Greetings & salutations from Phoenix, AZ!
My name’s Dymon Thomas, and I provide end-to-end production services for social media. My passion is lighting and grip, but we’ve got the equipment and know-how, to take your content from A to Z (or fill in anywhere between)!
The Dymon Mine is my content production studio here in Phoenix; and we specialize in social media, whether that’s podcasts, and talking head, or UGC and action transitions, … Vertical or horizontal; long- or short-form; please consider the Dymon Mine for all your content production needs in 2026!
EXPERIENCE
Content Creator - The Dymon Mine - 2025 to present (freelance)
This is my production studio, here in Phoenix! We produce long- and short-form content, for personal and marketing purposes, of course. Clients include: Coyote Comedy, Amaran lighting, local events and stage performers, and more!
DP, Gaffer, Editor - NortonLifelock - Q1, 2025 (freelance)
Vertical content series produced for internal use. Videos played in corporate and departmental presentations, such as training, sales, etc.
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I was recently hired to shoot and perform for a lineup of professional comedians, all featured on the DryBar YouTube page. On top of providing the comedians with footage of their sets, Coyote Comedy had commissioned a marketing reel for their media kit and marketing packs.
It turned out fantastic, and I’m so proud to contribute to local artists and businesses!
We are proud to announce our new podcast, Late Nite Talk Show Revival! The show is shot and produced in the spirit of classic late night talk shows, drawing inspiration from greats like Conan O’Brien and Jay Leno.
You could say we’re throwing it back … TO THE YEAR TWO THOUSAAAAAAAAAND!
(Full episodes posting weekly to YouTube/DymonMein)
Description:
“Greetings & salutations people of the internet!
Welcome back to Late Nite 🌙 🎙️ In 2026 late night talk shows have gone down the drain. So we made our own!”
This was a reel I produced for Amaran’s holiday campaign last year. I use various sales and marketing techniques, from scripting in scarcity and FOMO impressions, to a time-sensitive call to action.
The music was chosen for its electronic/techy vibe, and dynamic structure. These attributes allowed me to guide the emotions of our viewer, while easily maintaining the key and time signature.
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