I've been a music producer for 17 years now. My specialty is blending acoustic sounds with electronic elements.
I’ve been a music producer for 17 years now. My specialty is blending acoustic sounds with electronic elements. I believe the compositions I make especially shine in the context of video game and TV ad soundtracks.
Another gorgeous animation from my artist friend Moonshen. This time it was a fan animation for the game Mother 2 (EarthBound). Like with the previous Castlevania gif the inspiration came immediately. What we got in the end is a sort of spooky video game aesthetic meets Danny Elfman who suddenly pics up a bandoneon and embraces Roma culture. This one has generated around 7000 likes and almost 200k overall impressions on twitter.
My artist friend Moonshen does stunning pixel art animations. After seeing his Castlevania animation I immediately felt inspired to do a homage to the 8-bit era of music, but at the same time I wanted to tie it in with high fidelity sounds. The result is a curious blend of old timey game music which ends abruptly by a strong gust of wind and transforms into a gothic Ameno'esque theme with organs, choir and reverberated percussion. I'm really proud of the result, as well as thrilled by the positive feedback on social media.
Just like with the other shorter animation soundtrack, this was also done for a 3D animator friend of mine. After she worked on the game Ready or Not she took a break and started making fan animations for her beloved game called SIGNALIS. I worked simultaneously on the vent disassembly clip and this one. Here we have a stronger focus on the overwhelming sadness and chaos associated with the loss of a beloved person. To convey such emotions I went with an unorthodox approach to oversaturate and overcompress certain tracks of the song, as well as introduce a lot of musical micro moments that compete and yet complement each other.
This was done for a 3D animator friend of mine. After she worked on the game Ready or Not she took a break and started making fan animations for her beloved game called SIGNALIS. I reached out to her and asked if she wouldn't want to hear some of her animations with sound. In this particular animation she also requested that I throw in some foley effects, which I did (the vent unscrewing, shutter cranking etc.)
This small project was created as part of a request by the music agency A-bomb. The point was to not only provide the background music to the video, but also sound effects. Despite the fact that it ended up not being used for any commercial purposes, the agency owner was happy with the result. As you can hear, I started with a chill vibe based on a bass guitar and some choir that come later. Gradually the song builds up and with the addition of more guitars, piano, synths and percussion it swells until the end.
I was contacted by the video production studio VR Vision and asked to create a soundtrack to the trailer for the showcase of Poland's first racing car in Birmingham. I decided to go with a bold, sort of in-your-face style with distorted beats, a spacious snare and a swelling sustained synth bass. The client really loved the result, which to quote them "reminisced of The Crystal Method". #advert
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