Hi, I'm Fella Brown, a passionate music producer, audio engineer, and composer with 15 years of experience in the music industry. I have worked on a wide range of projects, from music production and soundtrack composition to live mixing and artist management, always aiming to blend creativity with technical excellence. I've achieved Top 1 status in Brazil and reached Top 11 globally, with over 2 billion streams and 319 credited tracks. I love leading projects that innovate and push boundaries while maintaining a strong focus on quality and artistic impact. Whether it's composing soundtracks for games and films or mixing live events, I approach every task with enthusiasm and dedication. Let's create something amazing together!

Hi, I'm Fella Brown, a passionate music producer, audio engineer, and composer with 15 years of experience in the music industry. I have worked on a wide range of projects, from music production and soundtrack composition to live mixing and artist management, always aiming to blend creativity with technical excellence. I've achieved Top 1 status in Brazil and reached Top 11 globally, with over 2 billion streams and 319 credited tracks. I love leading projects that innovate and push boundaries while maintaining a strong focus on quality and artistic impact. Whether it's composing soundtracks for games and films or mixing live events, I approach every task with enthusiasm and dedication. Let's create something amazing together!

Available to hire

Hi, I’m Fella Brown, a passionate music producer, audio engineer, and composer with 15 years of experience in the music industry. I have worked on a wide range of projects, from music production and soundtrack composition to live mixing and artist management, always aiming to blend creativity with technical excellence. I’ve achieved Top 1 status in Brazil and reached Top 11 globally, with over 2 billion streams and 319 credited tracks.

I love leading projects that innovate and push boundaries while maintaining a strong focus on quality and artistic impact. Whether it’s composing soundtracks for games and films or mixing live events, I approach every task with enthusiasm and dedication. Let’s create something amazing together!

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Experience Level

Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
See more

Language

English
Fluent
Spanish; Castilian
Intermediate
Portuguese
Fluent

Work Experience

Ceo I Music Producer I A&R I Composer at Groove Village Label
May 6, 2024 - July 8, 2025
- Manage artists and lead A&R processes, coordinating schedules and development plans - Create and organize technical sheets, spreadsheets, and promotional content - Plan and execute music releases and marketing campaigns to maximize reach - Produce, compose, and direct musical projects with a focus on quality and innovation - Oversee budget, timelines, and team collaboration on creative projects - Establish strategic partnerships with music industry stakeholders - Implement new technologies and workflows to optimize production efficiency
Audio Engineer at Audiolink (Freelance)
June 1, 2025 - Present
Provide live mixing services for YouTube streaming, focusing on audio quality and clarity; Operate as front-of-house (FoH) sound technician at live events, enhancing audience experience; Independently assemble, configure, and operate professional audio equipment; Diagnose and resolve technical issues during events to ensure stable and professional sound.
CEO at Groove Village (Freelance)
May 1, 2024 - Present
Manage artists and act as A&R, coordinating schedules, repertoires, and artistic development strategies; Create spreadsheets, tech sheets, and content, organizing materials for clear communication; Plan releases and promotional campaigns to boost project reach and engagement; Produce, compose, and lead musical direction, merging creativity and technical excellence.
Music Producer and Composer at Tag Music (Freelance)
April 30, 2024 - July 8, 2025
Compose and produce soundtracks for various projects, aligning sonic aesthetics with creative vision; Manage music projects, ensuring on-time and on-budget delivery; Apply agile methodologies to optimize workflows and increase production efficiency; Arrange, compose, edit, mix, and master audio, delivering distribution-ready content.
Audio Engineer at First Baptist Church of Brazil (Volunteer)
May 31, 2023 - July 8, 2025
Mix live worship services and events for YouTube broadcast, ensuring clean, balanced audio for online audiences; Set up and operate the church's sound system, including digital mixers, interfaces, and microphones; Capture audio from instruments, vocals, and ambient sources, adjusting levels and EQ for clarity and quality; Monitor live streams in real time, troubleshooting issues and maintaining audio stability throughout the service.
Music Producer at 10 Ocupados (Freelance)
April 30, 2022 - July 8, 2025
Compose soundtracks, sound effects, and foley to enhance visual narratives and immersive experiences; Record high-quality audio in studio or on location, ensuring fidelity from the source; Edit, mix, and master audio with a focus on technical and artistic excellence; Develop unique sonic identities for projects by integrating music production and sound design.
Music Producer at Akira Produções (Freelance)
February 29, 2020 - July 8, 2025
Compose original music and soundtracks, adapting styles and structures to meet project requirements; Edit audio recordings by correcting performances, syncing tracks, and preparing sessions for mixing; Mix music tracks by balancing sonic elements, applying effects, and shaping dynamics and spatial depth.
Music Producer and DJ at Onlive Bahia (Freelance)
August 31, 2017 - July 8, 2025
Curated personalized playlists, tailoring song selections to clients' profiles and event styles; Performed live DJ sets with smooth transitions and strong crowd reading to maintain energy; Produced exclusive remixes and edits, customizing tracks for key moments such as entrances, first dances, or finales; Coordinated the musical segment of events, collaborating with event planners and vendors to ensure smooth scheduling.
Studio Assistant Intern at Studio WR
October 31, 2015 - July 8, 2025
Assisted with studio setup and organization, preparing equipment for recording and mixing sessions; Supported audio capture by positioning microphones and assisting during recording under technical guidance; Organized sessions and audio files, maintaining structured folders, naming conventions, and backups for efficient workflow; Observed and assisted in editing, mixing, and mastering processes, learning techniques and providing operational support to engineers and producers.
Guitarist at David Santana Guitar Orchestra (Freelance)
June 30, 2014 - July 8, 2025
Performed solo and ensemble guitar pieces with technical precision and artistic expression; Interpreted a wide range of repertoires, adapting to various musical styles and performance contexts (classical, popular, events); Participated in rehearsals and recordings, collaborating on arrangements and musical adjustments; Continuously improved technique and performance through study, practice, and musical research.
Audio Engineer at Audiolink (Freelance)
June 1, 2025 - Present
Provide live mixing services for YouTube streaming, focusing on audio quality and clarity; operate as front-of-house (FoH) sound technician at live events, enhancing audience experience; independently assemble, configure, and operate professional audio equipment; diagnose and resolve technical issues during events to ensure stable and professional sound.
CEO at Groove Village (Freelance)
May 1, 2024 - Present
Manage artists and act as A&R, coordinating schedules, repertoires, and artistic development strategies; create spreadsheets, tech sheets, and content, organizing materials for clear communication; plan releases and promotional campaigns to boost project reach and engagement; produce, compose, and lead musical direction, merging creativity and technical excellence.
Music Producer and Composer at Tag Music (Freelance)
April 30, 2024 - July 8, 2025
Compose and produce soundtracks for various projects, aligning sonic aesthetics with creative vision; manage music projects, ensuring on-time and on-budget delivery; apply agile methodologies to optimize workflows and increase production efficiency; arrange, compose, edit, mix, and master audio, delivering distribution-ready content.
Audio Engineer at First Baptist Church of Brazil (Volunteer)
May 31, 2023 - July 8, 2025
Mix live worship services and events for YouTube broadcast, ensuring clean, balanced audio for online audiences; set up and operate the church's sound system, including digital mixers, interfaces, and microphones; capture audio from instruments, vocals, and ambient sources, adjusting levels and EQ for clarity and quality; monitor live streams in real time, troubleshooting issues and maintaining audio stability throughout the service.
Music Producer at 10 Ocupados (Freelance)
April 30, 2022 - July 8, 2025
Compose soundtracks, sound effects, and foley to enhance visual narratives and immersive experiences; record high-quality audio in studio or on location, ensuring fidelity from the source; edit, mix, and master audio with a focus on technical and artistic excellence; develop unique sonic identities for projects by integrating music production and sound design.
Music Producer at Akira Produções (Freelance)
February 29, 2020 - July 8, 2025
Compose original music and soundtracks, adapting styles and structures to meet project requirements; edit audio recordings by correcting performances, syncing tracks, and preparing sessions for mixing; mix music tracks by balancing sonic elements, applying effects, and shaping dynamics and spatial depth.
Music Producer and DJ at Onlive Bahia (Freelance)
August 31, 2017 - July 8, 2025
Curated personalized playlists, tailoring song selections to clients' profiles and event styles; performed live DJ sets with smooth transitions and strong crowd reading to maintain energy; produced exclusive remixes and edits, customizing tracks for key moments such as entrances, first dances, or finales; coordinated the musical segment of events, collaborating with event planners and vendors to ensure smooth scheduling.
Studio Assistant Intern at Studio WR
October 31, 2015 - July 8, 2025
Assisted with studio setup and organization, preparing equipment for recording and mixing sessions; supported audio capture by positioning microphones and assisting during recording under technical guidance; organized sessions and audio files, maintaining structured folders, naming conventions, and backups for efficient workflow; observed and assisted in editing, mixing, and mastering processes, learning techniques and providing operational support to engineers and producers.
Guitarist at David Santana Guitar Orchestra (Freelance)
June 30, 2014 - July 8, 2025
Performed solo and ensemble guitar pieces with technical precision and artistic expression; interpreted a wide range of repertoires, adapting to various musical styles and performance contexts (classical, popular, events); participated in rehearsals and recordings, collaborating on arrangements and musical adjustments; continuously improved technique and performance through study, practice, and musical research.
Audio Engineer at Audiolink (Freelance)
June 1, 2025 - Present
Provided live mixing services for YouTube streaming, focusing on audio quality and clarity. Operated as front-of-house sound technician at live events to enhance audience experience. Independently assembled, configured, and operated professional audio equipment. Diagnosed and resolved technical issues during events to ensure stable and professional sound.
CEO at Groove Village (Freelance)
May 1, 2024 - Present
Managed artists and acted as A&R, coordinating schedules, repertoires, and artistic development strategies. Created spreadsheets, tech sheets, and content for effective communication. Planned releases and promotional campaigns to boost project reach and engagement. Produced, composed, and led musical direction, merging creativity and technical excellence.
Music Producer and Composer at Tag Music (Freelance)
April 30, 2024 - July 8, 2025
Composed and produced soundtracks for various projects aligning sonic aesthetics with creative vision. Managed music projects ensuring on-time and on-budget delivery. Applied agile methodologies to optimize workflows and increase production efficiency. Arranged, composed, edited, mixed, and mastered audio delivering distribution-ready content.
Audio Engineer at First Baptist Church of Brazil (Volunteer)
May 31, 2023 - July 8, 2025
Mixed live worship services and events for YouTube broadcast ensuring clean, balanced audio for online audiences. Set up and operated the church's sound system including digital mixers, interfaces, and microphones. Captured audio from instruments, vocals, and ambient sources, adjusting levels and EQ for clarity and quality. Monitored live streams in real time, troubleshooting issues and maintaining audio stability throughout services.
Music Producer at 10 Ocupados (Freelance)
April 30, 2022 - July 8, 2025
Composed soundtracks, sound effects, and foley to enhance visual narratives and immersive experiences. Recorded high-quality audio in studio or on location ensuring fidelity from the source. Edited, mixed, and mastered audio with focus on technical and artistic excellence. Developed unique sonic identities for projects by integrating music production and sound design.
Music Producer at Akira Produções (Freelance)
February 29, 2020 - July 8, 2025
Composed original music and soundtracks adapting styles and structures to meet project requirements. Edited audio recordings by correcting performances, syncing tracks, and preparing sessions for mixing. Mixed music tracks by balancing sonic elements, applying effects, and shaping dynamics and spatial depth.
Music Producer and DJ at Onlive Bahia (Freelance)
August 31, 2017 - July 8, 2025
Curated personalized playlists tailored to clients' profiles and event styles. Performed live DJ sets with smooth transitions and strong crowd reading to maintain energy. Produced exclusive remixes and edits customized for key event moments. Coordinated musical segments with event planners and vendors.
Studio Assistant Intern at Studio WR
October 31, 2015 - July 8, 2025
Assisted with studio setup and organization preparing equipment for recording and mixing sessions. Supported audio capture by positioning microphones and assisting during recording. Organized sessions and audio files maintaining structured folders, naming conventions, and backups for workflow efficiency. Observed and assisted in editing, mixing, and mastering processes providing operational support.
Guitarist at David Santana Guitar Orchestra (Freelance)
June 30, 2014 - July 8, 2025
Performed solo and ensemble guitar pieces with technical precision and artistic expression. Interpreted a wide range of repertoires adapting to various musical styles and performance contexts. Participated in rehearsals and recordings collaborating on arrangements and musical adjustments. Continuously improved technique and performance through study and practice.
Audio Engineer at Audiolink (Freelance)
June 1, 2025 - Present
Provide live mixing services for YouTube streaming, focusing on audio quality and clarity; Operate as front-of-house (FoH) sound technician at live events, enhancing audience experience; Independently assemble, configure, and operate professional audio equipment; Diagnose and resolve technical issues during events to ensure stable and professional sound.
CEO at Groove Village (Freelance)
May 1, 2024 - Present
Manage artists and act as A&R, coordinating schedules, repertoires, and artistic development strategies; Create spreadsheets, tech sheets, and content, organizing materials for clear communication; Plan releases and promotional campaigns to boost project reach and engagement; Produce, compose, and lead musical direction, merging creativity and technical excellence.
Music Producer and Composer at TAG Music (Freelance)
April 30, 2024 - July 8, 2025
Compose and produce soundtracks for various projects, aligning sonic aesthetics with creative vision; Manage music projects, ensuring on-time and on-budget delivery; Apply agile methodologies to optimize workflows and increase production efficiency; Arrange, compose, edit, mix, and master audio, delivering distribution-ready content.
Audio Engineer at First Baptist Church of Brazil (Volunteer)
May 31, 2023 - July 8, 2025
Mix live worship services and events for YouTube broadcast, ensuring clean, balanced audio for online audiences; Set up and operate the church's sound system, including digital mixers, interfaces, and microphones; Capture audio from instruments, vocals, and ambient sources, adjusting levels and EQ for clarity and quality; Monitor live streams in real time, troubleshooting issues and maintaining audio stability throughout the service.
Music Producer at 10 Ocupados (Freelance)
April 30, 2022 - July 8, 2025
Compose soundtracks, sound effects, and foley to enhance visual narratives and immersive experiences; Record high-quality audio in studio or on location, ensuring fidelity from the source; Edit, mix, and master audio with a focus on technical and artistic excellence; Develop unique sonic identities for projects by integrating music production and sound design.
Music Producer at Akira Produções (Freelance)
February 29, 2020 - July 8, 2025
Compose original music and soundtracks, adapting styles and structures to meet project requirements; Edit audio recordings by correcting performances, syncing tracks, and preparing sessions for mixing; Mix music tracks by balancing sonic elements, applying effects, and shaping dynamics and spatial depth.
Music Producer and DJ at Onlive Bahia (Freelance)
August 31, 2017 - July 8, 2025
Curated personalized playlists, tailoring song selections to clients' profiles and event styles; Performed live DJ sets with smooth transitions and strong crowd reading to maintain energy; Produced exclusive remixes and edits, customizing tracks for key moments such as entrances, first dances, or finales; Coordinated the musical segment of events, collaborating with event planners and vendors to ensure smooth scheduling.
Studio Assistant Intern at Studio WR
October 31, 2015 - July 8, 2025
Assisted with studio setup and organization, preparing equipment for recording and mixing sessions; Supported audio capture by positioning microphones and assisting during recording under technical guidance; Organized sessions and audio files, maintaining structured folders, naming conventions, and backups for efficient workflow; Observed and assisted in editing, mixing, and mastering processes, learning techniques and providing operational support to engineers and producers.
Guitarist at David Santana Guitar Orchestra (Freelance)
June 30, 2014 - July 8, 2025
Performed solo and ensemble guitar pieces with technical precision and artistic expression; Interpreted a wide range of repertoires, adapting to various musical styles and performance contexts (classical, popular, events); Participated in rehearsals and recordings, collaborating on arrangements and musical adjustments; Continuously improved technique and performance through study, practice, and musical research.

Education

Music Prodution at Pracatum
March 5, 2018 - June 6, 2020
1. Pre-Production Songwriting & Arrangement: Writing songs or instrumentals, defining structures (verse, chorus, bridge, etc.), and preparing demos. Rehearsals: Musicians and producers rehearse, adapt arrangements, and decide on instrumentation and tempos. Scheduling & Budgeting: Planning studio time, hiring session players, and organizing logistics. 2. Recording (Tracking) Setup: Microphones, instruments, amps, and digital/analog equipment are set up. Soundchecks are performed for optimal capture. Tracking: Recording individual instruments and vocals, often starting with drums and bass (the rhythm section), followed by guitars, keyboards, and other instruments. Overdubbing: Adding additional layers (vocals, harmonies, solos, effects) after the main tracks are recorded. Editing: Comping (choosing the best takes), timing corrections, pitch corrections, and removing unwanted noise. 3. Mixing Balancing Tracks: Adjusting volume, pan, and EQ for each track so that every element sits well in the mix. Processing: Adding effects like reverb, delay, compression, and special effects to enhance or manipulate sounds. Automation: Programming dynamic changes (volume, panning, effects) that evolve throughout the song. Rough & Final Mix: Creating initial mixes for feedback, then refining to a final version. 4. Mastering Final Touches: Applying subtle EQ, compression, limiting, and stereo widening to ensure consistency and loudness across playback systems. Sequencing: Arranging tracks in order, setting fade-ins/outs, and adding track spacing for albums or EPs. File Preparation: Creating distribution-ready files (WAV, MP3, DDP for CDs/vinyl, etc.) and embedding metadata. 5. Manufacturing & Distribution Physical: Pressing CDs, vinyl, or cassettes; printing artwork and packaging. Digital: Uploading to online platforms (Spotify, Apple Music, Bandcamp, etc.), making files available for download or streaming. 6. Promotion & Release Marketing Campaigns: Planning social media releases, press releases, teasers, music videos, radio promotion, and concert tours. Release: Launching the song/album on platforms, organizing listening parties, and monitoring sales/streams.
bachelor at composition and conducting - Federal University of Bahia
February 13, 2023 - December 20, 2027
1. Foundational Studies Music Theory: Study of harmony, counterpoint, form, and musical notation. Ear Training (Aural Skills): Development of listening skills, pitch recognition, rhythmic accuracy, and transcription. History of Music: Survey of music from different eras and cultures, focusing on styles, genres, and key figures. 2. Instrumental and Vocal Practice Instrument Study: Regular lessons on an instrument or voice, essential for understanding performance aspects. Piano Skills: Keyboard is often a basic requirement for composers and conductors. 3. Composition Studies Creative Projects: Writing original pieces for solo instruments, ensembles, choir, or orchestra. Orchestration & Arranging: Learning how to write for different instruments, combine timbres, and adapt pieces for various ensembles. Analysis: Studying works by master composers, analyzing scores and compositional techniques. 4. Conducting Studies Baton Technique: Physical techniques for leading an ensemble through gestures. Score Reading: Interpreting full scores—essential for rehearsal and performance. Rehearsal Strategies: How to run effective rehearsals, give feedback, and solve musical problems in real time. Ensemble Leadership: Practical conducting experience, often with student groups, choirs, or orchestras. 5. Workshops & Masterclasses Guest Lectures and Workshops: With renowned conductors and composers, offering new perspectives and networking opportunities. Collaboration Projects: Working with performers, choreographers, filmmakers, etc. 6. Performance & Assessment Composing Recitals: Public performances or recordings of student compositions. Conducting Recitals: Leading ensembles in concert; sometimes required as a final examination. Portfolio Development: Compilation of scores, recordings, and rehearsal documentation as evidence of progress. 7. Research and Professional Development Musicology / Research: Development of research skills, often culminating in a written thesis or final project. Career Planning: Guidance on auditions, professional networking, grant applications, and building a career in music.
Musical Estrategist at Nathy Faria School
January 1, 2023 - December 31, 2023
1. Pre-Release Planning Goal Setting: Define what you want to achieve—streams, followers, playlist placements, press coverage, etc. Audience Analysis: Research your target audience: age, location, listening habits, and preferred platforms. Branding & Identity: Develop or refine your artist image, visuals, logo, and online profiles. Asset Creation: Produce cover art, promo photos, lyric videos, teasers, and social media content. Timeline & Calendar: Schedule important dates—teasers, pre-saves, official release, and post-release promotions. 2. Distribution Preparation Choosing Distributors: Select platforms for digital distribution (DistroKid, TuneCore, CD Baby, etc.). Metadata & Files: Ensure all audio files, artwork, and metadata (song credits, lyrics, ISRC codes) are complete and correct. Pre-Save & Pre-Order: Set up pre-save/pre-order campaigns on platforms to drive initial engagement. 3. Promotion Before Release Teasers & Singles: Release snippets, behind-the-scenes, or a single song ahead of the full project. Press & PR: Submit to music blogs, magazines, radio stations, and playlist curators for reviews and features. Influencer & Fan Engagement: Partner with influencers, create contests or challenges, and interact with fans. Email Marketing: Send newsletters to your mailing list with exclusive content or early access. 4. Release Day Execution Social Media Activation: Share across all platforms, use countdowns, live streams, stories, and posts to celebrate. Content Drops: Release music videos, lyric videos, and interactive content. Engage with Fans: Respond to comments, messages, and encourage fans to share the release. Monitor Performance: Keep track of real-time analytics, playlist additions, and social media reactions. 5. Post-Release Follow-Up Additional Content: Drop remixes, acoustic versions, behind-the-scenes, or BTS videos to keep momentum. Press Coverage: Share reviews, interviews, and media features. Live Events: Organize release parties, concerts, virtual performances, or Q&A sessions. Analyze Results: Review stats and insights to refine future strategies (streams, sales, engagement). 6. Long-Term Engagement Community Building: Create a fan club, Discord server, or offer exclusive content for subscribers. Consistent Updates: Share progress, announce upcoming releases, and maintain communication.
Bachelor's Degree at Catholic University of Salvador (UCSAL)
January 1, 2023 - December 31, 2027
High School with Technical Degree at Federal Institute of Bahia (IFBA)
January 1, 2012 - December 31, 2012
Bachelor’s Degree at Catholic University of Salvador
January 1, 2023 - December 31, 2027
High School with Technical Degree at Federal Institute of Bahia
January 1, 2012 - December 31, 2012
High School with Technical Degree at Federal Institute of Bahia
January 1, 2012 - December 31, 2012
Bachelor’s Degree at Catholic University of Salvador
January 1, 2023 - December 31, 2027
High School Diploma at Federal Institute of Bahia
January 1, 2012 - December 31, 2012

Qualifications

Ableton live certified
June 5, 2025 - June 5, 2025
Pro tools
June 13, 2018 - June 5, 2025
Mix and Master
July 8, 2025 - July 8, 2025
Music Production of Electronic Music
July 8, 2025 - July 8, 2025
Sound Design
July 8, 2025 - July 8, 2025
DJ
July 8, 2025 - July 8, 2025
Acoustic Guitar
July 8, 2025 - July 8, 2025
Digital Marketing Music
July 8, 2025 - July 8, 2025
Acoustic Guitar
July 8, 2025 - July 8, 2025
Drums
July 8, 2025 - July 8, 2025
Afro-Brazilian Rhythms
July 8, 2025 - July 8, 2025
Metaverse Programming
July 8, 2025 - July 8, 2025
Afro-Brazilian Rhythms
January 9, 2023 - March 24, 2023
1. Cultural and Historical Context Research: Study the origins and evolution of traditional rhythms (e.g., Samba, Maracatu, Candomblé, Afoxé, Ijexá, Baião). Cultural Understanding: Learn about the social, religious, and historical significance of the rhythms and their role in Afro-Brazilian communities. Listening: Explore foundational artists and ensembles, both traditional and contemporary. 2. Instrumentation Identification: Learn about typical instruments (e.g., atabaque, agogô, pandeiro, surdo, alfaia, caixa, berimbau). Technique: Acquire basic to advanced playing techniques for each instrument. Ensemble Balance: Understand how each instrument interacts within the ensemble. 3. Rhythmic Structure and Patterns Groove Analysis: Break down the clave, call-and-response structures, and polyrhythms characteristic of each style. Practice Patterns: Internalize common rhythmic phrases, ostinatos, and variations through repetition and practice. 4. Teaching and Transmission Oral Tradition: Participate in circles, workshops, and rehearsals, emphasizing learning by ear and imitation. Notation (if needed): Learn or create notation systems for reference (many traditions are non-notated). Group Integration: Practice group coordination, listening, and leadership within ensembles. 5. Composition, Arrangement, and Improvisation Traditional Forms: Compose within established forms (toques, breaks, etc.). Fusion and Innovation: Apply traditional elements in modern or hybrid contexts, fusing with genres like jazz, hip hop, or pop. Improvisation: Encourage spontaneity and personal expression, especially in solo sections or breaks (e.g., samba de roda).
Music Strategist
January 1, 2023 - December 31, 2023
Phonographic Processes
January 1, 2014 - December 31, 2016
Music Strategist
January 1, 2023 - December 31, 2023
Phonographic Processes
January 1, 2014 - December 31, 2016
Metaverse Programming – Infinity School
January 1, 2022 - December 31, 2022
Mixing – Pedro Peixoto
January 1, 2023 - December 31, 2023
Music Strategist – Nathy Faria School
January 1, 2022 - December 31, 2022
Soundtrack for Games – Vaz Sound Work
January 1, 2020 - December 31, 2020
DJ Course – CAL DJ Courses
January 1, 2017 - December 31, 2017
Afro-Bahian Rhythms – FUNCEB
January 1, 2017 - December 31, 2017
Phonographic Processes – Pracatum
January 1, 2016 - December 31, 2017
Percussion – Pracatum
January 1, 2016 - December 31, 2016
Digital Marketing – Pracatum
January 1, 2016 - December 31, 2016
Drums – FUNCEB
January 1, 2016 - December 31, 2016
Mixing In The Box – Nairo Studio
January 1, 2015 - December 31, 2015
Electronic Music Production – MKMN
January 1, 2015 - December 31, 2015
Electronic Music Production – Rodrigo Torres
January 1, 2015 - December 31, 2015
Pro Tools – Nairo Studio
January 1, 2014 - December 31, 2014
DJing – Pracatum
January 1, 2014 - December 31, 2014
Electronic Music Production – DJBan
January 1, 2014 - December 31, 2014
Guitar – David Santana Music School
January 1, 2010 - December 31, 2014
Audio – DB Áudio
January 1, 2012 - December 31, 2012
Music Strategist
January 1, 2023 - December 31, 2023
Metaverse Programming – Infinity School
January 1, 2022 - December 31, 2022
Mixing – Pedro Peixoto
January 1, 2023 - December 31, 2023
Soundtrack for Games – Vaz Sound Work
January 1, 2020 - December 31, 2020
DJ Course – CAL DJ Courses
January 1, 2017 - December 31, 2017
Afro-Bahian Rhythms – FUNCEB
January 1, 2017 - December 31, 2017
Phonographic Processes – Pracatum
January 1, 2016 - December 31, 2017
Percussion – Pracatum
January 1, 2016 - December 31, 2016
Digital Marketing – Pracatum
January 1, 2016 - December 31, 2016
Drums – FUNCEB
January 1, 2016 - December 31, 2016
Mixing In The Box – Nairo Studio
January 1, 2015 - December 31, 2015
Electronic Music Production – MKMN
January 1, 2015 - December 31, 2015
Electronic Music Production – Rodrigo Torres
January 1, 2015 - December 31, 2015
Pro Tools – Nairo Studio
January 1, 2014 - December 31, 2014
DJing – Pracatum
January 1, 2014 - December 31, 2014
Electronic Music Production – DJBan
January 1, 2014 - December 31, 2014
Guitar – David Santana Music School
January 1, 2010 - December 31, 2014
Audio – DB Áudio
January 1, 2012 - December 31, 2012

Industry Experience

Media & Entertainment, Professional Services, Consumer Goods, Gaming, Non-Profit Organization, Education