I am Enoch Chen, an audio engineer, film/game composer, and a classically trained violinist with a Master’s in Music Technology from New York University. I specialize in end-to-end audio production across film, games, animation, and music, including sound design, composition, recording, mixing, mastering, and spatial audio. I thrive in immersive and interactive audio workflows with hands-on production across studio, live, and remote environments. I am proficient in Pro Tools, Logic Pro, and have also worked in Wwise, Unreal Engine, Unity, and standard industry tools for multi-channel, Dolby Atmos, and audio-for-video workflows, collaborating closely with artists and producers to translate creative direction into client-ready audio.

Enoch Chen

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I am Enoch Chen, an audio engineer, film/game composer, and a classically trained violinist with a Master’s in Music Technology from New York University. I specialize in end-to-end audio production across film, games, animation, and music, including sound design, composition, recording, mixing, mastering, and spatial audio. I thrive in immersive and interactive audio workflows with hands-on production across studio, live, and remote environments. I am proficient in Pro Tools, Logic Pro, and have also worked in Wwise, Unreal Engine, Unity, and standard industry tools for multi-channel, Dolby Atmos, and audio-for-video workflows, collaborating closely with artists and producers to translate creative direction into client-ready audio.

Available to hire

I am Enoch Chen, an audio engineer, film/game composer, and a classically trained violinist with a Master’s in Music Technology from New York University. I specialize in end-to-end audio production across film, games, animation, and music, including sound design, composition, recording, mixing, mastering, and spatial audio.

I thrive in immersive and interactive audio workflows with hands-on production across studio, live, and remote environments. I am proficient in Pro Tools, Logic Pro, and have also worked in Wwise, Unreal Engine, Unity, and standard industry tools for multi-channel, Dolby Atmos, and audio-for-video workflows, collaborating closely with artists and producers to translate creative direction into client-ready audio.

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Language

English
Fluent
Chinese
Fluent
Spanish; Castilian
Advanced
French
Advanced
German
Advanced
Russian
Intermediate
Italian
Intermediate
Ukrainian
Beginner

Work Experience

Music Production Assistant at BlueFrog Recording Studio
September 1, 2024 - Present
Lead end-to-end audio production as primary engineer across recording, mixing, and mastering; delivered commercial-quality results for diverse client projects. Engineered multi-track sessions using analog-digital signal chains; applied EQ, compression, spatial and time-based processing for high-fidelity productions. Managed session documentation, asset organization, and file delivery, maintaining production-ready outputs on schedule. Collaborated with artists, producers, and engineers to translate creative direction into polished, client-ready audio.
Recording Studio Intern at New York University Dolan Studio
September 1, 2025 - January 1, 2026
Recorded sessions across student and faculty projects; prepared session setups including patchbay routing, microphone selection, and cabling. Supported mix and post-production by editing multi-track sessions in Pro Tools, contributing to polished final deliverables.
Recording Engineer at New York University Concert Recordist
February 1, 2025 - January 1, 2026
Recorded and mixed recitals and concerts; provided AV support, live amplification, and real-time mix in for seamless performance capture. Troubleshot and optimized sound systems on-the-fly to ensure high-quality, uninterrupted performance execution.
Music Production Intern at Mega Force Recording Studio
July 1, 2024 - August 1, 2024
Collaborated with top-tier engineers and high-profile Mandopop artists (Sodagreen, Rachel Liang) to record approximately ten albums and singles using premier microphones and equipment. Gained experience in high-volume, fast-paced studio production, managing multiple concurrent projects at a major label facility.
Recording Studio Assistant at DePauw University Recording Studio
January 1, 2023 - May 1, 2024
Logged ~80 hours of recording per semester across ~15 projects covering jazz, contemporary concerts, and solo recitals. Contributed to audio/video editing, production, and mix ing for a wide variety of musical genres and formats.
Audio Production Intern at Gramola Record Label
July 31, 2022 - November 30, 2022
Supported three classical recording projects at Austria's largest classical label, managing recording, editing, and post-production in close coordination with producers and renowned musicians.
Freelance Film Composer at Freelance
May 31, 2023 - Present
Emerging film composer with credits in short film scoring. Specializes in atmospheric, emotionally grounded original scores. Proficient in Logic Pro, Pro Tools, Dolby Atmos, EastWest, Arturia, Waves, and iZotope.

Education

Master of Music in Music Technology at New York University
September 1, 2024 - May 1, 2026
Bachelor of Music in Violin Performance at DePauw University
September 1, 2020 - May 1, 2024

Qualifications

Add your qualifications or awards here.

Industry Experience

Media & Entertainment, Education, Professional Services
    Midnight Cab — Short Film (composed by Enoch Chen)

    Original score for Midnight Cab, a short film that reimagines the myth of Charon as an intimate story of love, loss, and the choice between letting go and holding on.
    As the sole composer, I developed themes that track Rogelio’s emotional journey — from confusion and grief to the quiet ache of unfinished love — scoring the boundary between the living world and the afterlife.

    Midnight Cab — The Gate Scene:

    Midnight Cab — Lost Soul Scene:

    Midnight Cab — Reunion Scene:

    Directed by Kyungmin Lee
    Written by Kyungmin Lee
    Composed by Enoch Chen

    Sundry — Short Film (composed by Enoch Chen)

    Original score for Sundry, a short film exploring dissociation, emotional manipulation, and the fragile boundary between a man and his alter ego.
    As sole composer, I crafted a score that stays tense and unsettling through the psychological unraveling at the film’s core, then gradually resolves as James reclaims himself — using music to track an interior journey that dialogue alone can’t carry.

    Sundry — Short Film:

    Directed by Minh Tran
    Written by Annette Tran
    Composed by Enoch Chen