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More than a decade after my master’s degree attending ENSAD (Paris, France) and CalArts (CA), I have animated and directed countless commercial films using “traditional” animation techniques such as 2D animation and Stop Motion. I had the privilege to use those tools to play with Felix the Cat (Purina, Nestlé), tell Haute Couture’s tales for Chanel, Lancôme, Dolce & Gabbana, etc, or make things tasty for Andros and Labeyrie. My collaborations with The Mill, Prodigious, DBB, and other agencies still leave me a bit of time to work on my personal projects and pass on to the new generation by teaching at the french Cinémathèque. Finding the right style of drawing, the perfect movement and the smart camera angle to tell a story and convey emotions is what drives me in my craft.…More than a decade after my master’s degree attending ENSAD (Paris, France) and CalArts (CA), I have animated and directed countless commercial films using “traditional” animation techniques such as 2D animation and Stop Motion. I had the privilege to use those tools to play with Felix the Cat (Purina, Nestlé), tell Haute Couture’s tales for Chanel, Lancôme, Dolce & Gabbana, etc, or make things tasty for Andros and Labeyrie. My collaborations with The Mill, Prodigious, DBB, and other agencies still leave me a bit of time to work on my personal projects and pass on to the new generation by teaching at the french Cinémathèque. Finding the right style of drawing, the perfect movement and the smart camera angle to tell a story and convey emotions is what drives me in my craft.

duringdaylight

2D Animator, 1st Assistant Director, Animator, +2

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More than a decade after my master’s degree attending ENSAD (Paris, France) and CalArts (CA), I have animated and directed countless commercial films using “traditional” animation techniques such as 2D animation and Stop Motion. I had the privilege to use those tools to play with Felix the Cat (Purina, Nestlé), tell Haute Couture’s tales for Chanel, Lancôme, Dolce & Gabbana, etc, or make things tasty for Andros and Labeyrie. My collaborations with The Mill, Prodigious, DBB, and other agencies still leave me a bit of time to work on my personal projects and pass on to the new generation by teaching at the french Cinémathèque. Finding the right style of drawing, the perfect movement and the smart camera angle to tell a story and convey emotions is what drives me in my craft.…More than a decade after my master’s degree attending ENSAD (Paris, France) and CalArts (CA), I have animated and directed countless commercial films using “traditional” animation techniques such as 2D animation and Stop Motion. I had the privilege to use those tools to play with Felix the Cat (Purina, Nestlé), tell Haute Couture’s tales for Chanel, Lancôme, Dolce & Gabbana, etc, or make things tasty for Andros and Labeyrie. My collaborations with The Mill, Prodigious, DBB, and other agencies still leave me a bit of time to work on my personal projects and pass on to the new generation by teaching at the french Cinémathèque. Finding the right style of drawing, the perfect movement and the smart camera angle to tell a story and convey emotions is what drives me in my craft.

Available to hire

Paris, France

£300 per day (£37.5 per hour)

More than a decade after my master’s degree attending ENSAD (Paris, France) and CalArts (CA), I have animated and directed countless commercial films using “traditional” animation techniques such as 2D animation and Stop Motion.
I had the privilege to use those tools to play with Felix the Cat (Purina, Nestlé), tell Haute Couture’s tales for Chanel, Lancôme, Dolce & Gabbana, etc, or make things tasty for Andros and Labeyrie.
My collaborations with The Mill, Prodigious, DBB, and other agencies still leave me a bit of time to work on my personal projects and pass on to the new generation by teaching at the french Cinémathèque.
Finding the right style of drawing, the perfect movement and the smart camera angle to tell a story and convey emotions is what drives me in my craft.