Available to hire
Senior audio engineer with 10+ years specializing in creative audio design, audio post production, ADR, voiceover tracking, and studio upgrades. Experienced across television, radio, internet, and educational/long-form promo content, with a strong track record of resolving on-air issues quickly.
Trusted project manager and engineer who improves workflows through data-driven recommendations and hands-on leadership. Passionate about delivering optimal audio outcomes across multiple deliverable formats, including surround and loudness-compliant mixes.
Skills
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Work Experience
Postproduction Audio Engineer (Freelance) at Freelance (Los Angeles, CA) / Remote / On-site
October 20, 2016 - PresentProvides full sound design and mixes for web, TV, and radio content, including commercials, promos, and interstitial materials. Delivers in stereo 2.0, Dolby Surround, and ATMOS formats. Offers technical consultation for studio upgrades/equipment integration and architectural acoustic design. Supervises sound editorial for independent films and productions. Handles engineering and workflow needs both locally and remotely, ensuring deliverables meet required technical specs.
Managing Audio Engineer at AT&T Entertainment / DIRECTV (Los Angeles, CA) — DIRECTV US National Division
March 1, 2008 - October 1, 2016Mixed, edited, performed voiceover tracking, and completed sound design for promotions with budgets up to $1.2MM (e.g., Rogue and Damages series premieres, NFL Sunday Ticket, MLB Extra Innings) and lower-budget projects up to $100K (e.g., PPV promos). Regularly produced audio for corporate sizzle reels, PR campaigns, and customer self-help educational videos (about ±10 projects weekly). Upgraded two audio mix bays to 5.1 Dolby Surround from planning through delivery workflow. Authored a white paper on AC3 rendering errors, supported executive review, and corrected immediately after approval. Consulted on satellite uplink audio code transfer specifications, loudness rendering/mitigation, and on-air quality control. Trained engineers and studio staff on best-in-class workflows and production standards.
Contract Audio Engineer at Discovery Networks (Miami, FL)
December 1, 2004 - August 1, 2005Created soundtracks used internationally by Discovery Channel, TLC, HGTV, Speed, and FitTV for shows such as American Chopper, Mythbusters, Most Dangerous Catch, and Monster Garage. Produced high-volume audio with short turnaround times (2–4 hours per 30-minute segment and 4–6 hours for a 60-minute show).
Senior Audio Engineer at Manhattan Transfer (New Art) (Miami, FL)
September 1, 2000 - February 1, 2008Owned looping and sound design for national TV, radio, and website promotions for brands including Burger King, IKEA, Volkswagen, Ford, Coke Zero, Miller Lite, and Career Builder. Supported feature film ADR with celebrities including Colin Farrell, Curtis “50 Cent” Jackson, Jamie Foxx, Janet Jackson, Matt Damon, Mark Hamill, and Tommy Lee Jones. Researched and planned two audio room upgrades to 5.1 Dolby Surround. Conceived and created an in-house sound effects system that generated additional business. Researched and prospected feature film work, securing 10+ additional projects each year.
Education
Bachelor of Arts in Music Engineering Technology (minor in Computer Science) at University of Miami
January 11, 2030 - August 12, 2026Master of Business Administration (MBA) at California State University, Long Beach
January 11, 2030 - August 12, 2026Data-Driven Marketing Certification at Cornell University
January 11, 2030 - August 12, 2026Qualifications
ProMAX BDA
January 11, 2030 - August 12, 2026Industry Experience
Media & Entertainment
Skills
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
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