Alejandra is actively engaged as a music and sound supervisor for film, TV series, ads and podcasts.

Alejandra is actively engaged as a music and sound supervisor for film, TV series, ads and podcasts.

Available to hire

Alejandra is actively engaged as a music and sound supervisor for film, TV series, ads and podcasts.

Language

English
Fluent
Spanish; Castilian
Fluent

Work Experience

Music & Sound Supervisor at Speakeasy
August 1, 2022 - Present
https://byspeakeasy.com/
Studio Manager at MCO Studios
February 1, 2018 - May 12, 2022
http://mco-studios.com/
Music Journalist at Noiselab
January 8, 2017 - December 31, 2017

Education

Diploma in Music Production and Sound Engineering at Abbey Road Institute
January 1, 2022 - January 1, 2022
Master in Music Business at Berklee College of Music
January 1, 2017 - January 1, 2017
Diploma in Digital Music Production Engineering at Tecnológico de Monterrey
January 11, 2030 - April 30, 2026

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services
    uniE621 TV Series Dear Killer Nannies
    Dear Killer Nannies is a suspense-driven thriller series narrated by Juan Pablo Escobar (Pablo Escobar’s son), weaving a personal voice into his own story of crime and consequence. As Music Supervisor, I led the music licensing process and oversaw the incorporation of the official soundtrack. Available on Hulu and Disney +
    uniE621 Podcast Atlantis
    Atlantis is a fiction podcast written by Julio Rojas and starring Regina Blandón, set inside a submarine tasked with investigating a physics anomaly that threatens the world as we know it. I supervised the full music and audio postproduction, overseeing the project’s sonic direction from score to final mix.
    uniE621 Podcast I Spy: The US, Cuba, and the Secret Dealt That Ended the Cold War
    I Spy: The U.S., Cuba, and the Secret Deal That Ended the Cold War is a narrative podcast uncovering the hidden negotiations that helped de-escalate Cold War tensions between the U.S. and Cuba. I supervised all audio and music postproduction.
    uniE621 Podcast San Miguel Kidnappings
    San Miguel Kidnappings is a narrative podcast that explores a series of abductions in San Miguel, unraveling the events and perspectives surrounding the case through a suspense-driven storytelling approach. As Sound Supervisor, I oversaw the entire audio and music postproduction, shaping the project’s sonic direction from edit to final mix.
    uniE621 TV Series Yellow
    Yellow is a comedy thriller series that follows two young women on the run after a museum heist, as they make their way toward the U.S. border in a taxi. Along the journey, unexpected encounters begin to reshape their understanding of trust, survival, and the relationships they form along the way. As Music Supervisor, I led the creative music direction and oversaw the integration of music throughout the series. Available in HBO LATAM
    uniE621 TV Series Ella Camina Sola
    Ella Camina Sola is a thriller series centered on a student confronting a school environment shaken by allegations of sexual assault against a professor. As Music Supervisor, I handled all licensing and supervised the integration of music throughout the series.
    uniE621 Film All The Places
    All the Places is a road trip dramedy that follows two siblings reconnecting as they travel across Mexico to fulfill a childhood promise, navigating grief, family, and self-discovery along the way. As Creative Music Supervisor, I led the musical direction, shaping the film’s sonic identity and overseeing the integration of music throughout.
    uniE621 Podcast Batman Desenterrado
    Batman Desenterrado is a Spanish-language adaptation of the Batman Unburied podcast, reimagining the iconic character through a psychological thriller that explores trauma, identity, and duality. As Sound Supervisor, I oversaw the Spanish-language version of the dialogue from recording through final mix delivery.
    uniE621 Film War of Likes
    War of Likes is a comedy that follows two rival influencers whose competition spirals into an all-out digital feud, exposing the pressures, absurdities, and contradictions of social media culture. As Creative Music Supervisor, I led the musical direction, shaping the film’s tone and overseeing the integration of music throughout.