelling, with attention to detail for final deliverables.
Sound Designer at Reflejos de un Amor
January 1, 2026 - Present
Sound Designer at Silencio Roto
January 1, 2026 - Present
Sound Designer
January 1, 2026 - January 1, 2026
Sound design for the production "Reflejos de un Amor" (2026), focusing on audio enhancement for narrative and ambience.
Sound Designer
January 1, 2026 - January 1, 2026
Sound design for the productions "Silencio Roto" (2026) and related sound work for audiovisual storytelling.
Producer (Audio Post-Production) at In progress (projects listed)
January 1, 2025 - January 1, 2025
Produced and handled audio production for "Flor de Loto" (2025), contributing to audio deliverables for the audiovisual project.
Producer / Sound Mix (Audio Post-Production) at In progress (projects listed)
January 1, 2025 - January 1, 2025
Produced and mixed audio for projects including "Yanao Guan to mas" (2025). Work focused on mixing and production to meet deliverable needs for audiovisual content.
Producer and Audio Mixer
January 1, 2025 - January 1, 2025
Audio production and mixing work for project titles listed in the resume, supporting high-quality sound for media deliverables.
Producer (Production Sound Mix) at Flor de Loto
January 1, 2025 - Present
Audio Post-Production (Producer and Sound Mix) at Ya no aguanto más
January 1, 2025 - Present
Producer
January 1, 2025 - January 1, 2025
Producer for "Flor de Loto" (2025).
Producer and Sound Mixer
January 1, 2025 - January 1, 2025
Production and audio mixing for "Yanao Guan to M ás" (2025).

Education

Education at Universidad Experimental de las Artes
January 1, 2025 - January 1, 2026
at Universidad Experimental de las Artes
January 1, 2025 - January 1, 2026
at Universidad Experimental de las Artes
January 1, 2025 - January 1, 2026
Audio visual Arts / Sound Design at Universidad Experimental de las Artes
January 1, 2025 - January 1, 2026

Qualifications

Audiovisual Arts/ Sound Design
April 8, 2025 - July 31, 2030

Industry Experience

Media & Entertainment, Education
    60"

    Sound Design Case Study: 60" (1-Minute Short)

    For this 1-minute piece, the creative challenge was to shift the entire narrative perspective entirely into the protagonist’s internal, psychological state while the world races around him in hyper-lapse.

    The Sonic Strategy:

    Internal Subjectivity: I used a dynamic low-pass filter sweep on the environmental soundscape to muffle the bustling plaza, pulling the audience directly inside the character’s isolated, racing mind.

    Building Tension: As the character experiences anxiety, a precise interplay of a ticking clock and a Shepard Tone builds continuous psychological pressure, paired closely with heavy, accelerated breathing.

    The Release: A sudden cut to black leaves only a reverberant breath echoing, followed by an abrupt snap back to the raw, unfiltered reality of the square, instantly lifting the low-pass filter to shock the audience’s senses right at the title card.

    Designed entirely in REAPER, focusing on custom-layered sound effects, granular tension, and seamless frequency automation to match picture pacing.

    Click here to view the video https://www.twine.net/signin/in/cesar-contreras-503317424