Based on the story of bank robber Andre Stander. Google for more information.
- Screenplay Writer
I'm a South African writer-director-producer with more than two decades of experience in theatre, television and radio.
I’m a South African writer-director-producer with more than two decades of experience in theatre, television and radio. I collaborate with writers, producers and crews to shape stories from concept to screen, bridging creative storytelling with practical production realities. My work spans theatre, reality TV, drama, and radio across SA and the UK, with a track record of delivering engaging content for SABC, DSTV and international partners.
I’m passionate about mentoring, cross-media storytelling and bringing diverse voices to audiences. I have published plays and books, earned multiple awards, and participated in writing fellowships and residencies. I continue to explore bold, socially relevant stories and collaborative creative processes in SA and beyond.
Based on the story of bank robber Andre Stander. Google for more information.
Research & Writing Fellowship focusing on long-form narrative, screenwriting and TV/radio storytelling. Engaged in interdisciplinary research, developing writing projects and refining narrative methods, while collaborating with scholars and writers.
Directed and wrote multiple reality and documentary series for SABC, RSG and DSTV via Channel 147. Led development from concept through post-production, coordinating writers and production teams. Notable projects include WIE IS MY STROOIMEISIE (24 x 22 min), KOM ONS BRAAI (12 x 44 min), WOLFGAT (7 x 44 min), STIK, STIK SO (13 x 44 min), PASGETROUD (10 x 24 min) and other 2016–2019 titles. Responsibilities encompassed scripting, on-set direction, and overseeing post-production to deliver broadcast-ready content.
Scriptwriter & Content Developer for Top Billing inserts and SABC 3 programming. Wrote on-air content, contributed to storylines and interview prompts, and supported production teams in crafting engaging 2018 segments.
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